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El. knyga: War and Remembrance: Recollecting and Representing War

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War and Remembrance brings an interdisciplinary approach to discussions of the cultural memory of war, offering case studies that analyze art, film, museums, and literature, question our current approaches to memory studies, and reinterpret established narratives, foregrounding what is often forgotten in the writing of a single, official History.


Memory, while seemingly a thing of the past, has much to reveal in the present. With its focus on memory, War and Remembrance provides new viewpoints in the field of war representation. Bringing an interdisciplinary approach to discussions of the cultural memory of war, the collection focuses on narratives, either fictional or testimonial, that challenge ideological discourses of war. The acts of remembrance and of waging war are constantly evolving. A range of case studies – analyzing representations of war in art, film, museums, and literature from Nigeria, Australia, Sri Lanka, Canada, and beyond – questions our current approaches to memory studies while offering reinterpretations of established narratives. Throughout, a commitment to Indigenous perspectives, to examining the ongoing legacy of colonialism, and to a continued reckoning with the Second World War foregrounds what is often forgotten in the writing of a single, official history. War and Remembrance invites readers to cast a reflexive look at wars and conflicts past – some of them forgotten, others still vividly commemorated – the better to understand the cultural, political, and social stake of memory as a source of conflict and exchange, of resistance and opposition, and of negotiation and reconciliation.

Recenzijos

By attempting to overcome the national and temporal boundaries that often inhibit comprehensions of social memory, War and Remembrance expands our knowledge of how past armed conflicts are now interpreted while also advancing knowledge regarding the ways that our modes and orientations to history have shifted. Brad West, University of South Australia and author of Finding Gallipoli: Battlefield Remembrance and the Movement of Australian and Turkish History War and Remembrance makes a valuable contribution to the academic field of the cultural representations of war memories in various geographical and historical settings. The wide variety of topics and the authors high level of scholarship offer valuable insights for scholars and students interested in the study of war history or cultural memory. Medicine, Conflict and Survival The books vivid insights into the gigantic puzzle of war representations offer a fresh perspective on collective identities [ and] presents a tapestry of contributions that allows readers to gain a uniquely international perspective on the ways in which past wars shape societies today. As the Russian invasion of Ukraine shows, both cultural and material battles can be waged under the guise of a commitment to memory. International Affairs

Daugiau informacijos

Challenging hegemonic narratives of war by spotlighting the intimate memories of witnesses.
Figures
xiii
Acknowledgments xv
Introduction 3(22)
Renee Dickason
Delphine Letort
Michel Prum
Stephanie Belanger
PART 1 Remembering War From Indigenous Perspectives
1 War Voices: Australian Aboriginal Political Revolt Post-First World War
25(11)
John Maynard
2 War Memories and Indigenous Stereotypes: The Fabrication of the Maori Warrior
36(21)
Corinne David-Ives
3 "This Day Is Not for You": The Commemorative Displacement of Black Wars in White Australia
57(19)
Elizabeth Rechniewski
Matthew Graves
4 Allies or Enemies? The Representation of Black Soldiers in Recent French, British, and Canadian Great War Fiction
76(13)
Anna Branach-Kallas
5 Selective Remembering and Motivated Forgetting: The Primacy of National Identity in Australia's Differential Memorialization of Its Wars
89(22)
Sheila Collingwood-Whittick
PART 2 Memories Of Colonial Involvement And Civil Wars
6 The Gurkha with the Khukuri between His Teeth: First World War Postcards and Combat Representations of Nepalese and Indian Colonial Troops
111(32)
Gilles Teulie
7 The Humour of an Indian Soldier's Memories of the First World War in M.R. Anand's Across the Black Waters (1939)
143(15)
Florence Cabaret
8 Picturing Control: The Visual Representation of the Kenya Emergency
158(17)
Keith Bell
9 The Meaning of the American Civil War in Southern Memory
175(18)
Stephen J. Whitfield
10 Between Nigeria and Biafra: Locating Ethnic Minorities in Narratives of the Nigerian Civil War, 1967-70
193(26)
Dominique Otigbah
PART 3 RECOLLECTIONS OF WORLD WARS
11 Light and Not-So-Light Reflections in the Wipers Times' Trench Journal and in the Satirical Magazine Punch or The London Charivari (1939-45): What Narratives, What Recollections?
219(41)
Renee Dickason
12 Writing the Blitz, Listening to the Nation: Personal Narratives of the Blitz and the Construction of a Collective Aural Identity in British Cinema of the Second World War
260(17)
Anita Jorge
13 The Literature of Intervention: US Participation in the Second World War
277(18)
Tatiana Prorokova-Konrad
14 Fighting Fascism? The Second World War in British Far-Right Memory
295(16)
Paul Stacker
15 The National World War II Museum, New Orleans: An Architectural Interpretation of War
311(16)
Victoria Young
PART 4 REMEMBERING AND FORGETTING WAR
16 War on Memorialization: Constructive and Destructive Holocaust Remembrance on American Sitcoms, 1990-2000S
327(21)
Jeffrey Demsky
17 Of Wars, Scars, and Celluloid Memory: Representations of War in Sri Lankan Cinema (2000-10)
348(15)
Vilasnee Tampoe-Hautin
18 The Spanish-American War on Film: An International Approach
363(16)
Andrds Lendrt
19 Wings (William Wellman, 1927) and Broken Lullaby (Ernst Lubitsch, 1932): The Psychological Drama of Memory and the Modern Pacifist Narrative
379(15)
Raphaelle Costa de Beauregard
20 Peacekeeping Forces and Their Filmic Representations: The Case of Peter Kosminsky's Warriors (1999) and The Promise (2011)
394(21)
Georges Fournier
PART 5 INTIMATE MEMORIES OF WAR
21 Requiem for a Tommy: Impersonality and Subjectivity in Stuart Cooper's Overlord (1975)
415(17)
Nicole Cloarec
22 "Our Visit to Waterloo": Representing the Battlefield in the Memoirs of Charlotte Eaton and Elizabeth Butler
432(16)
Nathalie Saudo-Welby
23 Historically Estranged Generations: Memorials and the Relevance Effect in Nigel Farndale's The Blasphemer and Tatiana de Rosnay's Sarah's Key
448(16)
Marzena Sokotowska-Paryz
24 An "Abominable Epoch": An Australian Woman's Perception of Occupied France
464(16)
Sylvie Pomies-Marechal
25 Robert Briffault's War Letters: A Divided Self under Fire
480(17)
Emmanuel Roudaut
Contributors 497(14)
Index 511
Renée Dickason is professor at the University of Rennes. Delphine Letort is professor at the University of Le Mans. Michel Prum is emeritus professor at the Université de Paris. Stéphanie A.H. Bélanger is professor at the Royal Military College of Canada.