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El. knyga: Through the Black Mirror: Deconstructing the Side Effects of the Digital Age

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  • Formatas: PDF+DRM
  • Išleidimo metai: 26-Jul-2019
  • Leidėjas: Springer Nature Switzerland AG
  • Kalba: eng
  • ISBN-13: 9783030194581
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  • Formatas: PDF+DRM
  • Išleidimo metai: 26-Jul-2019
  • Leidėjas: Springer Nature Switzerland AG
  • Kalba: eng
  • ISBN-13: 9783030194581
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This edited collection charts the first four seasons of Black Mirror and beyond, providing a rich social, historical and political context for the show. Across the diverse tapestry of its episodes, Black Mirror has both dramatized and deconstructed the shifting cultural and technological coordinates of the era like no other. With each of the nineteen chapters focussing on a single episode of the series, this book provides an in-depth analysis into how the show interrogates our contemporary desires and anxieties, while simultaneously encouraging audiences to contemplate the moral issues raised by each episode. What if we could record and replay our most intimate memories? How far should we go to protect our children? Would we choose to live forever? What does it mean to be human? These are just some of the questions posed by Black Mirror, and in turn, by this volume. Written by some of the foremost scholars in the field of contemporary film and television studies, Through the Black Mirror explores how Black Mirror has become a cultural barometer of the new millennial decades and questions what its embedded anxieties might tell us. 
Introduction: Read that Back to Yourself and Ask If You Live in a Sane Society 1(16)
Terence McSweeney
Stuart Joy
Part I
17(38)
"The National Anthem", Terrorism and Digital Media
19(14)
Fran Pheasant-Kelly
"Fifteen Million Merits": Gamification, Spectacle, and Neoliberal Aspiration
33(10)
Mark R. Johnson
Enhanced Memory: "The Entire History of You"
43(12)
Henry Jenkins
Part II
55(54)
Making Room for Our Personal Posthuman Prisons: Black Mirror's "Be Right Back"
57(12)
Andrew Schopp
Ideological State Apparatuses, Perversions of Courtly Love, and Curatorial Violence in "White Bear"
69(14)
Paul Petrovic
Political Apathy, the ex post facto Allegory and Waldo's Trumpian Moment
83(12)
Terence McSweeney
We Have Only Ourselves to Fear: Reflections on AI Through the Black Mirror of "White Christmas"
95(14)
Christine Muller
Part III
109(82)
The Planned Obsolescence of "Nosedive"
111(14)
Sean Redmond
Augmented Reality Bites: "Playtest" and the Unstable Now
125(12)
Soraya Murray
Shame, Stigma and Identification in "Shut Up and Dance"
137(14)
Stuart Joy
Unreal City: Nostalgia, Authenticity, and Posthumanity in "San Junipero"
151(14)
Isra Daraiseh
M. Keith Booker
Deviating the Other: Inspecting the Boundaries of Progress in "Men Against Fire"
165(14)
Ana Dosen
On Killer Bees and GCHQ: "Hated in the Nation"
179(12)
James Smith
Part IV
191(94)
Dethroning the King of Space: Toxic White Masculinity and the Revised Adventure Narrative in "USS Callister"
193(12)
Steffen Hantke
"Arkangel": Postscript on Families of Control
205(12)
George F. McHendry
The Sovereignty of Truth: Memory and Morality in "Crocodile"
217(14)
Jossalyn G. Larson
Stop Me If You Think You've Heard This One Before: Relationships and Late Capitalism in "Hang the DJ"
231(14)
Aidan Power
Killing the Creator in "Metalhead"
245(12)
Barbara Gurr
Hope, with Teeth: On "Black Museum"
257(14)
Gerry Canavan
Change Your Past, Your Present, Your Future? Interactive Narratives and Trauma in Bandersnatch (2018)
271(14)
Terence McSweeney
Stuart Joy
Notes on Contributors 285(6)
Index 291
Terence McSweeney is Senior Lecturer at Solent University, UK. He is the author of The 'War on Terror' and American Film: 9/11 Frames Per Second (2014), Avengers Assemble! Critical Perspectives on the Marvel Cinematic Universe (2018) and editor of "In the Shadow of 9/11": American Cinema in the 'War on Terror' Era (2016). Stuart Joy is Senior Lecturer at Solent University, UK, where he teaches Film and Television. He is the co-editor of, and contributor to The Cinema of Christopher Nolan: Imagining the Impossible (2015).