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El. knyga: Vision and Society: Towards a Sociology and Anthropology from Art

(United Nations University, Japan)
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"The sociology of art is now an established sub-discipline of sociology. But little work has been done to explore the implications not of society on art, but of art on the nature and principles of sociology itself. Vision and Society explores the ways inwhich art (here mainly understood as visual art) structures in fundamental ways the constitution of society, the relations between societies and the ways in which society and culture should be theorized. Building initially on an unfulfilled project by the French sociologist of art Nathalie Heinich to derive a sociology from art, this book pushes this idea in unconventional directions. Rethinking the relationships between the study of art and the study of sociology and anthropology, this book explores howthis rethinking might impact sociological theory in general, and certain aspects of it in particular - especially the study of social movements, social change, the urban, the constitution of space and the ways in which human social relationships are mediated and expressed. This book attempts to re-orientate sociological theory in general as well as to create fresh approaches for the sociology of art. It does so by way of non-Western cases studies, broadening the range of art sociology and attempting to create a genuinely comparative sociology. It will be useful for students and scholars of sociology of art, sociology of culture, visual studies, visual anthropology and cultural studies around the world"--

"Vision and Society is an attempt to show that it is possible to go beyond a sociology of art to the more ambitious possibility of a sociology from art. This book develops a theory of the relationship of the visual and the social and illustrates these with comparative examples from around the world"--

Vision and Society is an attempt to show that it is possible to go beyond a sociology of art to the more ambitious possibility of a sociology from art. This book develops a theory of the relationship of the visual and the social and illustrates these with comparative examples from around the world.

Acknowledgements xix
PART I Revisioning art and society
1(138)
1 For a sociology and anthropology from art
3(15)
2 Social aesthetics/sociological aesthetics
18(16)
3 Art and social transformation: challenges to the discourse and practice of human development
34(13)
4 The aesthetics of social change
47(16)
5 The aesthetics of the urban: visual anthropology, space, place and public culture
63(14)
6 Aesthetics beyond art: conviviality and social imagination
77(18)
7 Art movements as social movements
95(25)
8 The migration of the image: art and the politics and sociology of space
120(19)
PART II Cases in point
139(55)
9 Modernism, the colonial and the negotiation of representation: the Bauhaus in Asia
141(16)
10 Art in the colonial encounter: cultural imperialism, symbolic resistance and the creation of modern Korean art
157(19)
11 Rethinking the sociology of Japanese visual culture: historical amnesia, popular culture and contemporary art in Japan
176(18)
Bibliography 194(19)
Index 213
John Clammer is Professor of Sociology at the United Nations University. His research interests encompass the sociology of art, urban sociology, the sociology of religion and sociological theory East and West. His most recent book is Culture, Development and Social Theory (Zed Books 2012).