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El. knyga: Tragedy, the Greeks, and Us

3.91/5 (614 ratings by Goodreads)
  • Formatas: EPUB+DRM
  • Išleidimo metai: 16-Apr-2019
  • Leidėjas: Pantheon Books
  • Kalba: eng
  • ISBN-13: 9781524747954
  • Formatas: EPUB+DRM
  • Išleidimo metai: 16-Apr-2019
  • Leidėjas: Pantheon Books
  • Kalba: eng
  • ISBN-13: 9781524747954

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Argues that ancient Greek tragedy provokes thought by presenting a world full of ambiguity that is fundamentally uncontrollable, a world which is still very familiar thousands of years later.

"From the curator of The New York Times's "The Stone," a provocative and timely exploration into tragedy--how it articulates conflicts and contradiction that we need to address in order to better understand the world we live in. We might think we are through with the past, but the past isn't through with us. Tragedy permits us to come face to face with what we do not know about ourselves but that which makes those selves who we are. Having Been Born is a compelling examination of ancient Greek origins inthe development and history of tragedy--a story that represents what we thought we knew about the poets, dramatists, and philosophers of ancient Greece--and shows them to us in an unfamiliar, unexpected, and original light"--

From the moderator of The New York Times philosophy blog "The Stone," a book that argues that if we want to understand ourselves we have to go back to theater, to the stage of our lives

Tragedy presents a world of conflict and troubling emotion, a world where private and public lives collide and collapse. A world where morality is ambiguous and the powerful humiliate and destroy the powerless. A world where justice always seems to be on both sides of a conflict and sugarcoated words serve as cover for clandestine operations of violence. A world rather like our own.

The ancient Greeks hold a mirror up to us, in which we see all the desolation and delusion of our lives but also the terrifying beauty and intensity of existence. This is not a time for consolation prizes and the fatuous banalities of the self-help industry and pop philosophy.

Tragedy allows us to glimpse, in its harsh and unforgiving glare, the burning core of our aliveness. If we give ourselves the chance to look at tragedy, we might see further and more clearly.
PART I INTRODUCTION
1 Feeding the Ancients with Our Own Blood
3(6)
2 Philosophy's Tragedy and the Dangerous Perhaps
9(3)
3 Knowing and Not Knowing: How Oedipus Brings Down Fate
12(5)
4 Rage, Grief, and War
17(4)
5 Gorgias: Tragedy Is a Deception That Leaves the Deceived Wiser Than the Nondeceived
21(4)
6 Justice as Conflict (for Polytheism)
25(3)
7 Tragedy as a Dialectical Mode of Experience
28(5)
PART II TRAGEDY
8 Tragedy as Invention, or the Invention of Tragedy: Twelve Theses
33(3)
9 A Critique of the Exotic Greeks
36(5)
10 Discussion of Vernant and Vidal-Naquet's Myth and Tragedy in Ancient Greece
41(7)
11 Moral Ambiguity in Aeschylus's Seven Against Thebes and The Suppliant Maidens
48(5)
12 Tragedy, Travesty, and Queerness
53(4)
13 Polyphony
57(6)
14 The Gods! Tragedy and the Limitation of the Claims to Autonomy and Self-Sufficiency
63(9)
15 A Critique of Moral Psychology and the Project of Psychical Integration
72(3)
16 The Problem with Generalizing about the Tragic
75(4)
17 Good Hegel, Bad Hegel
79(5)
18 From Philosophy Back to Theater
84(7)
PART III SOPHISTRY
19 Against a Certain Style of Philosophy
91(2)
20 An Introduction to the Sophists
93(5)
21 Gorgiasm
98(3)
22 The Not-Being
101(4)
23 I Have Nothing to Say and I Am Saying It
105(4)
24 Helen Is Innocent
109(5)
25 Tragedy and Sophistry---The Case of Euripides' The Trojan Women
114(5)
26 Rationality and Force
119(2)
27 Plato's Sophist
121(2)
28 Phaedrus, a Philosophical Success
123(5)
29 Gorgias, a Philosophical Failure
128(9)
PART IV PLATO
30 Indirection
137(4)
31 A City in Speech
141(5)
31 Being Dead Is Not a Terrible Thing
146(5)
33 The Moral Economy of Mimesis
151(4)
34 Political Forms and Demonic Excess
155(5)
35 What Is Mimesis}
160(7)
36 Philosophy as Affect Regulation
167(4)
37 The Inoculation against Our Inborn Love of Poetry
171(6)
38 The Rewards of Virtue, or What Happens When We Die
177(10)
PART V ARISTOTLE
39 What Is Catharsis in Aristotle?
187(6)
40 More Devastating
193(3)
41 Reenactment
196(3)
41 Mimesis Apraxeos
199(2)
43 The Birth of Tragedy (and Comedy)
201(3)
44 Happiness and Unhappiness Consist in Action
204(5)
45 Single or Double?
209(4)
46 Most Tragic Euripides
213(3)
47 Monstrosity---Or Aristotle and His Highlighter Pen
216(4)
48 The Anomaly of Slaves and Women
220(3)
49 Mechanical Prebuttal
223(4)
50 The God Finds a Way to Bring About What We Do Not Imagine
227(2)
51 Misrecognition in Euripides
229(4)
52 Smeared Makeup
233(4)
53 Sophocles' Theater of Discomfort
237(4)
54 Vulgar Acting and Epic Inferiority
241(4)
55 Is Aristotle Really More Generous to Tragedy Than Plato?
245(6)
56 Poetics II---Aristotle on Comedy
251(5)
57 Tormented Incomprehensibly---Against Homeopathic Catharsis
256(4)
58 Aristophanes Falls Asleep
260(5)
59 Make Athens Great Again
265(6)
PART VI CONCLUSION
60 Transgenerational Curse
271(7)
61 Aliveness
278(5)
Acknowledgments: Why This Book Was Hard to Write---and Thanks 283(4)
Notes 287(14)
Bibliography 301(6)
Index 307