Foreword |
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10 | (2) |
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Acknowledgments |
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12 | (4) |
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REVOLUTIONARY HOPE: LANDMARK WRITINGS, 1965--85 |
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16 | (10) |
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SPIRAL, THE BLACK ARTS MOVEMENT, AND "WHERE WE AT" BLACK WOMEN ARTISTS |
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26 | (40) |
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33 | (6) |
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2 Any Day Now: Black Art and Black Liberation (1969) |
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39 | (13) |
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3 Africobra: African Commune of Bad Relevant Artists, 10 in Search of a Nation (1970) |
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52 | (10) |
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4 "Where We At" Black Women Artists (1972) |
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62 | (4) |
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RACE AND WOMEN'S LIBERATION |
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66 | (34) |
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5 An Argument for Black Women's Liberation as a Revolutionary Force (1969) |
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70 | (5) |
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6 What the Black Woman Thinks About Women's Lib (1971) |
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75 | (9) |
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7 In Search of Our Mothers' Gardens: The Creativity of Black Women in the South (1974) |
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84 | (10) |
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8 Black Feminism: A New Mandate (1974) |
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94 | (5) |
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9 A Litany for Survival (1978) |
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99 | (1) |
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FAITH RINGGOLD'S RADICAL ACTIVISM |
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100 | (14) |
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10 For the Women's House: Interview with Faith Ringgold (1972) |
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104 | (10) |
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COLLECTIVE ARTIST ACTIONS IN NEW YORK |
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114 | (20) |
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11 The Demands of Art Workers Coalition (1969) |
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120 | (2) |
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12 To the Viewing Public for the 1970 Whitney Annual Exhibition (undated) Women Artists in Revolution, Women's Ad Hoc Committee, and Women Students and Artists for Black Art Liberation |
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122 | (2) |
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13 Letter of withdrawal from Contemporary Black Artists in America, Whitney Museum of American Art, 1971 (1971) |
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124 | (2) |
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14 Letter in defense of the Judson Three (1971) |
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126 | (2) |
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15 Letter of support for the Judson Three (1971) |
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128 | (2) |
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The Committee to Defend the Judson Three |
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130 | (4) |
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JUST ABOVE MIDTOWN GALLERY |
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134 | (32) |
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17 Letter to her parents (1967) |
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139 | (5) |
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18 Cover artwork (undated) for Black Currant 1, no. 1 (May 1982) |
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144 | (2) |
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19 B Culture 1, no. 1 (1986) |
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146 | (2) |
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20 Interview with Linda Goode Bryant (1994) |
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148 | (18) |
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SENGA NENGUDI'S FREEWAY FETS |
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166 | (6) |
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21 Announcement card for Freeway Fets (1978) |
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170 | (2) |
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THE COMBAHEE RIVER COLLECTIVE |
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172 | (12) |
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22 A Black Feminist Statement (1977) |
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176 | (8) |
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The Combahee River Collective |
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STRUGGLING FOR DIVERSITY IN HERESIES |
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184 | (26) |
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23 Letters between Combahee River Collective and Heresies Lesbian Issue Collective in "Women's Traditional Arts---The Politics of Aesthetics," Heresies, issue 4 (1978) |
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188 | (2) |
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24 Third World Women Speak (1978) |
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190 | (4) |
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25 Editorial Statement in "Third World Women---The Politics of Being Other," Heresies, issue 8 (1979) |
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194 | (3) |
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26 Mile Bourgeoise Noire Goes to the New Museum, in "The Women's Pages," Heresies, issue 14 (1982) |
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197 | (1) |
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27 Editorial Statement and Heresies Collective Statement in "Racism Is the Issue," Heresies, issue 15 (1982) |
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198 | (7) |
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28 Some Do's and Don'ts for Black Women Artists, in "Racism Is the Issue," Heresies, issue 15 (1982) |
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205 | (1) |
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29 Untitled, in "Racism Is the Issue," Heresies, issue 15 (1982) |
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206 | (2) |
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30 Black Dreams, in "Racism Is the Issue," Heresies, issue 15 (1982) |
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208 | (2) |
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ANA MENDIETA'S DIALECTICS OF ISOLATION |
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210 | (20) |
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31 Dialectics of Isolation: An Exhibition of Third World Women Artists of the United States, excerpts (1980) |
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214 | (2) |
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216 | (2) |
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218 | (2) |
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220 | (2) |
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222 | (2) |
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32 On Making a Video--Free, White and 21 (1992) |
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224 | (6) |
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GENDER POLITICS AT THE INTERSECTION OF RACE, CLASS, AND SEXUAL IDENTITY |
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230 | (22) |
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33 Speaking in Tongues: A Letter to Third World Women Writers (1981) |
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234 | (8) |
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34 Revolutionary Hope: A Conversation Between James Baldwin and Audre Lorde (1984) |
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242 | (10) |
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252 | (62) |
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35 Art (World) & Racism: Testimony, Documentation and Statistics (1987) |
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257 | (35) |
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36 Confession---Filming Family: An Interview with Artist and Filmmaker Camille Billops (1996) |
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292 | (8) |
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37 Photo spread of Rodeo Caldonia (1987) |
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300 | (2) |
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38 She Came with the Rodeo (1994) |
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302 | (12) |
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Sources |
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314 | (2) |
Copyright Credits |
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316 | (1) |
Artists In The Exhibition We Wanted A Revolution: Black Radical Women, 1965--85 |
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317 | (1) |
Brooklyn Museum Board Of Trustees |
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318 | |