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Victorian Poet (Routledge Revivals): Poetics and Persona [Kietas viršelis]

Edited by (UCLA, USA)
  • Formatas: Hardback, 208 pages, aukštis x plotis: 216x138 mm, weight: 453 g
  • Serija: Routledge Revivals
  • Išleidimo metai: 19-Oct-2013
  • Leidėjas: Routledge
  • ISBN-10: 0415740819
  • ISBN-13: 9780415740814
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 208 pages, aukštis x plotis: 216x138 mm, weight: 453 g
  • Serija: Routledge Revivals
  • Išleidimo metai: 19-Oct-2013
  • Leidėjas: Routledge
  • ISBN-10: 0415740819
  • ISBN-13: 9780415740814
Kitos knygos pagal šią temą:

The practice of poetry in the Victorian period was characterised by an extreme diversity of styles, preoccupations and subject-matter. This anthology attempts to draw out some of the main focuses of interest in the Victorian poet. No Victorian poet produced an overall theory of poetry, yet all accepted it as a natural vehicle of expression, and for some subjects, in particular sexuality, the only literary mode. Indeed, the sexual question was made even more acute by the sudden phenomenon of the ‘poetess’, and the relation of poetry to gender raised interesting new critical questions. At the same time, the cultural role of the poet came under increasing debate: Victorian poetry was the first contemporary poetry to be studied.

This selection of central texts illustrates these pressures on the Victorian practice of poetry, and the introductory remarks suggest ways in which theory can be related to the understanding key poems themselves.

Preface ix
Acknowledgements xii
Introduction 1(22)
Notes 23(4)
1 `What is Poetry?'
27(90)
Passage 1.1 (from John Keble, `Sacred Poetry', 1825)
27(6)
Passage 1.2 (from John Keble, Keble's Lectures on Poetry, 1832-1841)
33(2)
Passage 1.3a (from John Stuart Mill, `Thoughts on Poetry and Its Varieties', 1867 (1833))
35(3)
Passage 1.3b (from John Stuart Mill, `Thoughts on Poetry and Its Varieties', 1867 (1833))
38(7)
Passage 1.4 (from Alexander Smith, `The Philosophy of Poetry', 1835)
45(7)
Passage 1.5 (from George Henry Lewes, `Hegel's Aesthetics', 1842)
52(7)
Passage 1.6 (from Ralph Waldo Emerson, `The Poet', 1840)
59(5)
Passage 1.7 (from Thomas Carlyle, `The Hero as Poet: Dante, Shakespeare', 1840)
64(6)
Passage 1.8 (from Matthew Arnold, `Preface' to Poems, 1853)
70(7)
Passage 1.9 (from Sydney Dobell, `Lecture on the "Nature of Poetry"', 1857)
77(6)
Passage 1.10 (from John Ruskin, `Of The Pathetic Fallacy', 1856)
83(10)
Passage 1.11 (from Robert Browning, `Introductory Essay (on Shelley)', 1852)
93(9)
Passage 1.12 (from Roden Noel, `On the Use of Metaphor and "Pathetic Fallacy" in Poetry', 1866)
102(15)
Notes
115(2)
2 `The Poetry of the Period'
117(17)
Passage 2.1 (from Alfred Austin, The Poetry of the Period, 1870)
117(9)
Passage 2.2 (from W.H. Mallock, Every Man His Own Poet, 1872)
126(8)
3 Poetesses and Fleshly Poets
134(43)
Passage 3.1 {from Mary Ann Stodart, Female Writers: Thoughts on Their Proper Sphere, 1842)
134(4)
Passage 3.2 (from Edmund Gosse, `Christina Rossetti', 1882)
138(1)
Passage 3.3 (from Robert Buchanan, `The Fleshly School of Poetry', 1871)
139(6)
Passage 3.4 (Dante Gabriel Rossetti, `The Stealthy School of Criticism', 1871)
145(9)
Passage 3.5 (from Algernon Charles Swinburne, `Notes on Poems and Reviews', 1866)
154(5)
Passage 3.6 (from Alfred Austin, The Poetry of the Period, WO)
159(8)
Passage 3.7 (Walter Pater, `Dante Gabriel Rossetti', 1889)
167(10)
Notes
175(2)
4 The Study of Poetry
177(28)
Passage 4.1 (from Thomas Carlyle, `Corn-Law Rhymes', 1832)
177(10)
Passage 4.2 (from Rev. Fred W. Robertson, `Two Lectures on the Influence of Poetry on the Working Classes', 1852)
187(6)
Passage 4.3a (from Charles Kingsley, `Burns and His School', 1851-2)
193(3)
Passage 4.3b (from Charles Kingsley, `Burns and His School', 1851-2)
196(3)
Passage 4.4 (from Matthew Arnold, "The Study of Poetry', 1880)
199(6)
Notes
204(1)
Select Bibliography 205(2)
Index 207
Bristow, Joseph