Ultimately, I leave the interpretation of my music to others. Ive said all I can, in the music and in interviews. Im flattered that the last few years have seen an increase in interest in my music on the part of musicologists and other scholars, seeking better understandings of my songs and their place in American history and culture. If that all continues, great. And the chapters in this book are a very good place to start. from the Foreword by -- Billy Joel A wide-ranging, affectionate look at the work of a pop master. This illuminating collection of essays offers diverse perspectives on Joels music and makes a compelling scholarly case for his legacy as one of rocks great songwriters and performers. -- Albin Zak, University at Albany Following Bach, Beethoven and Brahms before him, Billy Joel is one of the supreme craftsmen of rock, but also a pioneer in original styling, sensitive songwriting, rich arranging and hard-rocking performing. In We Didnt Start the Fire: Billy Joel and Popular Music Studies, we learn from many insightful and colorful perspectiveson topics from compositional detail to performance techniques and venues; comparisons against precursors and megastar contemporaries; co-renditions by cross-gender ASL interpreters; packaging, reception and legacy; and larger social and cultural contextshow to fully appreciate Joel's intriguing body of work. Moreover, the writers have geared their presentations to the non-specialist reader, a great feat given the multileveled complexity of the lyrics, music and sonics of Joel's entire catalog, no aspect of which is neglected. The collection is topped-off with a penetrating discussion with The Man himselfBravi! -- Walter Everett, The University of Michigan
