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Theory of Dramaturgy [Kietas viršelis]

  • Formatas: Hardback, 290 pages, aukštis x plotis: 246x174 mm, weight: 453 g, 2 Tables, black and white; 34 Line drawings, black and white; 1 Halftones, black and white; 37 Illustrations, black and white
  • Išleidimo metai: 24-Apr-2019
  • Leidėjas: Routledge
  • ISBN-10: 0815354703
  • ISBN-13: 9780815354703
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 290 pages, aukštis x plotis: 246x174 mm, weight: 453 g, 2 Tables, black and white; 34 Line drawings, black and white; 1 Halftones, black and white; 37 Illustrations, black and white
  • Išleidimo metai: 24-Apr-2019
  • Leidėjas: Routledge
  • ISBN-10: 0815354703
  • ISBN-13: 9780815354703
Kitos knygos pagal šią temą:
"A Theory of Dramaturgy is the first text of its kind to define concepts and combine arguments into a coherent dramaturgical theory supported by an operative systems theory. This is a wide-ranging theory with historical and contemporary perspectives on dramaturgy, rather than a simply how-to book. Dramaturgy began in ancient Greece, born from experimentation with democracy and commentary in the theatre on the human condition. The term itself has seen constant evolution, but thanks to its introduction into common English usage within the last three decades, it has gained new importance. Dramaturgy draws focus to the communication of communication, and in theatre it examines how moving bodies, voice, sound, and light can tell a story and affect values. Beyond the theatre, in daily life, dramaturgy becomes a question of 'performativity', as we constantly have to act in relation to the roles that we occupy. It is because of this that the way in which society describes itself to itself is not just a matter for scientists and theorists, but for all of those who are met on a daily basis with devised, staged, and directed versions of important values and events in our contemporary lives. Ideal for both scholars and students, A Theory of Dramaturgy explains how to approach the values, strategies, and theories that are essential to understanding arts and media, and investigates what art should do in the current world"--

A Theory of Dramaturgy is the first text of its kind to define concepts and combine arguments into a coherent dramaturgical theory supported by an operative systems theory. This is a wide-ranging theory with historical and contemporary perspectives on dramaturgy, rather than simply a how-to book.

Dramaturgy began in ancient Greece, born from experimentation with democracy and commentary in the theatre on the human condition. The term itself has seen constant evolution, but thanks to its introduction into common English usage within the last three decades, it has gained new importance. Dramaturgy draws focus to the communication of communication, and in theatre it examines how moving bodies, voice, sound, and light can tell a story and affect values. Beyond the theatre, in daily life, dramaturgy becomes a question of "performativity", as we constantly have to act in relation to the roles that we occupy. It is because of this that the way in which society describes itself to itself is not just a matter for scientists and theorists, but for all of those who are met on a daily basis with devised, staged, and directed versions of important values and events in our contemporary lives.

Ideal for both scholars and students, A Theory of Dramaturgy explains how to approach the values, strategies, and theories that are essential to understanding arts and media, and investigates what art should do in the current world.

Recenzijos

"Summing Up: Essential. Graduate students, researchers, faculty." - CHOICE Essential Read

List of figures
ix
Foreword xi
1 Theory of dramaturgy for the 21st century
1(31)
Art and science
2(1)
Systems theory
2(1)
Art as system
3(3)
Dramaturgy-α and dramaturgy-ζ
6(1)
Dramaturgy in the 21st century
6(1)
Nation and globalisation
7(25)
2 Challenging dramaturgy -- reflections on praxis
32(32)
Challenging expansions
32(2)
State of the art
34(1)
The art of dramaturgy
34(8)
Dramaturgy as a revolution in theatre
42(6)
On the problem of universalisation
48(10)
Thinking in differences
58(6)
3 Systems theory -- draw a distinction, observe observers
64(20)
Systems and observations
64(2)
Systems theory
66(14)
Society as communication
80(4)
4 Art as system
84(38)
Rules in the art system
85(3)
The function of the art system
88(6)
From philosophy and aesthetics, to poetology
94(13)
Aesthetics in the beginning of modem times
107(8)
Poetology on poietics
115(7)
5 Theories of consciousness and communication
122(30)
Perception
127(1)
Arousal
128(1)
Forms of vitality
128(1)
Emotions
129(1)
Cognition
129(1)
Consciousness
130(2)
Communication
132(5)
Luhmann on communication
137(6)
Conclusion
143(1)
Consciousness and communication
144(8)
6 Poiesis, aisthesis, and performativity
152(33)
Poiesis
152(2)
Unfolding a theory on poiesis
154(9)
Aisthesis
163(3)
Performativity
166(8)
Performance
174(11)
7 Analysing poietics -- Eugenio Barba and Odin Teatret
185(37)
Odin Teatret -- and four motives for the choice
185(5)
Dramaturgy in Odin's house
190(12)
Semantics
202(7)
Values of art in the house of Odin
209(8)
Weaves of tradition
217(5)
8 Postdramatic theatre
222(26)
Post-dramatic ambiguity
224(13)
Words to the concept "culture"
237(5)
The concept of culture -- the vilest of all concepts
242(6)
9 Immersion or new realism?
248(33)
Immersive theatre
248(1)
Concepts of immersion
249(18)
Lob des realismus
267(9)
Wide-range theory of dramaturgy
276(5)
Index 281
Janek Szatkowski is Associate Professor in the Department of Dramaturgy at the University of Aarhus, Denmark. Previously head of the Danish National School for Playwrights, he has worked as a dramaturge for childrens, regional, and national theatres, and his areas of research include dramaturgical textual analysis, performances, and artistic processes.