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When Movies Were Theater: Architecture, Exhibition, and the Evolution of American Film [Minkštas viršelis]

  • Formatas: Paperback / softback, 432 pages, aukštis x plotis: 229x152 mm, 71 b&w illustrations
  • Serija: Film and Culture Series
  • Išleidimo metai: 24-May-2016
  • Leidėjas: Columbia University Press
  • ISBN-10: 0231176570
  • ISBN-13: 9780231176576
Kitos knygos pagal šią temą:
  • Formatas: Paperback / softback, 432 pages, aukštis x plotis: 229x152 mm, 71 b&w illustrations
  • Serija: Film and Culture Series
  • Išleidimo metai: 24-May-2016
  • Leidėjas: Columbia University Press
  • ISBN-10: 0231176570
  • ISBN-13: 9780231176576
Kitos knygos pagal šią temą:

There was a time when seeing a movie meant more than seeing a film. The theater itself shaped the very perception of events onscreen. This multilayered history tells the story of American film through the evolution of theater architecture and the surprisingly varied ways movies were shown, ranging from Edison's 1896 projections to the 1968 Cinerama premiere of Stanley Kubrick's2001. The study matches distinct architectural forms to movie styles, showing how cinema's roots in theater influenced business practices, exhibition strategies, and film technologies.



This multilayered history tells the story of American film through the evolution of theater architecture and the surprisingly varied ways movies were shown, ranging from Edison's 1896 projections to the 1968 Cinerama premiere of Stanley Kubrick's2001. The study matches distinct architectural forms to movie styles, showing how cinema's roots in theater influenced business practices, exhibition strategies, and film technologies.

Recenzijos

Just as the very concept of 'going to the movies' in a theatrical space seems under threat and antiquated, William Paul's informed and rigorous look back at what going to the moves once meant-culturally, aesthetically, and architecturally-seems particularly urgent and apt. When Movies Were Theater offers digital -age moviegoers-screen watchers?-a fascinating and provocative study of the spaces in which we see movies. -- Thomas Doherty, author of Hollywood and Hitler, 1933-1939 When Movies Were Theater is a brilliantly argued, superbly researched study of the spaces and physical contexts that determine our experience of movies. Paul shows that the history of stage and screen has involved many architectural changes, and that the framing environment-whether indoors or out, whether at home or in a multiplex-decisively affects both the form of films and our understanding of them. His book is of groundbreaking importance and should be read by everyone with a serious interest in the ever-evolving medium of moving images. -- James Naremore, author of An Invention Without a Future: Essays on Cinema When Movies Were Theater is an impressive achievement. William Paul demonstrates that the history of film should not - and cannot - be separated from the history of theatre, including the history of theatre buildings. A major accomplishment in research and analysis, Paul's book offers essential scholarship for both film scholars and theatre historians. -- Thomas Postlewait, author of The Cambridge Introduction to Theatre Historiography In this fascinating study, Paul investigates the complex and ever-changing theatrical space of motion picture exhibition. He also offers his insights into the unexpected ways that these spaces influenced film production-and vice versa. -- Charles Musser, author The Emergence of Cinema: The American Screen to 1907 If you are interested in how the architecture within American movie houses shaped the cinema and vice-versa, William Paul's often brilliant tome is an instant classic. -- Gerald Peary The Arts Fuse This is a book that will change our thinking of cinema... It is a broadening of our views on the history of cinema as a cultural practice at the crossroads of many different fields: theater, architecture, technology, economy, and art... [ When Movies Were Theater] deserves a place on the very top of all compulsory reading on the history of cinema. -- Jan Baetens Leonardo Reviews

Daugiau informacijos

Winner of Choice Outstanding Academic Title 2016 and Richard Wall Memorial Award, Theatre Library Association 2016.This multilayered history tells the story of American film through the evolution of theater architecture and the surprisingly varied ways movies were shown, ranging from Edison's 1896 projections to the 1968 Cinerama premiere of Stanley Kubrick's 2001. The study matches distinct architectural forms to movie styles, showing how cinema's roots in theater influenced business practices, exhibition strategies, and film technologies.
List of Illustrations
ix
Acknowledgments xiii
Introduction An Art of the Theater 1(20)
1 Making Movies Fit
21(41)
2 Store Theaters A Radical Break
62(33)
3 Palatial Architecture, Democratized Audience
95(27)
4 Elite Taste in a Mass Medium
122(64)
5 Uncanny Theater
186(44)
6 The Architectural Screen
230(45)
Conclusion Ontological Fade-Out 275(24)
Appendix 1 Stage Shows and Double Features in Select Markets Outside New York City 299(4)
Appendix 2 Feature Films Based on Theatrical Sources, 1914-2011 303(6)
Appendix 3 Filmography 309(4)
Appendix 4 List of Theaters 313(4)
Abbreviations Used for Citations in Notes 317(2)
Notes 319(80)
Selected Bibliography 399(14)
Index 413
William Paul is professor of film and media studies at Washington University in St. Louis. He is also the author of Ernst Lubitsch's American Comedy (1983) and Laughing Screaming: Modern Hollywood Horror and Comedy (1994).