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El. knyga: Totalitarianism and Literary Discourse: 20th Century Experience

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  • Formatas: 515 pages
  • Išleidimo metai: 18-Oct-2011
  • Leidėjas: Cambridge Scholars Publishing
  • ISBN-13: 9781443834728
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  • Formatas: 515 pages
  • Išleidimo metai: 18-Oct-2011
  • Leidėjas: Cambridge Scholars Publishing
  • ISBN-13: 9781443834728
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The collection Totalitarianism and Literary Discourse represents selected proceedings from the conference, Totalitarianism and Literary Discourse: 20th Century Experience, held in Tbilisi, Georgia, in October 2009. The Tbilisi conference pioneered scholarly inquiry into post-Soviet space, which evaluated political and cultural realia, emphasizing the challenges facing literature and culture in totalitarian strangleholds, various kinds of ideological diktat, their possible forms and consequences. The Soviet type of totalitarianism was especially accentuated.Decades after the collapse of the Soviet Union, full comprehension of the process of Sovietization has become possible, and in the field of literary studies scholars have worked on a number of issues: assessing conceptual and motivational models of Soviet-period texts; demonstrating the reaction of literary discourse to intellectual terror and systematizing alternative models offered by anti-Soviet discourse; exhibiting the myths and stereotypes of the totalitarian epoch; and classifying literary genres.The collection Soviet Totalitarianism and Literary Discourse has gathered papers by scholars from almost all of the post-Soviet states, as well as of some other countries. It is a first attempt to solve the above-mentioned issues and offers a wide array of questions.
Foreword xi
Irma Ratiani
Part I The Myths and Stereotypes of Totalitarian Epoch
Chapter One Axiology and Anti-Utopia of Andrei Platonov
2(7)
Ludmila Antonova
Chapter Two Stereotypes of Totalitarian Age
9(6)
Nino Balanchivadze
Chapter Three The Role of Literary Languages in the Soviet Linguistic Policy
15(11)
Tinatin Bolkvadze
Chapter Four Image of Moskal in Ukrainian Texts in the 19th-20th Centuries
26(12)
Lyudmila Boris
Chapter Five Grigol Robakidze and His Novel "Die Gemordete Seele" as a Hermeneutical Clue to the Mytho-Demonic Nature of a Totalitarian State
38(12)
Konstantine Bregadze
Chapter Six Creation of Lithuanian Poet Sigitas Geda: Between the Archetext and Old World Literature
50(14)
Ruta Bruzgiene
Chapter Seven Sayings about the Totalitarian Communist Regime in Georgia
64(7)
Rusudan Cholokashvili
Chapter Eight De-Structuring Symbols in Conditions of Totalitarianism and Profaning the Sacral
71(5)
Ketevan Elashvili
Chapter Nine Genre Modifications in the Literature of the Epoch of Totalitarianism
76(8)
Sahiba Gafarova
Chapter Ten The Canon of Socialist Realism: The Baltic Example
84(14)
Benedikts Kalnacs
Chapter Eleven The Appearance and Development of the Northern Caucasus Russian-Language Prose in the 19th and 20th Centuries
98(5)
Almira Kaziyeva
Chapter Twelve The USSR through the Eyes of the Third Reich: Nazi-Age German Literature on the Soviet Union; Truth and Invention
103(12)
Dmitry Khmelnitsky
Chapter Thirteen National Literatures in Post-Totalitarian Epoch
115(6)
Iraida Krotenko
Chapter Fourteen Forms of Anti-Religious Movement in Georgia (1921-1924)
121(5)
Irma Kvelashvili
Chapter Fifteen Totalitarianism and Literature in Bulgaria: Current State of Investigation and Perspectives
126(27)
Yordan Lyutskanov
Chapter Sixteen Generalised Image of Totalitarianism -- Camorra
153(7)
Maia Ninidze
Chapter Seventeen Culinary Myths of the Soviet Union
160(16)
Irina Perianova
Chapter Eighteen "Consumption in a Soviet Way": Transformation of the Consumption Image in the Soviet Society -- From Prohibition to Legitimization
176(10)
Larisa Piskunova
Chapter Nineteen Genre Peculiarities of Anti-Totalitarian Text
186(13)
Irma Ratiani
Chapter Twenty Writing of Odes: A Perspective from Ukrainian Literature during Totalitarian Times
