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El. knyga: Tone Sandhi: Patterns across Chinese Dialects

4.50/5 (3 ratings by Goodreads)
(City University of Hong Kong)
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Matthew Chen's study, first published in 2000, offers a most comprehensive analysis of the rich and complex patterns of tone used in Chinese languages. Chinese has a wide repertoire of tones which undergo often surprising changes when they are connected in speech flow. The term tone sandhi refers to this tonal alternation. Chen examines tone sandhi phenomena in detail across a variety of Chinese dialects. He explores a range of important theoretical issues such as the nature of tonal representation, the relation of tone to accent, the prosodic domain of sandhi rules, and the interface between syntax and phonology. His book is the culmination of a ten-year research project and offers a wealth of empirical data not previously accessible to linguists. Extensive references and a bibliography on tone sandhi complete this invaluable resource which will be welcomed as a standard reference on Chinese tone.

Recenzijos

"Well-structured, comprehensive and reader-friendly, the book is a genuine encyclopedia of Chinese tone sandhi..." Language "A valuable book that will be of great interest to all phonologists, as well as students of Chinese linguistics." General Linguistics

Daugiau informacijos

This book, first published in 2000, is a most comprehensive analysis of the complex tonal patterns of Chinese languages.
Preface xi
Notional conventions xvii
Setting the stage
1(52)
Languages and dialects of China
1(3)
Historical background
4(9)
Tone patterns in present day dialects
13(6)
Tones in context
19(19)
Synchronic relevance of diachrony
38(11)
Citation tone, base tone, sandhi tone
49(4)
Tonal representation and tonal processes
53(45)
Tonal representation
53(4)
The autosegmental status of tone
57(6)
Tonal geometry and the typology of spread/shift rules
63(16)
Dissimilation and substitution
79(5)
Neutralization and differentiation
84(14)
Appendix Tone features
96(2)
Directionality and interacting sandhi processes I
98(52)
The nature of the problem
98(7)
Tianjin: directionality effect
105(5)
A derivational account
110(8)
Constraints on derivation?
118(4)
A non-derivational alternative
122(12)
Cross-level constraints
134(6)
Harmonic serialism
140(7)
Concluding remarks
147(3)
Directionality and interacting sandhi processes II
150(24)
Changting: preamble
150(3)
Temporal Sequence and No-Backtracking
153(5)
Temporal sequencing vs. structural affinity
158(7)
Derivational economy and structural complexity
165(7)
Concluding remarks
172(2)
From base tones to sandhi forms: a constraint-based analysis
174(45)
Background
176(3)
Parallel constraint satisfaction
179(7)
Constraint ranking
186(15)
Opacity
201(8)
Competing strategies
209(10)
Appendix Sandhi forms of disyllabic compounds (New Chongming dialect)
218(1)
From tone to accent
219(66)
Shanghai: an aborted accentual system?
220(5)
New Chongming: an emergent accentual system
225(7)
Culminative accent
232(12)
Saliency and Edgemostness
244(9)
Prosodic weight and recursive constraint satisfaction
253(14)
Tonic clash
267(10)
Semantically determined prominence
277(3)
Leveling
280(5)
Stress-foot as sandhi domain I
285(35)
The phonological status of stress in Chinese
286(9)
Stress-sensitive tonal phenomena
295(11)
Shanghai: stress-foot as sandhi domain
306(14)
Stress-foot as sandhi domain II
320(44)
Wuxi: stress shift
320(5)
Danyang: asymmetric stress clash
325(16)
Nantong: stress-foot and p-word
341(23)
Minimal rhythmic unit as obligatory sandhi domain
364(67)
Minimal rhythmic units
366(14)
A two-pass MRU formation
380(6)
The syntactic word
386(10)
The phonological word
396(7)
Summary
403(1)
The prosodic hierarchy
404(10)
Syntactic juncture
414(3)
Meaning-based prosodic structure
417(14)
Appendix Prosodic and syntactic word
426(5)
Phonological phrase as a sandhi domain
431(44)
End-based p-phrase
431(10)
Supporting evidence for p-phrase
441(5)
M-command or domain c-command
446(9)
Lexical government
455(16)
Rhythmic effect in Xiamen
471(4)
From tone to intonation
475(32)
Wenzhou tone system
476(1)
Word-level tone sandhi
477(9)
Clitic groups
486(4)
Phrasal tone sandhi
490(4)
Intonation phrasing
494(5)
Tonic prominence
499(8)
Concluding remarks
504(3)
Bibliographical appendix Tone sandhi across Chinese dialects 507(16)
References 523(22)
Subject index 545(6)
Author index 551


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