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El. knyga: Twenty-First-Century Western: New Riders of the Cinematic Stage

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  • Formatas: EPUB+DRM
  • Išleidimo metai: 12-Dec-2019
  • Leidėjas: Lexington Books
  • Kalba: eng
  • ISBN-13: 9781793615121
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  • Formatas: EPUB+DRM
  • Išleidimo metai: 12-Dec-2019
  • Leidėjas: Lexington Books
  • Kalba: eng
  • ISBN-13: 9781793615121
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Focusing on twenty-first century Western films, including all major releases since the turn of the century, the essays in this volume cover a broad range of aesthetic and thematic aspects explored in these films, including gender and race. As diverse contributors focus on the individual subgenres of the traditional Western (the gunfighter, the Cavalry vs. Native American conflict, the role of women in Westerns, etc.), they share an understanding of the twenty-first century Western may be understood as a genre in itself. They argue that the films discussed here reimagine certain aspects of the more conventional Western and often reverse the ideology contained within them while employing certain forms and clichés that have become synonymous internationally with Westerns. The result is a contemporary sensibility that might be referred to as the postmodern Western.

Recenzijos

Once upon a time there was the classic Western.  Times have changed, but those under the misconception that the Western is dead need look no further than Douglas and Shea Brode's book for evidence to the contrary.  The twenty original essays in this volume speak to the genre's durability and adaptability in the twenty-first century, demonstrating ways in which the Western has been reinvented and reflecting contemporary sensibilities and contradictions regarding gender, race, sexual orientation, violence, and the environment.  Postmodern Westerns build upon traditional myths of the past while presenting new heroes, landscapes, and issues, and the diverse authors represented in this book capture the essence of the stories they tell and audiences they address. -- Kathy Merlock Jackson, Virginia Wesleyan University, president of the Popular Culture Association

Introduction: The Twenty-First-Century Western: To Begin at the Beginning ... 1(16)
Douglas Brode
Shea T. Brode
1 An American Genre in Transition: Dead Man as Predecessor to the Twenty-First-Century Western
17(14)
Ann Hetzel Gunkel
2 "Pardon Me, but Your i/Indian' Is Showing!": Native American Images in Twenty-First-Century Westerns
31(14)
Alan Lechusza Aquallo
Douglas Brode
3 Missing in the Mountains: The Revenant as Twenty-First-Century Frontier Hero
45(12)
Nicholas Blower
4 Evolution of a Postmodern Genre: The Western Films of Joel and Ethan Coen
57(12)
Lynnea Chapman King
5 Rooster Cogburn Revisited: Triangulating True Grit
69(12)
Walter Metz
6 Westward Ho! The Women!: Frontier Females in Postfeminist Films
81(10)
Rosanne Welch
Douglas Brode
7 An American Propensity: The Continuum of Violence in Western Films
91(12)
Nathan Wuertenberg
8 Once Upon a Time in Tarantino's West: Persistence of the Western as an American Fairy Tale
103(14)
Beth Jane Toren
Douglas Brode
9 Illusions of Individuality: Old Frontiers and New Forms in Meek's Cutoff (2010) and Certain Women (2016)
117(12)
John Bruni
10 "Sheriff, You Forgot Your Pants!": Brokeback Mountain and the Genre's Open Secret
129(12)
Jim Daems
11 The Bush Westerns: Real Cowboy Movies for a Faux Cowboy Presidency
141(16)
Mark Brenden
12 Morality, Wounding, and Redemptive Violence: Literary and Cinematic Versions of 3:10 to Yuma
157(14)
Fran Pheasant-Kelly
13 Of Partners and Posses: Masculine Camaraderie in Modern Western/Action Films
171(14)
Jason McEntee
Sharon Smith
14 The Present in the Past: The New Western History in Twenty-First-Century Films
185(12)
John Hajduk
Natalie Rosiek
15 "The Mercy Seat" as Inescapable Heat: Ideas of Justice in the Australian Outback in The Proposition
197(8)
Henrik Bodker
16 A Postmodern Take on the Classical Journey: The Three Burials of Melquiades Estrada
205(12)
Andrew Howe
17 Having a Home, Come Hell or High Water!: The Significance of Space and Place in the Neo-Western
217(12)
Sue Matheson
18 Music as Meaning: Twentieth-Century Western Movie Music in Twenty-First-Century Fantastical Films
229(14)
Erik Heine
19 Return of the TV Western: An Introduction and Overview
243(16)
Garret Castleberry
Douglas Brode
20 The Western Didn't Die, It Just Went Off-World: Guardians of the Galaxy and the Final Frontier
259(14)
David S. Silverman
Douglas Brode
Title Index 273(4)
Name Index 277(4)
About the Contributors 281
Douglas Brode is a retired instructor at Syracuse University's Newhouse School of Public Communications.

Shea T. Brode is an independent scholar who has collaborated with his father as editor on several previous collections.