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ix | |
Foreword | The Atomic Now |
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xv | |
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Acknowledgments |
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xix | |
Introduction | Toxic Immanence: Toward Decolonizing Pedagogies of the Nuclear |
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3 | (36) |
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ONE Aftereffects of Chernobyl and Fukushima |
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1 "The Future Is Behind Them!" Post-Apocalypse and the Enduring Nuclear in Post-Soviet Russian Fiction |
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39 | (20) |
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2 From Toxic Lands to Toxic Rumours: Nuclear Accidents, Contaminated Territories, and the Production of (Radio)active Ignorance |
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59 | (19) |
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78 | (16) |
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4 Fukushima and the Rebuild of Godzilla: Multiplying Media in an Era of Multiplying Disaster |
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94 | (45) |
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Afterword | Repeating, Multiplying: The Ongoing Now of Nuclear Aftereffects |
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127 | (12) |
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TWO The Cold War and Post-Cold War Nuclear State and Its Geopolitics: Imaginaries and Contestations |
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5 Shaking, Trembling, Rattling, Shouting: Seismic Politics in the Nuclear Age |
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139 | (12) |
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6 What Is the Matter with Nuclear Weapons Communication? |
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151 | (23) |
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7 The National Toxic Land/Labor Conservation Service: 10-Year Final Report on Public Agency Organizing and Operational Responses to Cold War Legacies and the Nuclear Stockpile |
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174 | (23) |
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8 Sounding Out the Nuclear: An Atomic Opera |
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197 | (17) |
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9 Poetry and Anti-Nuclearism: TεΧνη and the "Fundamental Project" |
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214 | (23) |
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Afterword | Fears and the (Nuclear) Apocalypse: Who Is Afraid of What? |
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231 | (6) |
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THREE Archaeologies and Heritages |
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10 Emergency/Salvage Archaeology: Excavating Media and Uranium in the Glen Canyon |
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237 | (25) |
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11 Nuclear Waste as Critical Heritage |
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262 | (29) |
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Afterword | Lingering Radiation: On Violent Pasts and Open-Ended Futures |
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282 | (9) |
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FOUR Nuclear Aesthetics: Contemporary Art, Nuclear Colonialism, and the Transformation of Life and the Environment |
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12 Atomic Aborigines: Appropriation and Colonization of Indigenous Australia during British Nuclear Testing |
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291 | (18) |
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13 The Antipodean Stance of Pam Debenham's 1980s Screenprints |
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309 | (23) |
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14 The Immanation-Image: Immanent Experience and Kazakhstan's Socialist and Postsocialist Modernity in Almagul Menlibayeva's Video Installation Transformation (2016) |
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332 | (51) |
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Afterword | The Possibility of a Situated Nuclear Knowledge: Art in Contaminated Sites |
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373 | (10) |
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FIVE Artists' Contributions |
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15 Inheritance: Radiant Reflections from Hiroshima, Nagasaki, and Fukushima: 20 Poems by Bo Jacobs for 20 Photographs byelin O'Hara slavick |
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383 | (41) |
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16 Nuclear Family: A Poem |
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424 | (9) |
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Postface | Unmaking the Nuclear Future |
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429 | (4) |
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Contributors |
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433 | (10) |
Index |
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443 | |