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This Ghostly Poetry: History and Memory of Exiled Spanish Republican Poets [Kietas viršelis]

  • Formatas: Hardback, 277 pages, aukštis x plotis x storis: 235x165x28 mm, weight: 680 g, 15 b&w illustrations
  • Serija: Toronto Iberic
  • Išleidimo metai: 20-Mar-2020
  • Leidėjas: University of Toronto Press
  • ISBN-10: 1487503814
  • ISBN-13: 9781487503819
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 277 pages, aukštis x plotis x storis: 235x165x28 mm, weight: 680 g, 15 b&w illustrations
  • Serija: Toronto Iberic
  • Išleidimo metai: 20-Mar-2020
  • Leidėjas: University of Toronto Press
  • ISBN-10: 1487503814
  • ISBN-13: 9781487503819
Kitos knygos pagal šią temą:

The Spanish Civil War was idealized as a poet’s war. The thousands of poems written about the conflict are memorable evidence of poetry’s high cultural and political value in those historical conditions. After Franco’s victory and the repression that followed, numerous Republican exiles relied on the symbolic agency of poetry to uphold a sense of national identity.

Exilic poems are often read as claim-making narratives that fit national literary history. This Ghostly Poetry critiques this conventional understanding of literary history by arguing that exilic poems invite readers to seek continuity with a traumatic past just as they prevent their narrative articulation. The book uses the figure of the ghost to address temporal challenges to historical continuity brought about by memory, tracing the discordant, disruptive ways in which memory is interwoven with history in poems written in exile. Taking a novel approach to cultural memory, This Ghostly Poetry engages with literature, history, and politics while exploring issues of voice, time, representation, and disciplinarity.



This Ghostly Poetry explores the fraught relationship between poetry and literary history in the context of the Spanish Civil War, its aftermath, and ongoing debates about historical memory in Spain.

Recenzijos

"Aquirre-Otezia theorizes about the Republicans who wrote about Spain (and themselves) from abroad, and he argues that a full comprehension of Spanish literature must decenter tradition to include and elevate dissident exile culture."

- S. Miller, Texas A&M University (CHOICE)

List of Illustrations
ix
Acknowledgments xi
1 Introduction: On Forewords and Historical Ghosts
3(26)
Part One Exiles in Literary History
2 Re-Engaging with Ghosts in the Poetic Machine
29(18)
3 Writing the War, Re-Writing the Nation, Embodying the Voice of the People
47(28)
Part Two Exiles in Poetic Memory
4 Juan Ramon Jimenez: "Photography Is Death Itself" -- Visionary Poetics, Ruins, and the Testimony of Antonio Machado
75(30)
5 Luis Cernuda: "Remember Him and Remember Him to Others" - Historical Memory, Self-Elegy, and Mythopoetic Figuration
105(27)
6 Max Aub
132(60)
I "Enclosed into Myself, Purblind, Mute" - Margins of the Poetic "I" and Testimonial Memory
132(31)
II Usurping the Apocryphal: Exilic Testimony, Cosmopolitan Memory, and National Culture (The Case of Antonio Munoz Molina)
163(29)
7 Tomas Segovia: "In Exile from Exile" -- Nomadic Ethics and the Broken Language of Ghosts
192(25)
Coda: Antonio Machado's Afterlives and Memories of Spanish Literary History 217(26)
Notes 243(64)
Works Cited 307(32)
Index 339
Daniel Aguirre-Oteiza is a professor in the Department of Romance Languages and Literatures at Harvard University.