This book surveys the intersections between water systems and the phenomenology of visual cultures in early modern, colonial, and contemporary South Asia.
This book surveys the intersections between water systems and the phenomenology of visual cultures in early modern, colonial and contemporary South Asia. Bringing together contributions by eminent artists, architects, curators and scholars who explore the connections between the environmental and the cultural, the volume situates water in an expansive relational domain. It covers disciplines as diverse as literary studies, environmental humanities, sustainable design, urban planning and media studies. The chapters explore the ways in which material cultures of water generate technological and aesthetic acts of envisioning geographies, and make an intervention within political, social and cultural discourses. A critical interjection in the sociologies of water in the subcontinent, the book brings art history into conversation with current debates on climate change by examining waters artistic, architectural, engineering, religious, scientific and environmental facets from the 16th century to the present.
This is one of the first books on South Asias art, architecture and visual history to interweave the ecological with the aesthetic under the emerging field of eco art history. The volume will be of interest to scholars and general readers of art history, Islamic studies, South Asian studies, urban studies, architecture, geography, history and environmental studies. It will also appeal to activists, curators, art critics and those interested in water management.
Recenzijos
This eclectic collection of essays attempts to capture an ineffable quality of waterscapes: that they shape imaginations and actions in ways both fluid and enduring. At a time when the challenge of climate change calls for creative cultural politics, this exploration of ways of seeing and being is all the more valuable.
Amita Baviskar, Professor of Sociology, Institute of Economic Growth, Delhi, India This eclectic collection of essays attempts to capture an ineffable quality of waterscapes: that they shape imaginations and actions in ways both fluid and enduring. At a time when the challenge of climate change calls for creative cultural politics, this exploration of ways of seeing and being is all the more valuable.
Amita Baviskar, Professor of Sociology, Institute of Economic Growth, Delhi, India
"This beautifully produced volume, printed on fine glossy paper, is a joy to hold and read. Ray (Univ. of California, Berkeley) and Maddipati (Ambedkar University Delhi, India) have put together a luxurious book of 14 chapters and 122 plates, in both black and white and color, to explore the material culture of water in oceans, dams, rivers, and lakes, from antiquity to the present.This is a wonderful contribution by Routledge and the contributors."
--R. D. Long, Eastern Michigan University, CHOICE, January 2020 Vol. 57 No. 5
Foreword
1. Introduction: The Materiality of Liquescence PART I. Vision
and Space, ca. 15001750
2. The Shape of Baburs Lake: Architecture and Water
in the Central Indian Frontier
3. Water is a Limited Commodity: Ecological
Aesthetics in the Little Ice Age, Mathura, ca. 1614
4. Lakes Within
Lake-Palaces: A Material History of Pleasure in 18th-Century India PART II.
Surface and Depth, ca. 17501950
5. Photos of the Ocean: Pearl Fisheries,
British Colonialism and the Gulf of Manaar
6. Deep Time as Intimate Stranger:
The Age of Water in the Religious Imagination at Girar, 1855
7. From Nallah
to Nadi, Stream to Sewer to Stream: Urban Waterscape Research in India and
the United States PART III. Materiality and Infrastructure, ca. 19502015
8.
Water: Its Meanings and Powers in the Indian Sufi Tradition
9. Developmental
Aesthetics: Modernisms Ocular Economies and Laconic Discontents in the Era
of Nehruvian Technocracy
10. A Critical Look into the Existing Practice of
Water Governance in Cities: The Case of Chandernagore
11. Making Water Media
in 21st-Century South Asia PART IV. Mediations
12. The Religious and
Affective Actualities of the Yamuna: Conversations with Pandit Premchand
Sharma, Nigambodh Ghat, Delhi
13. From Bundi to Delhi: Water Harnessing
Systems in Semiarid Regions
14. You Always Step into the Same River! PART V.
Afterthoughts
15. Cosmographia Universalis: Environmental Crisis and the
Water Aesthetics of Global South Asia
Sugata Ray is Associate Professor in the History of Art Department at the University of California, Berkeley, USA. His research focuses on the intersections among early modern and colonial artistic cultures, transterritorial ecologies and the natural environment. His publications include Climate Change and the Art of Devotion: Geoaesthetics in the Land of Krishna, 15501850 (2019); Ecologies, Aesthetics and Histories of Art (coedited, 2019); and essays in journals such as The Art Bulletin, Art History and South Asia: Journal of South Asian Studies.
Venugopal Maddipati is Assistant Professor in the School of Design at Ambedkar University Delhi, India. His research focuses on geological thinking, architectural history and ecological histories. His publications include Gandhi and Architecture Against History: The Contemporaneity of Low-Cost Housing (forthcoming) and essays in journals and books, such as South Asia: Journal of South Asian Studies; Sarai Reader 09; Simon Starling/Superflex: Reprototypes, Triangulations and Road Tests; and LA, Journal of Landscape Architecture.
