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El. knyga: Trauma and Resilience in Music Education: Haunted Melodies [Taylor & Francis e-book]

Edited by (Boston University, USA), Edited by (Michigan State University, USA)
  • Formatas: 224 pages
  • Išleidimo metai: 26-Nov-2021
  • Leidėjas: Routledge
  • ISBN-13: 9781003124207
  • Taylor & Francis e-book
  • Kaina: 161,57 €*
  • * this price gives unlimited concurrent access for unlimited time
  • Standartinė kaina: 230,81 €
  • Sutaupote 30%
  • Formatas: 224 pages
  • Išleidimo metai: 26-Nov-2021
  • Leidėjas: Routledge
  • ISBN-13: 9781003124207
Trauma and Resilience in Music Education: Haunted Melodies considers the effects of trauma on both teachers and students in the music classroom, exploring music as a means for working through traumatic experiences and the role music education plays in trauma studies. The volume acknowledges the ubiquity of trauma in our society and its long-term deleterious effects while showcasing the singular ways music can serve as a support for those who struggle. In twelve contributed essays, authors examine theoretical perspectives and personal and societal traumas, providing a foundation for thinking about their implications in music education. Topics covered include:











Philosophical, psychological, sociological, empirical, and narrative perspectives of trauma and resilience. How trauma-informed education practices might provide guidelines for music educators in schools and other settings Interrogations of how music and music education may be a source of trauma

Distinguishing itself from other subjectseven the other artsmusic may provide clues to the recovery of traumatic memory and act as a tool for releasing emotions and calming stresses. Trauma and Resilience in Music Education witnesses musics unique abilities to reach people of all ages and empower them to process traumatic experiences, providing a vital resource for music educators and researchers.
Acknowledgments ix
Introduction: Trauma and Music Education 1(16)
Deborah Bradley
Juliet Hess
PART I Theoretical Perspectives
17(62)
1 Rethinking "Bad Behavior": A Compassionate Response to "Acting Out" in Music Education
19(16)
Juliet Hess
2 Disrupting "What We Know Too Well": A Relational Frame for Considering Trauma in Music Education
35(14)
Shannan L. Hibbard
3 Teaching Through Trauma: Compassion Fatigue, Burnout, or Secondary Traumatic Stress?
49(15)
Tawnya D. Smith
4 When Music Haunts Memory: Effects of Trauma on Music Learning
64(15)
Deborah Bradley
PART II Personal Trauma
79(46)
5 Grief as Transformation: Teaching and Traumatic Loss
81(14)
Colleen A. Q. Sears
6 Multiple Wounds, Liminality, and Crisis: Exploring Arts-Based Approaches for Trauma, PTSD, and Grief
95(15)
Donna Emmanuel
7 Unlearning Academic Music Education: How Music Education Erases Already-Present Musical Identities
110(15)
Latasha Thomas-Durrell
PART III Societal Trauma
125(74)
8 Approaching the "Void of Racism": Traumatic Choral Dialogues
127(14)
John D. Perkins
9 Voices from the Inside: Working with the Hidden Trauma Narratives of Women in Custody
141(16)
Catherine Birch
10 Locations of Trauma: Musical Experience and the Holocaust
157(15)
Teryl L. Dobbs
11 Poetics of Suffering and Acoustic Properties of Endurance in Iran
172(14)
Nasim Niknafs
12 The Objective Is to Flourish: Reimagining the One-to-One Music Teaching Studio
186(13)
Te Oti Rakena
Conclusion: On Resilience 199(15)
Juliet Hess
Deborah Bradley
Contributors 214(4)
Index 218
Deborah Bradley is retired from the University of Wisconsin-Madison and now serves as External Dissertation Supervisor for Boston University.

Juliet Hess is Associate Professor of Music Education at Michigan State University.