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This Strange Idea of the Beautiful [Minkštas viršelis]

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  • Formatas: Paperback / softback, 256 pages, aukštis x plotis x storis: 222x121x17 mm, weight: 300 g
  • Išleidimo metai: 14-Oct-2022
  • Leidėjas: Seagull Books London Ltd
  • ISBN-10: 180309057X
  • ISBN-13: 9781803090573
Kitos knygos pagal šią temą:
  • Formatas: Paperback / softback, 256 pages, aukštis x plotis x storis: 222x121x17 mm, weight: 300 g
  • Išleidimo metai: 14-Oct-2022
  • Leidėjas: Seagull Books London Ltd
  • ISBN-10: 180309057X
  • ISBN-13: 9781803090573
Kitos knygos pagal šią temą:
An exploration of what it means when we say something is beautiful.

Bringing together ideas of beauty from both Eastern and Western philosophy, Franēois Jullien challenges the assumptions underlying our commonly agreed-upon definition of what is beautiful and offers a new way of beholding art. Jullien argues that the Western concept of beauty was established by Greek philosophy and became consequently embedded within the very structure of European languages. And due to its relationship to language, this concept has determined ways of thinking about beauty that often go unnoticed or unchecked in discussions of Western aesthetics. Moreover, through globalization, Western ideals of beauty have even spread to cultures whose ancient traditions are based upon radically different aesthetic foundations; yet, these cultures have adopted such views without question and without recognizing the cultural assumptions they contain.

Looking specifically at how Chinese texts have been translated into Western languages, Jullien reveals how the traditional Chinese refusal to isolate or abstract beauty is obscured in translation in order to make the works more understandable to Western readers. Creating an engaging dialogue between Chinese and Western ideas, Jullien reassesses the essence of beauty.
Translators Note ix
I Beautiful, the Beautiful
4(4)
II The Beautiful: Exercises in Philosophy
8(5)
III In the Rut of an Impossible Definition
13(8)
IV Statement: China Has Not Been Aware of the Monopolization of the Beautiful
21(7)
V What Do We Lose Owing to the Beautiful?
28(8)
VI The Beautiful: Lynchpin of Metaphysics
36(9)
VII Separation-Mediation: On What the Beautiful Is Perched
45(11)
VIII To `Transmit the Spirit' through the Tangible
56(13)
IX Beauty Comes from Form
69(12)
X Or To Paint the Transformation
81(9)
XI Variety or Variance
90(12)
XII Essence Ardency
102(12)
XIII Resemblance/Resonance
114(11)
XIV Presence/Pregnancy
125(8)
XV About the Nude or Beauty
133(13)
XVI The `Beautiful Representation of a Thing'
146(13)
XVII `How Beautiful', or What Can I Do but `Judge'?
159(14)
XVIII Is It a Matter of Pleasure?
173(11)
XIX Democracy of the Beautiful
184(12)
XX The Dread of the Beautiful
196(9)
XXI The Beautiful Dead
205(13)
XXII The Cult of the Beautiful
218(16)
XXIII To Be Free of Beauty?
234(10)
XXIV To Restore to Beauty Its Strangeness
244(9)
Notes 253(1)
Bibliography 254
Franēois Jullien is professor at Université Paris Diderot, a member of the Institut universitaire de France, and director of the Institut de la pensée contemporaine. His other books include In Praise of Blandness: Proceeding from Chinese Thought and Aesthetics, The Impossible Nude, and Silent Transformations, the last also published by Seagull Books. Krzysztof Fijalkowski is a senior lecturer in critical studies at the Norwich Unversity College of the Arts. Michael Richardsons translations with Krzysztof Fijalkowski include Refusal of the Shadow, Surrealism Against the Current, and States of Violence: An Essay on the End of War, the last also published by Seagull Books.