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El. knyga: Travel, Tourism and Art

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Art, in its many forms, has long played an important role in people’s imagination, experience and remembrance of places, cultures and travels as well as in their motivation to travel. Travel and tourism, on the other hand, have also inspired numerous artists and featured in many artworks. The fascinating relationships between travel, tourism and art encompass a wide range of phenomena from historical ’Grand Tours’ during which a number of travellers experienced or produced artwork, to present-day travel inspired by art, artworks produced by contemporary travellers or artworks produced by locals for tourist consumption. Focusing on the representations of ’touristic’ places, locals, travellers and tourists in artworks; the role of travel and tourism in inspiring artists; as well as the role of art and artwork in imagining, experiencing and remembering places and motivating travel and tourism; this edited volume provides a space for an exploration of both historical and contemporary relationships between travel, tourism and art. Bringing together scholars from a wide range of disciplines and fields of study including geography, anthropology, history, philosophy, and urban, cultural, tourism, art and leisure studies, this volume discusses a range of case studies across different art forms and locales.

Recenzijos

Embracing a laudable multi-disciplinary approach, the editors have successfully melded a seemingly eclectic range of relevant, international material into a cohesive, informed, interesting and worthwhile read. Brian Wheeller, NHTV, Breda University of Applied Science, The Netherlands Rakic and Lester have brought together a timely compendium of resources. In fifteen disciplinarily-diverse essays, the reader will learn about the historical, theoretical, and aesthetic dimensions of travel and culture. The anthology demonstrates that tourism and the arts are inextricably linked. A must-have for anyone interested in understanding how leisure is both meaningful and meaning making. Laurie Beth Clark, University of Wisconsin, USA

List of Figures
vii
Notes on Contributors ix
Acknowledgments xiii
1 Relationships between Travel, Tourism and Art: An Introduction
1(12)
Tijana Rakic
Jo-Anne Lester
PART I REPRESENTATIONS OF `TOURISTIC' PLACES, LOCALS, TRAVELLERS AND TOURISTS IN ARTWORKS
2 The Tourist Experience in Graphic Satire, 1796--1914
13(22)
Tony Seaton
3 `Lofty Hills Streaming With Water-Falls': The Tourist Landscape of Johnson and Boswell
35(12)
Brian Hudson
4 The Art of the Railway Poster: Travel, Tourism and the Visual Representation of Place in Britain, 1920--1955
47(20)
Stephen Williams
5 Towards a Realist Ontology of the Holiday: Seduction, Denial and Delusion in the Narratives of Tourism in Twentieth Century Opera
67(16)
David Botterill
PART II IMAGINING, EXPERIENCING AND REMEMBERING PLACES THROUGH ARTWORK
6 Expeditions in Persia: Travel Journals and Artwork as Historical Documents
83(14)
Mahsa Rouzrokh
Heather Mair
7 Carving the Past: Art, Tourism, and Heritage in Chincoteague, Virginia
97(16)
Kristin M. Sullivan
8 Welcome to Wherever: Art in an Airport
113(16)
Jo Ankor
PART III TRAVELLING ARTISTS
9 The Nomadic Village: Communal Creativity and Political Subversion in a Temporary Settlement
129(16)
Sharon Wilson
Pau Obrador
10 Tropical Impressions of a Traveller: Caribbean Place and the Retouching of Sensory Experience in the Paintings of Steve Bonner
145(16)
Marsha Pearce
11 Martin Parr: A Traveller--Critic and a Professional Post-tourist in a Small World
161(14)
Theopisti Stylianou-Lambert
Elena Stylianou
12 Hunting the Touristic Animal through Ceramic Art in Alberta, Canada
175(16)
Fiona Thompson
Kevin Hannam
PART IV ART, PLACE IMAGE AND TRAVEL MOTIVATION
13 The Artist and the Tourist: Gauguin in Tahiti
191(16)
Jean-Francois Staszak
14 Image, Identity and Tourism: Public Art in Cultural Quarters
207(12)
John McCarthy
15 Branding Montmartre: Tourism, Popular Culture, and the Artistic Bohemia
219(16)
Alexander Vari
Index 235
Tijana RakiÄ, Edinburgh Napier University, UK and Jo-Anne Lester, University of Brighton, UK.