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xiii | |
Acknowledgments |
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xv | |
Introduction |
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3 | (22) |
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PART 1 Remembering War From Indigenous Perspectives |
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1 War Voices: Australian Aboriginal Political Revolt Post-First World War |
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25 | (11) |
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2 War Memories and Indigenous Stereotypes: The Fabrication of the Maori Warrior |
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36 | (21) |
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3 "This Day Is Not for You": The Commemorative Displacement of Black Wars in White Australia |
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57 | (19) |
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4 Allies or Enemies? The Representation of Black Soldiers in Recent French, British, and Canadian Great War Fiction |
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76 | (13) |
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5 Selective Remembering and Motivated Forgetting: The Primacy of National Identity in Australia's Differential Memorialization of Its Wars |
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89 | (22) |
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Sheila Collingwood-Whittick |
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PART 2 Memories Of Colonial Involvement And Civil Wars |
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6 The Gurkha with the Khukuri between His Teeth: First World War Postcards and Combat Representations of Nepalese and Indian Colonial Troops |
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111 | (32) |
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7 The Humour of an Indian Soldier's Memories of the First World War in M.R. Anand's Across the Black Waters (1939) |
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143 | (15) |
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8 Picturing Control: The Visual Representation of the Kenya Emergency |
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158 | (17) |
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9 The Meaning of the American Civil War in Southern Memory |
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175 | (18) |
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10 Between Nigeria and Biafra: Locating Ethnic Minorities in Narratives of the Nigerian Civil War, 1967-70 |
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193 | (26) |
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PART 3 RECOLLECTIONS OF WORLD WARS |
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11 Light and Not-So-Light Reflections in the Wipers Times' Trench Journal and in the Satirical Magazine Punch or The London Charivari (1939-45): What Narratives, What Recollections? |
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219 | (41) |
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12 Writing the Blitz, Listening to the Nation: Personal Narratives of the Blitz and the Construction of a Collective Aural Identity in British Cinema of the Second World War |
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260 | (17) |
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13 The Literature of Intervention: US Participation in the Second World War |
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277 | (18) |
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14 Fighting Fascism? The Second World War in British Far-Right Memory |
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295 | (16) |
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15 The National World War II Museum, New Orleans: An Architectural Interpretation of War |
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311 | (16) |
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PART 4 REMEMBERING AND FORGETTING WAR |
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16 War on Memorialization: Constructive and Destructive Holocaust Remembrance on American Sitcoms, 1990-2000S |
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327 | (21) |
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17 Of Wars, Scars, and Celluloid Memory: Representations of War in Sri Lankan Cinema (2000-10) |
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348 | (15) |
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18 The Spanish-American War on Film: An International Approach |
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363 | (16) |
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19 Wings (William Wellman, 1927) and Broken Lullaby (Ernst Lubitsch, 1932): The Psychological Drama of Memory and the Modern Pacifist Narrative |
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379 | (15) |
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Raphaelle Costa de Beauregard |
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20 Peacekeeping Forces and Their Filmic Representations: The Case of Peter Kosminsky's Warriors (1999) and The Promise (2011) |
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394 | (21) |
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PART 5 INTIMATE MEMORIES OF WAR |
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21 Requiem for a Tommy: Impersonality and Subjectivity in Stuart Cooper's Overlord (1975) |
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415 | (17) |
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22 "Our Visit to Waterloo": Representing the Battlefield in the Memoirs of Charlotte Eaton and Elizabeth Butler |
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432 | (16) |
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23 Historically Estranged Generations: Memorials and the Relevance Effect in Nigel Farndale's The Blasphemer and Tatiana de Rosnay's Sarah's Key |
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448 | (16) |
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24 An "Abominable Epoch": An Australian Woman's Perception of Occupied France |
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464 | (16) |
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25 Robert Briffault's War Letters: A Divided Self under Fire |
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480 | (17) |
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Contributors |
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497 | (14) |
Index |
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511 | |