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Theory and Practice of Motion Design: Critical Perspectives and Professional Practice [Minkštas viršelis]

4.25/5 (14 ratings by Goodreads)
Edited by (The Ohio State University, USA), Edited by (The Ohio State University, USA)
  • Formatas: Paperback / softback, 330 pages, aukštis x plotis: 254x178 mm, weight: 800 g
  • Išleidimo metai: 23-Jul-2018
  • Leidėjas: Routledge
  • ISBN-10: 1138490806
  • ISBN-13: 9781138490802
  • Formatas: Paperback / softback, 330 pages, aukštis x plotis: 254x178 mm, weight: 800 g
  • Išleidimo metai: 23-Jul-2018
  • Leidėjas: Routledge
  • ISBN-10: 1138490806
  • ISBN-13: 9781138490802
This collection offers an expansive, multiplatform exploration of the rapidly-expanding area of motion design and motion graphics, taking into account both theoretical questions and creative professional practice. Spanning interaction design, product interfaces, kinetic data visualizations, typography, TV and film title design, brand building, narrative storytelling, history, exhibits and environments, editors R. Brian Stone and Leah Wahlin offer an interdisciplinary range of academic essays and professional interviews that together form a dialogue between motion design theory and professional practice.

Written for both those critically engaged with motion design as well as those working or aspiring to work professionally in the field, the book features a range of international contributors and interviews with some of the best-known designers in the field, including Kyle Cooper, Karin Fong, and Daniel Alenquer.

The Theory and Practice of Motion Design seeks to illuminate the diverse, interdisciplinary field of motion design by offering a structured examination of how motion design has evolved, what forces define our current understanding and implementation of motion design, and how we can plan for and imagine the future of motion design as it unfolds.

An accompanying online resource site, www.motionresource.com, contains visual representations of the examples described in the text.

Recenzijos

"A riveting collection of essays, providing the unique point of view of some of the most inspired members of our industry. Whether you are interested in the science or the practical aspects of this field, this book is certain to provide rare insight, education and inspiration."

Alberto Scirocco, President / Creative Director, leftchannel

"R. Brian Stone and Leah Wahlin have produced the best book on designing for motion since Peter von Arxs classic Film Design. Their new book The Theory and Practice of Motion Design should be required reading for anyone concerned with how words and information move on screen and how movement contributes to meaning."

Hugh Dubberly, Co-founder, Dubberly Design Office; Fellow AIGA SF; Member of the ACM SIGCHI Academy

"Instead of a how-to book, this is a how-to-think-about book that delivers on its title, combining the history and intellectual underpinnings of motion design with the insights of contemporary design professionalsa thoughtful response to the professions shift from the mute flat-land of print to todays rich, multi-dimensional options for communications."

Christopher Pullman, Senior Critic, Motion Design, Yale University School of Art; Former VP of Design and Visual Communications, WGBH, Public Broadcasting in Boston

Introduction: The Theory and Practice of Motion Design xii
R. Brian Stone
Part 1 Theoretical Perspectives
Section 1 Interdisciplinary Influences and Origins
Liberating Words from the Printed Page
4(11)
Dan Boyarski
The Evolution of the Motion Graphic Design Discipline Seen Through Its Definitions Over Time
15(15)
Clarisa E. Carubin
Motion in Graphic Design: Interdisciplinary References for Teaching
30(15)
Camila Afanador-Llach
Re-framing Design: Engaging Form, Meaning, and Media
45(21)
Jennifer Bernstein
Section 2 Communication Theory
Figures of Speech and Motion Design
66(14)
Bruno Ribeiro
Understanding Text::Image Composites in Title Sequences
80(14)
Michael Betancourt
Towards the Cumulative Effect of Expository Motion Graphics: How Visual Explanations Resonate with Audiences
94(20)
Spencer Barnes
Section 3 Science and Perception
Motion Attracts Attention
114(20)
Elaine Froehlich
A conversation with Daniel Alenquer, Playerium
127(7)
Part 2 Practice & Application
Section 1 Brand Building and Identities
A conversation with Guy Wolstenholme and Jon Hewitt, Moving Brands
134(5)
Identities in Motion: Logo Introductions as Brand-Building Narratives
139(25)
David Peacock
A conversation with Jakob Trollback, Trollback+Company
158(6)
Section 2 Interface and Interaction Design
Navigating VOX/UI: The Integration of Motion in a Voice-Controlled Information System
164(18)
Andre Murnieks
A conversation with Jeff Arnold, Microsoft
178(4)
Energetic Alpha: A Design Continuum Created Through Collaboration
182(18)
Gretchen C. Rinnert
Aoife Mooney
Marianne Martens
Section 3 Narrative and Storytelling
A conversation with Kyle Cooper, Prologue Films
200(5)
The Blurry Intersection of Illustration and Animation
205(23)
Adam Osgood
A conversation with Karin Fong, Imaginary Forces
220(8)
Section 4 Space and Environment
Motion Design in the Context of Place
228(18)
Cotter Christian
Catherine Normoyle
Motion Design: Application and Impact on the Exhibition Experience-from Theory to Practice
246(16)
Christina Lyons
Section 5 Experimental Visualizations & New Applications
Fragmented Motion: Split-Screen and Asynchronous Video
262(26)
Steven Hoskins
A conversation with Isabel Meirelles, author of Design for Information
276(5)
A conversation with Matt Pasternack, InfoMotion
281(7)
Section 6 Educating Motion Designers
Notes from the Classroom
288(5)
R. Brian Stone
Understanding Motion Literacy through Systems and Behaviors
293(19)
Heather Shaw
Practitioner Perspectives on Educating Motion Designers
Kyle Cooper
312(1)
Daniel Alenquer
313(2)
Karin Fong
315(1)
Guy Wolstenholme and Jon Hewitt
316(1)
Isabel Meirelles
317(1)
Jakob Trollback
318(2)
Index 320
R. Brian Stone works in the area of motion design, interaction design, information visualization, and user experience, and is an Associate Professor of Design at The Ohio State University. His work has garnered numerous awards for design excellence, and he has held visiting appointments at the National University of Singapore, Escola Superior de Desenho Industrial in Brazil, and Universidad Americana Managua in Nicaragua.



Leah Wahlins academic background in English literature and composition pedagogy is layered with professional experience in content development and project management. She brings her interest in the intersections of technology, design, and strategic communication to her role teaching technical and professional communications in the Department of Engineering Education at The Ohio State University.