Atnaujinkite slapukų nuostatas

Way We Read James Dickey: Critical Approaches for the Twenty-first Century [Kietas viršelis]

Contributions by , Edited by , Contributions by , Contributions by , Contributions by , Contributions by , Contributions by , Edited by , Contributions by , Contributions by
  • Formatas: Hardback, 264 pages, aukštis x plotis x storis: 228x157x25 mm, weight: 515 g, 5 illustrations
  • Išleidimo metai: 30-Apr-2009
  • Leidėjas: University of South Carolina Press
  • ISBN-10: 1570038031
  • ISBN-13: 9781570038037
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 264 pages, aukštis x plotis x storis: 228x157x25 mm, weight: 515 g, 5 illustrations
  • Išleidimo metai: 30-Apr-2009
  • Leidėjas: University of South Carolina Press
  • ISBN-10: 1570038031
  • ISBN-13: 9781570038037
Kitos knygos pagal šią temą:
This book offers original inroads to understanding the life and works of the celebrated novelist and poet. In ""The Way We Read James Dickey"" editors William B. Thesing and Theda Wrede have assembled an outstanding collection of current critical responses to the works of the acclaimed novelist, poet, and teacher, including essays by Dickey's former colleagues at the University of South Carolina and a piece by his most famous student, novelist Pat Conroy. The volume breaks new ground in the application of innovative critical approaches and restores Dickey to his rightful place in the literary canon as a remarkable writer who crafted some of the best poetry and fiction of the twentieth century. A decade after Dickey's death and thirty-five years after the release of the film version of his famous novel Deliverance, Dickey remains a controversial figure in the American literary landscape. He was an intellectual maverick who was often ahead of his time, and yet he responded intensely, almost obsessively, to his own changing times. Thesing and Wrede argue that, although he appeared to conform to poetic conventions, his writing was a visionary reinterpretation and extension of preexisting traditions. This tension between a poet's intellectual precursors and the radical innovation of his work is the inspiration behind the fresh approaches taken by the contributors in this volume, just as it energized Dickey's own endeavors. The essays offer original insights through emerging scholarly perspectives as well as through established methods of critique. The contributors address a range of themes in Dickey's works, including gender, religion, humanity's relationship to nature, and the writer's cultural context. This landmark reappraisal of Dickey's legacy offers readers a coherent forum that addresses why his writings remain relevant today, thus restoring and revaluing the rising significance of Dickey's literary achievement for twenty-first-century audiences.
List of Illustrations
vii
Acknowledgments ix
Introduction: From Dust to Deliverance 1(12)
William B. Thesing
Theda Wrede
Part 1: Influence and Reputation Debates
``Wild to Be Wreckage Forever'': Dickey's Influence and Reputation
13(12)
Pat Conroy
Writing One's Immortality: Dickey's Reputation as a Southern Writer
25(10)
Casey Clabough
Forging Alliances: James Dickey / James Dickey Newsletter
35(16)
Joyce M. Pair
Part 2: Artistic and Mythmaking Experiences
``More in Two Worlds than One'': The Imagination and Writing Process of James Dickey
51(15)
Gary Leising
Structures of Transcendence: Dickey's Male Self and the Other
66(10)
James Applewhite
Adherence to Propp: James Dickey's Deliverance in Novel and Film
76(12)
Cherry Levin
James Dickey and His Reader: The Movement from Drowning to Deliverance
88(19)
Randall Smith
Part 3: Religious Matters
The Theme of the Visionary Poet
107(13)
Marion Hodge
``Reeling and Staggering'': The Ecstatic Moment in the Poetry of James Dickey
120(9)
Kevin Lewis
The Religious Impulse and Dickey's ``The Owl King''
129(10)
Keen Butterworth
James Dickey's Pantheism: Nature and Philosophy in the Last Motion
139(12)
Gordon Van Ness
Part 4: Cultural and Societal Contexts
The War Poetry of James Dickey
151(11)
Lorrie Goldensohn
Mock Primitive: The Artful Ethnography of James Dickey
162(15)
Daniel Cross Turner
Nature and Gender in James Dickey's Deliverance: An Ecofeminist Reading
177(18)
Theda Wrede
Part 5: Gender Issues
The Buggering Hillbilly and the Buddy Movie: Male Sexuality in Deliverance
195(15)
Ed Madden
Ed Gentry's ``Man Crush'': Idolatry, Power, and Love in James Dickey's Deliverance
210(18)
Jennifer Schell
Gender, Being, and Artifice in James Dickey's Puella
228(11)
Edward Larrissy
``How Willing to Let Anything Be Done'': James Dickey's Feminist Praxis
239(14)
Jennie Lightweis-Goff
Contributors 253(4)
Index 257
William B. Thesing, a distinguished professor emeritus of English at the University of South Carolina, was a colleague of James Dickey's for two decades. From 2003 to 2008 Thesing served as editor of the James Dickey Newsletter. He is the author or editor of fifteen books, including The London Muse, winner of the 1980 SAMLA Studies Book Award. Theda Wrede is an assistant professor of English at Dixie State College in St. George, Utah. From 2003 to 2006 she was an editorial assistant for the James Dickey Newsletter. Her essays and reviews have appeared in the Atlantic Monthly, Interdisciplinary Humanities, and elsewhere.