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El. knyga: Theory, Aesthetics, and Politics in the Francophone World: Filiations Past and Future

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Theory, Aesthetics, and Politics in the Francophone World: Filiations Past and Future offers a critical reflection on some of the leading figures of twentieth-century French and Francophone literature, cinema, and philosophy. Specialists re-evaluate the historical, political, and artistic legacies of twentieth-century France and the French-speaking world, proposing new formulations of the relationships between fiction, aesthetics, and politics. This collection combines interdisciplinary scholarship, nuanced theoretical reflection, and contextualized analyses of literary, cinematic, and philosophical practices to suggest alternative critical paradigms for the twenty-first century. The contributors reappraisals of key writers, filmmakers, and intellectuals trace an alternative narrative of their historical, cultural, or intellectual legacy, casting a contemporary light on the aesthetic, theoretical, and political questions raised by their works. Taken as a whole, the essays generate a series of fresh perspectives on French and Francophone literary and cultural studies.

Recenzijos

Thought-provoking, challenging, controversial at times, Vallurys edited volume presents a series of brilliant and fruitful dialogues on aesthetics and politics between philosophical discourses (from Camus and Lévinas to Deleuze) and analyses of literary fiction and criticism (Dib, Djebar, Genet, Klossowski, Barthes) as well as filmic texts (Ruiz, Straub and Huillet) that brought a significant contribution to intellectual and artistic debates during the second half of the twentieth century in the French-speaking world and beyond (Hannah Arendt, Richard Wright, Philip Watts, J. M. Coetzee, and Vilém Flusser). -- Caroline Eades, University of Maryland This timely collection teases out new affinities and filiations among fiction, aesthetic form, and politics in the Francophone world. In doing so, it reminds readers that objects of the past retain clues leading us toward that which we cannot yet think. Its analyses of works by Jean-Marie Straub, Daničle Huillet, Jacques Rancičre, J.M. Coetzee, Assia Djebar, Raśl Ruiz, Mohammed Dib, Pierre Klossowksi, Jean Genet, Roland Barthes, and the Eichmann trial are broad in range and often daring in their revelation. The result is an apt tribute to the memory of Philip Watts. -- Steven Ungar, University of Iowa

Foreword vii
Rajeshwari S. Vallury
Introduction 1(10)
Rajeshwari S. Vallury
1 Commemorating Past History or Documenting the Persistence of Struggles?: Jean-Marie Straub, Daniele Huillet, and Phil Watts as Archaeologists
11(22)
Yves Citton
2 Free Indirect, or Who Is the Subject of the Work of Fiction?
33(18)
Timothy Bewes
3 Time, Sense, and the Image in Raoul Ruiz's La Vocation Suspendue and L 'Hypothese du Tableau Vole
51(14)
Giuseppina Mecchia
4 Levinas and Camus: Love, Literature, and Resistance
65(16)
Christian C. Wood
5 Sacrificial Filiations: The Eichmann Trial, Hannah Arendt, and the Dangers of "Monumental History"
81(14)
Richard J. Golsan
6 Linking the Aesthetic and the Political in Jean Genet: From Notre-Dame-des-Fleurs to Les negres to the Black Panther Party
95(14)
Pamela A. Pears
7 Torture, Terror, and Revolution under the Algerian Sun: Tragic Consciousness in Mohammed Dib's Un ete africain
109(22)
Rajeshwari S. Vallury
8 L 'Amour, La Fantasia, Or, How to (Re)Write Colonial History
131(12)
Reda Bensmaia
Raji Vallury
9 Desiring Anthropology: Roland Barthes's Ethnological Temptation
143(14)
Vincent Debaene
Index 157(4)
About the Editor 161(2)
About the Contributors 163
Rajeshwari S. Vallury is professor of French at the University of New Mexico.