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Visual Culture, Heritage and Identity: Using Rock Art to Reconnect Past and Present [Minkštas viršelis]

Edited by (University of Exeter), Edited by (Adam Mickiewicz Univresity in Pozna)
  • Formatas: Paperback / softback, 150 pages, aukštis x plotis x storis: 290x205x8 mm, weight: 550 g, 90 illustrations (colour throughout)
  • Išleidimo metai: 17-Jun-2021
  • Leidėjas: Archaeopress
  • ISBN-10: 1789698464
  • ISBN-13: 9781789698466
  • Formatas: Paperback / softback, 150 pages, aukštis x plotis x storis: 290x205x8 mm, weight: 550 g, 90 illustrations (colour throughout)
  • Išleidimo metai: 17-Jun-2021
  • Leidėjas: Archaeopress
  • ISBN-10: 1789698464
  • ISBN-13: 9781789698466
Visual Culture, Heritage and Identity: Using Rock Art to Reconnect Past and Present sets out a fresh perspective on rock art by considering how ancient images function in the present. In recent decades, archaeological approaches to rock paintings and engravings have significantly advanced our understanding of rock art in regional and global terms. On the other hand, however, little research has been done on contemporary uses of rock art. How does ancient rock art heritage influence contemporary cultural phenomena? And how do past images function in the present, especially in contemporary art and other media? In the past, archaeologists usually concentrated more on reconstructing the semantic and social contexts of the ancient images. This volume, on the other hand, focuses on how this ancient heritage is recognised and reified in the modern world, and how this art stimulates contemporary processes of cultural identity-making. The authors, who are based all over the world, off er attractive and compelling case studies situated in diverse cultural and geographical contexts.

Recenzijos

'This is a fascinating book that breathes new life into a subject dominated so long by traditional exegetic interpretations of prehistoric rock art which have achieved little collective consensus, although it is fair to say they have advanced our understanding. It is illustrated with beautiful and vibrant images throughout, and its anthropological/ethnoarchaeological approach is highly commended.'Mark Merrony (2021): ANTIQVVS, Volume 3, Issue 4 'The editors are to be congratulated on promoting a relatively new concept in rock art research, namely bridging the philosophical gap between ancient and modern art forms, using anthropology and ethnography to legitimise the past and the way it interacts with the present. The publishers, Archaeopress, should also receive praise for producing such a handsome and colourful publication that truly reflects the beauty and rhetoric of modern (rock) art-making.' George Nash (2022): Current World Archaeology #111

A Brief Note about the Editors ii
Using Rock Art to Reconnect Past and Present: An Introduction
1(6)
Andrzej Rozwadowski
Jamie Hampson
Indigenous Art in New Contexts: Inspiration or Appropriation?
7(17)
Jamie Hampson
Rory Weaver
The Cave of Altamira and Modern Artistic Creation
24(13)
Pilar Fatas Monforte
Joane Cardinal-Schubert: Ancient Contemporary
37(14)
Alisdair MacRae
Face to Face with Ancestors: Indigenous Codes in the Contemporary Art of Siberia
51(20)
Andrzej Rozwadowski
Magdalena Boniec
Contemporary Views on Rock Art from Within the Frame: Indigenous Cultural Continuity and Artistic Engagement with Rock Art
71(11)
Marisa Giorgi
Dale Harding
PalimpsCestures: Rock Art and the Recreation of Body Expression
82(9)
Lina do Carmo
In the Name of the Ancestors: Repainted Identities and Land Memories
91(15)
Laura Teresa Tenti
Muraycoko Wuyta'a Be Surabudodot/Ibararakat: Rock Art and Territorialization in Contemporary Indigenous Amazonia - the Case of the Munduruku People from the Tapajos River
106(14)
Jairo Saw Munduruku
Eliano Kirixi Munduruku
Raoni Valle
Appropriation, Re-Appropriation, Reclamation: The Re-Use of New Zealand's Most Renowned Maori Rock Art
120(12)
Gerard O'Regan
Reproduction, Simulation and the Hyperreal: A Case Study of `Lascaux III' 2015-2017
132
Robert J. Wallis
Andrzej Rozwadowski is Associate Professor at the Adam Mickiewicz University in Pozna, Poland, where he also completed his PhD. He is also an honorary Research Fellow of the Rock Art Research Institute of Wits in Johannesburg and has been involved in rock art research since the 1990s. ;





Jamie Hampson is a Senior Lecturer in the Humanities Department at the University of Exeter. He has a PhD and MPhil in archaeology from the University of Cambridge. He has written more than forty articles on Indigenous rock art and heritage.