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Undergloom [Minkštas viršelis]

4.24/5 (42 ratings by Goodreads)
  • Formatas: Paperback / softback, 88 pages, aukštis x plotis x storis: 198x152x10 mm, weight: 159 g
  • Išleidimo metai: 28-May-2013
  • Leidėjas: Fence Books
  • ISBN-10: 1934200670
  • ISBN-13: 9781934200674
Kitos knygos pagal šią temą:
  • Formatas: Paperback / softback, 88 pages, aukštis x plotis x storis: 198x152x10 mm, weight: 159 g
  • Išleidimo metai: 28-May-2013
  • Leidėjas: Fence Books
  • ISBN-10: 1934200670
  • ISBN-13: 9781934200674
Kitos knygos pagal šią temą:

Taking its title from the descent into Hell in the opening passage of Homer’s Iliad and crowded brave souls into the undergloom”?Prageeta Sharma's fourth collection chronicles personal and internal wars using the American frontier as a central metaphor to address questions of community and belonging, outsiderness, and the inevitability of a racialized self.

From "Will You Let Go For Ransom?":

NO.

And so deep was the fall, what a drop; I had nicks on my knuckles.

There is a passage of time for all of it to hold you, then you hold it,
you wring it by its neck,
it’s murderous and invisible a darkling spot that grips.

And on some days, we would head to the bar in the middle of the river,
the wail or the cries there found us.

Some colleagues had tears down each eye.
Some other colleagues made them cry.

We tried handing them words, but it all became inaccurate fast.
I held my purse in my fist.

Not sure if this was a place I could get mugged,
But I was reminded that it wasn’t. I was still unsure.

The first-generation child of a South Asian immigrant family and a native of Framingham, Massachusetts, Prageeta Sharma is the author of Bliss to Fill, The Opening Question (selected by Peter Gizzi for the 2004 Fence Modern Poets Prize), and Infamous Landscapes. She is also the recipient of the 2010 Howard Foundation Grant. Sharma is associate professor and director of the creative writing program at the University of Montana.




Sharma's fourth poetry collection explores the American frontier and its relationship to themes of otherness, outsiderness, and extreme personal experience.
On Western Ave
1(1)
I Needed to Be Hazy for a Moment
2(1)
Neutrality Maki
3(2)
Everybody at the Institution
5(2)
Dear Poet
7(1)
The Other Profiled in Cerulean
8(1)
Five Questions Now Statements
9(1)
Grateful
10(2)
There is an Ache Somewhere in My Body
12(1)
Contemporaries and Snobs
13(1)
In Our Shared Rage
14(2)
What Happened at the Service?
16(2)
Wild Life
18(1)
Hey Day
19(1)
We Have Trees Now
20(2)
Half-Prosaic Verse
22(3)
Adversity
25(1)
Trying to Speak to You
26(1)
There is Clear Discomfort in Exposure
27(1)
Mobbing
28(1)
My Most Beloved Comrade Took Her Leave
29(1)
The White Filter
30(1)
Fool's Purpose
31(2)
Will You Let Go for Ransom?
33(1)
Folly Stamp
34(2)
The Gallows-Bird
36(1)
People Absolve Themselves and Eat Their Young
37(2)
The Transitional Series
39(1)
Pan-American
40(1)
Hogg Villanelle
41(1)
A Situation for Mrs. Biswas
42(9)
What Would Nuclear Winter Be Like?
51(1)
The Widget Board and the Earth
52(1)
Poem for Leigh Hunt
53(1)
A Befallen Electric Harp
54(1)
Glenda Glistens
55(1)
Poetry Anonymous
56(4)
Popularity in Poetry
60(1)
I Didn't See It
61(1)
My Own Subjectivity Bothers Me
62(1)
Poem for My Friends
63(1)
Exhaustion from Those Forms Within
64(1)
Whirlwind
65(1)
The Room Like Life Appears Far Deeper When It's Dark Outside
66(1)
Chicken Before Chiasm
67
Notes
Acknowledgments