Foreword |
|
viii | |
|
Introduction |
|
ix | |
|
1 The Evolution of Typography |
|
|
1 | (32) |
|
From the origins of writing to Gutenberg's invention of movable type |
|
|
2 | (5) |
|
Typography from Gutenberg to the nineteenth century |
|
|
7 | (5) |
|
The nineteenth century and the Industrial Revolution |
|
|
12 | (6) |
|
Typography in the twentieth century |
|
|
18 | (9) |
|
A new century and millennium begin |
|
|
27 | (6) |
|
2 The Anatomy of Typography |
|
|
33 | (20) |
|
|
34 | (3) |
|
|
37 | (3) |
|
Historical classification of typefaces |
|
|
40 | (4) |
|
|
44 | (4) |
|
|
48 | (3) |
|
|
51 | (2) |
|
|
53 | (24) |
|
Basic principles of legibility |
|
|
54 | (10) |
|
|
64 | (2) |
|
Legibility and digital typography |
|
|
66 | (2) |
|
|
68 | (2) |
|
|
70 | (1) |
|
|
71 | (3) |
|
Other legibility factors for on-screen typography |
|
|
74 | (3) |
|
|
77 | (22) |
|
|
78 | (1) |
|
|
79 | (1) |
|
|
80 | (1) |
|
|
81 | (2) |
|
|
83 | (3) |
|
|
86 | (5) |
|
|
91 | (5) |
|
Improvisational structures |
|
|
96 | (1) |
|
The grid and type on screen |
|
|
97 | (2) |
|
5 Syntax and Communication |
|
|
99 | (24) |
|
|
100 | (9) |
|
|
109 | (3) |
|
|
112 | (6) |
|
|
118 | (5) |
|
6 The Typographic Message |
|
|
123 | (10) |
|
A multidimensional language |
|
|
124 | (3) |
|
|
127 | (3) |
|
|
130 | (3) |
|
7 The Evolution of Typographic Technology |
|
|
133 | (20) |
|
|
134 | (1) |
|
|
135 | (2) |
|
|
137 | (3) |
|
|
140 | (2) |
|
Digital typeface file formats |
|
|
142 | (2) |
|
|
144 | (4) |
|
|
148 | (3) |
|
|
151 | (2) |
|
8 Typography in Time and Motion |
|
|
153 | (16) |
|
|
154 | (3) |
|
Using type in time-based media |
|
|
157 | (4) |
|
How type changes and moves |
|
|
161 | (5) |
|
|
166 | (1) |
|
|
167 | (2) |
|
9 Case Studies in Typographic Design |
|
|
169 | (26) |
|
Poster design: Integrating type and image |
|
|
170 | (4) |
|
Book design: VAS: An Opera in Flatland |
|
|
174 | (4) |
|
Type in motion: Process and presentation |
|
|
178 | (4) |
|
Identity system: Exhibit Columbus |
|
|
182 | (4) |
|
Information design: Bloomberg |
|
|
186 | (4) |
|
Identity system: 17th Street Farmers' Market |
|
|
190 | (3) |
|
Interaction design: Helmut Schmid: Design Is Attitude |
|
|
193 | (2) |
|
10 Typographic Design Education |
|
|
195 | (24) |
|
Letter/digit configurations |
|
|
196 | (1) |
|
|
196 | (1) |
|
Comparative relationships: type and image |
|
|
197 | (1) |
|
Sequential typographic forms in space |
|
|
198 | (1) |
|
Unity of form and communication |
|
|
199 | (1) |
|
|
200 | (1) |
|
|
201 | (1) |
|
Typography in the browser |
|
|
202 | (1) |
|
|
203 | (1) |
|
|
204 | (1) |
|
Experimental compositions with found typography |
|
|
205 | (1) |
|
Directional poster: from your house to the university |
|
|
206 | (1) |
|
Type, texture, tone and poetry |
|
|
207 | (1) |
|
New York Times grid analysis |
|
|
208 | (1) |
|
|
209 | (1) |
|
|
210 | (1) |
|
Observing systems in our surroundings |
|
|
211 | (1) |
|
|
212 | (1) |
|
Blending Latin and non-Latin typographic forms |
|
|
212 | (1) |
|
Type and image in the third dimension |
|
|
213 | (1) |
|
Typezine: my favorite typeface |
|
|
214 | (1) |
|
Typeface design: mind/machine |
|
|
215 | (1) |
|
Experimental typographic system |
|
|
216 | (1) |
|
Expressive typography: form amplifies message |
|
|
217 | (1) |
|
|
217 | (1) |
|
The book project: giving shape and voice to the typographic page |
|
|
218 | (1) |
|
11 Typographic Design Process |
|
|
219 | (32) |
|
|
220 | (7) |
|
Exploring typographic permutations |
|
|
227 | (5) |
|
Exploring typographic transformation |
|
|
232 | (7) |
|
Ludd: a typographic expedition |
|
|
239 | (7) |
|
|
246 | (5) |
|
|
251 | (71) |
|
|
252 | (2) |
|
|
254 | (6) |
|
Additional Old Style fonts |
|
|
260 | (2) |
|
|
262 | (2) |
|
|
264 | (6) |
|
|
270 | (6) |
|
|
276 | (6) |
|
|
282 | (6) |
|
Additional sans serif fonts |
|
|
288 | (2) |
|
|
290 | (2) |
|
|
292 | (6) |
|
Additional transitional fonts |
|
|
298 | (2) |
|
|
300 | (2) |
|
|
302 | (6) |
|
|
308 | (2) |
|
|
310 | (2) |
|
|
312 | (6) |
|
Additional Egyptian fonts |
|
|
318 | (2) |
|
Selected Decorative fonts |
|
|
320 | (2) |
Glossary |
|
322 | (6) |
Bibliography |
|
328 | (2) |
Credits |
|
330 | (4) |
Index |
|
334 | |