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El. knyga: Unprinted: Publication Beyond the Press

(British School at Athens), (KU Leuven), , (The Queen's College, University of Oxford), (University of Oxford), (Domeisen Rare Books), (Universi), (University of Oxford), (Balliol College, University of Oxford), (University of Oxford)
Kitos knygos pagal šią temą:
Kitos knygos pagal šią temą:

DRM apribojimai

  • Kopijuoti:

    neleidžiama

  • Spausdinti:

    neleidžiama

  • El. knygos naudojimas:

    Skaitmeninių teisių valdymas (DRM)
    Leidykla pateikė šią knygą šifruota forma, o tai reiškia, kad norint ją atrakinti ir perskaityti reikia įdiegti nemokamą programinę įrangą. Norint skaityti šią el. knygą, turite susikurti Adobe ID . Daugiau informacijos  čia. El. knygą galima atsisiųsti į 6 įrenginius (vienas vartotojas su tuo pačiu Adobe ID).

    Reikalinga programinė įranga
    Norint skaityti šią el. knygą mobiliajame įrenginyje (telefone ar planšetiniame kompiuteryje), turite įdiegti šią nemokamą programėlę: PocketBook Reader (iOS / Android)

    Norint skaityti šią el. knygą asmeniniame arba „Mac“ kompiuteryje, Jums reikalinga  Adobe Digital Editions “ (tai nemokama programa, specialiai sukurta el. knygoms. Tai nėra tas pats, kas „Adobe Reader“, kurią tikriausiai jau turite savo kompiuteryje.)

    Negalite skaityti šios el. knygos naudodami „Amazon Kindle“.

This Element explores the idea of publication in media used before, alongside, and after print. It contrasts multiple traditions of unprinted communication in their diversity and particularity.

This Element explores the idea of publication in media used before, alongside, and after print. It contrasts multiple traditions of unprinted communication in their diversity and particularity. This decentres print as the means for understanding publication; instead, publication is seen as an heuristic term which identifies activities these traditions share, but which also differ in ways not reducible to comparisons with printing. The Element engages with texts written on papyrus, chiselled in stone, and created digitally; sung, proclaimed, and put on stage; banned, hidden and rediscovered. The authors move between Greek inscriptions and Tibetan edicts, early modern manuscripts and AI-assisted composition, monasteries and courts, constantly questioning the term 'publication' and considering the agency of people publishing and the publics they address. The picture that transpires is that of a colourful variety of contexts of production and dissemination, underlining the value of studying 'unprinted' publication in its own right.

Daugiau informacijos

Contrasts traditions of unprinted communication in their diversity and particularity, putting the very term 'publication' under scrutiny.
Foreword;
1. What are publication and the press?; Publication in ancient Greece and Rome: no print in sight, by Daria Kohler; Manuscripts in Germany in response to print, by Natascha Domeisen; Performance as publication in the eighteenth century, by Katie Noble;
2. Personal agency and its limits; Carols, authorship and agency, by Micah Mackay; Limits of agency in Athenian inscriptions, by Edward Jones; AI and agency in journalism, by Felix M. Simon;
3. Public and private spheres; Public and private spheres at Saffron Monastery, by Rosie Maxton; Communicating in and beyond the monastery in Tibet, by Daniel Wojahn; Reading publics and the Elizabethan succession, by Daniel Haywood; Samuel Beckett and 'The Life of the Afterlife', by Brian M. Moore;
4. Conclusion.