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Visions of the Roman North: Art and Identity in Northern Roman Britain [Minkštas viršelis]

  • Formatas: Paperback / softback, 236 pages, aukštis x plotis x storis: 243x173x12 mm, weight: 600 g, 107 figures, colour throughout
  • Serija: Archaeopress Roman Archaeology
  • Išleidimo metai: 22-Apr-2021
  • Leidėjas: Archaeopress
  • ISBN-10: 1789699053
  • ISBN-13: 9781789699050
Kitos knygos pagal šią temą:
  • Formatas: Paperback / softback, 236 pages, aukštis x plotis x storis: 243x173x12 mm, weight: 600 g, 107 figures, colour throughout
  • Serija: Archaeopress Roman Archaeology
  • Išleidimo metai: 22-Apr-2021
  • Leidėjas: Archaeopress
  • ISBN-10: 1789699053
  • ISBN-13: 9781789699050
Kitos knygos pagal šią temą:
Visions of the Roman North: Art and Identity in Northern Roman Britain is the first book to present an analysis of art from the northern frontier zones of Roman Britain and to interpret the meaning and significance of this art in terms of the formation of a regional identity at this time. It argues that a distinct and vibrant visual culture flourished in the north during the Roman period, primarily due to its status as a heavily militarized frontier zone. Artworks from forts and the frontier-works of Hadrian's Wall and the Antonine Wall, along with funerary monuments from military and civilian cemeteries, are analysed and discussed. The book also explores religious sculpture depicting classical deities, Romano-British gods and goddesses and eastern deities such as Mithras in terms of the use of imagery in various belief systems and in terms of the establishment of individual and group identities.

Recenzijos

this is amongst the very best books on Roman Britain which I have ever read. It engages with what made Northern Britain special and culturally distinct in the Roman Empire. There is a real understanding for Northern Roman Britain here, and an understanding for a unique artistic culture that raises it very high indeed as a book on the provincial art of the Roman Empire. Revd Professor Martin Henig, University of Oxford

List of Figures
iii
Image Credits x
Dedication xi
Acknowledgements xii
Preface xiv
Chapter One A Land Apart
1(25)
Regional Character
8(3)
Responses and Practices
11(5)
In Praise of Sandstone
16(3)
Quantifying Character
19(7)
Chapter Two Shadowplayers
26(44)
Images of Authority
26(12)
Chapter Three Gods and Mortals
38(1)
A Sacred Landscape
38(4)
Systems and Practices
42(4)
Private Devotion
46(2)
Personal Spaces
48(2)
The Power of Place
50(7)
Curing and Healing
57(6)
The Genii Cucullati and the Matres
63(2)
Belief and Identity
65(5)
Chapter Four Artifice and Transcendence
70(22)
Eastern Deities
70(2)
The Hand of God
72(6)
Mithras, the Bull-Slayer
78(8)
Northern Christians
86(6)
Chapter Five The Good Soldier
92(20)
Seeing Yourself
92(9)
What Makes a Man?
101(9)
A Frontier Mentality
110(2)
Chapter Six Building an Image
112(44)
Power and Potency
114(2)
Enemies of Rome
116(2)
Viewers
118(3)
The Dignity of Labour
121(2)
Conceptualising the Frontier
123(4)
Afterlife
127(3)
Ghosts in the Present
130(2)
Chapter Seven Image and Identity
132(1)
Self and Identity
132(10)
Self and Materiality
142(8)
Sexual Identities
150(6)
Chapter Eight Remembering and Forgetting
156(13)
Context and Change
156(9)
Soft Power
165(4)
Chapter Nine A Landscape of Possibilities
169(32)
Locale
169(14)
A Landscape of Memory
183(4)
Written on the Land
187(2)
Defining Identity
189(2)
Visions of the North
191(3)
Further Reading
194(1)
CSIR Volumes Covering Northern Britain
194(1)
RIB-The Roman Inscriptions of Britain
194(1)
Art and Objects
194(4)
The Roman North In General
198(3)
Index 201
Iain Ferris is an archaeologist living in Pembrey, Carmarthenshire, Wales. He has over forty years of experience working in professional archaeology in Britain and abroad and in teaching archaeology at Birmingham and Manchester universities. His research interests include Roman art and material culture and Romano-British archaeology and artefacts. He has directed major archaeological research excavations in northern and midland England and is a Fellow of the Society of Antiquaries. He has published widely in academic journals and is the author of nine books, all on Roman art and archaeology.