199(10)
Eleonora Solovey
Chapter Twenty-One Changing Face of Totalitarianism in Soviet Georgia
209(14)
George Tarkhan-Mouravi
Chapter Twenty-Two The Dictatorship of the Text and Incomprehensible Zatext
223(12)
Zhanna Tolysbayeva
Chapter Twenty-Three Totalitarian and National Cultural Models as a Binary Opposition
235(8)
Bela Tsipuria
Chapter Twenty-Four The Second World War (1939-1945) and the Discourse Analysis of Narratives in Oral History
243(7)
Marine Turashvili
Chapter Twenty-Five Politinformation as a Ritual Practice of the Soviet Life
250(14)
Igor Yankov
Part II Totalitarianism and Models of Alternative Thinking
Chapter Twenty-Six Laughter under Arrest: Jokes and Other "Funny" Genres in NKVD Investigations
264(12)
Svetlana Bykova
Chapter Twenty-Seven Totalitarianism, Carnival and Carnivalisation
276(7)
Merab Ghaghanidze
Chapter Twenty-Eight Collapse of a Myth -- Andre Gide about the USSR
283(8)
Nino Kavtaradze
Chapter Twenty-Nine Tyrant as a Messiah (Giorgi Leonidze's Narrative Poem "Stalin's Childhood and Youth")
291(10)
Dodona Kiziria
Chapter Thirty Thomas Mann and Genesis of German Totalitarianism (Essay "Germany and the Germans")
301(9)
Nino Kvirikadze
Chapter Thirty-One Making or Destroying the Labyrinth of Totalitarianism: James Joyce and His Mythical Model for Anti-Totalitarian Literary Artists
310(9)
Pedram Lalbakhsh
Wan Roselezam Wan Yahya
Chapter Thirty-Two From Lieder to Chief
319(8)
Rusudan Nishnianidze
Chapter Thirty-Three Totalitarianism -- Anti-Semitism in F. Gorenstein's Novel "Psalm"
327(9)
Elina Vasilyeva
Part III Peculiarity of Interpretation of Alternative Text under the Conditions of Totalitarian Regime
Chapter Thirty-Four Literary Texts as Counter to Totalitarianism: Their Significance and Specificities
336(5)
Madan Mohan Beura
Chapter Thirty-Five Extra-Linguistic Motivations for Banning Texts in the Soviet Censorship Practice
341(8)
Levan Bregadze
Chapter Thirty-Six In the Grip of the Soviet Regime (Based on the Periodicals from the 1920s to the 1950s)
349(8)
Eka Chkheidze
Chapter Thirty-Seven Censorship and Literature in Socialist Slovenia
357(13)
Marijan Dovic
Chapter Thirty-Eight Two Cinematic Insights into the Romanian GULAG: Nicolae Margineanu and Lucian Pintilie
370(9)
Elena Dulgheru
Chapter Thirty-Nine Rustaveli Studies in Conditions of Soviet Totalitarianism
379(8)
Mariam Karbelashvili
Chapter Forty The Adventures of History of Georgian Literature in the Communist Era
387(9)
Malkhaz Kobiashvili
Tamar Tsitsishvili
Irina Modebadze
Chapter Forty-One Rush for Freedom in Lithuanian Poetry and Music during the Soviet Times
396(21)
Jurate Landsbergyte
Chapter Forty-Two Tragedy of the Fate: Ahmatova's "Cleopatra"
417(6)
Milana Laziridi
Chapter Forty-Three Guiding Lines of Akaki Bakradze's Political Conception
423(11)
Mari Tsereteli
Part IV Literary Genres of the Epoch of Totalitarianism and Cultural Paradigms
Chapter Forty-Four Issues in Soviet Literary Analysis: Reception of the Works of Eduardas Miezelaitis
434(9)
Elena Baliutyte
Chapter Forty-Five Travel Sketch Genre in Latvian Literature: 1940-1991
443(8)
Maija Burima
Chapter Forty-Six On Post-Soviet Interpretation of World War II in Georgian Historiography
451(11)
Otar Janelidze
Dimitri Shvelidze
Chapter Forty-Seven The Myths: Transformations in the Literature of the 20th Century
462(8)
Flora Najiyeva
Chapter Forty-Eight Inner Freedom - A Response to Totalitarian Rule (Vladimir Svintila as a Symbol of the Era)
470(7)
Lyudmila Savova
Chapter Forty-Nine Towards a Typology of Nazi and Soviet Totalitarian Regimes
477(14)
Tigran Simyan
Contributors 491
Irma Ratiani is Professor at the Ivane Javakhishvili Tbilisi State University, Chairperson of the Department of General and Comparative Literary Studies, Director of the Shota Rustaveli Institute of Georgian Literature and President of the Georgian Comparative Literature Association. Her research interests include literary theory, and comparative literature in a wider cultural context. She is the author of several monographs, books, textbooks and over 70 articles. For more information, please visit www.irmaratiani.ge