'Nolan's films have been explored in a number of critical works, but this is the first study to examine his workfrom Doodlebug (1997) to Dunkirk (2017)from a psychoanalytic perspective. The characters in Nolans films typically have undergone a traumatic experience and must reconcile past memories in order to move forward. [ Joy's] synthesized approach to trauma [ ...] looks at themes of time, memory, identity, and narrative, motifs that are recurring elements in Nolan's films. For example, he takes a Freudian approach to exploring how the murder of the parents of the young Bruce Wayne (Batman) affected Wayne's development. A solid addition to the literature on Nolan.' -- CHOICE 'Stuart Joys The Traumatic Screen provides a careful and accurate analysis of the films of one of the most important contemporary directors: Christopher Nolan. Nolans films are not without criticism, and the final analysis might reveal that only a few of the (justly) lauded works of Christopher Nolan are truly worthy of the appellation great. Nonetheless, the best of Christopher Nolans films are delightful intellectual puzzles that help provide a deeper understanding of human nature, and Stuart Joys The Traumatic Screen is a helpful guide to Nolans labyrinthian films.' -- Jesse Russell, Voegelinview 'Overall, a good arc is drawn across the structure of the entire book, which repeatedly takes up the central themes of trauma, desire, time and melancholy and substantiates them using film examples. The analysis sections, each of which deals with the respective film in great detail, are written in a particularly comprehensible and clear manner. Even for readers who have not seen the films, Joy has been able to close gaps in the content with concise summaries and provides a very informative overall picture. [ ...] The author goes into great theoretical depth, which is why this work is definitely useful for further professional work.' -- David Brosch, MEDIENwissenschaft: Rezensionen | Reviews [ translated]
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