Acknowledgments |
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ix | |
The Kennan Institute/Harriman Institute Contemporary Ukrainian Literature Series |
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xiii | |
Introduction |
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1 | (20) |
A Note On Transliteration |
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21 | (1) |
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22 | (8) |
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From Jimi Hendrix Live in Lviv |
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24 | (6) |
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30 | (12) |
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32 | (1) |
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And ever so slowly looms ... |
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33 | (1) |
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The Corridor with Eye-Sized Doors |
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34 | (1) |
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When your lips are but a half a breath away ... |
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35 | (1) |
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36 | (1) |
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37 | (5) |
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42 | (4) |
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44 | (2) |
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46 | (16) |
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48 | (1) |
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From A Short History of Dance |
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49 | (1) |
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50 | (1) |
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51 | (1) |
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52 | (1) |
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53 | (2) |
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55 | (1) |
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56 | (1) |
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57 | (1) |
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58 | (2) |
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60 | (2) |
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62 | (20) |
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From Genesis of the Flying Head |
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64 | (4) |
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Monologue from a Canine Pretext |
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68 | (2) |
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A Drum-Tympanum (a sonnet uttered by the Flying Head) |
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70 | (1) |
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She (rap performance by the Kids of the Queenie) Part 3 |
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71 | (2) |
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An Itty Bitty Ditty 'bout Mr. Bazio (sung by Viktor Morozov) |
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73 | (2) |
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75 | (2) |
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77 | (2) |
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79 | (1) |
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80 | (1) |
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81 | (1) |
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82 | (22) |
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84 | (3) |
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87 | (1) |
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88 | (2) |
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90 | (2) |
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92 | (1) |
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93 | (2) |
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95 | (3) |
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98 | (2) |
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100 | (4) |
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104 | (14) |
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The Star Absinthe: Notes on a Bitter Anniversary |
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106 | (12) |
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118 | (44) |
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Selections from FM Galicia |
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120 | (3) |
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123 | (3) |
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126 | (7) |
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133 | (6) |
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139 | (4) |
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143 | (2) |
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145 | (2) |
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147 | (2) |
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149 | (2) |
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151 | (1) |
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152 | (2) |
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154 | (2) |
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156 | (2) |
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158 | (2) |
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160 | (2) |
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162 | (60) |
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164 | (1) |
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165 | (2) |
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167 | (2) |
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169 | (2) |
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171 | (1) |
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172 | (2) |
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174 | (2) |
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... Not to wake her up ... |
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176 | (2) |
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The Lord Sympathizes with Outsiders |
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178 | (2) |
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The Smallest Girl in Chinatown |
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180 | (1) |
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Owner of the Best Gay Bar |
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181 | (38) |
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The Percentage of Suicides among Clowns |
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219 | (3) |
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222 | (24) |
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224 | (2) |
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226 | (2) |
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228 | (1) |
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229 | (1) |
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The Village Teacher's Lesson |
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230 | (1) |
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Nothing is right here, you see: ... |
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231 | (1) |
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An Evening with Great-Grandma |
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232 | (1) |
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The black parachute of anxiety grows ... |
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233 | (1) |
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There is much---I know---sadness ... |
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234 | (1) |
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235 | (1) |
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The Music That Walked Away |
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236 | (1) |
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237 | (1) |
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I gaze at my mountains ... |
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238 | (1) |
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239 | (1) |
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240 | (1) |
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An evening (goose) pastoral |
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241 | (1) |
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242 | (4) |
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246 | (14) |
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248 | (5) |
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253 | (2) |
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Five Short Stories for Natalie---The Fifth Story---The Last One---The Lover |
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255 | (5) |
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260 | (36) |
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The Flowerbed in the Kilim |
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262 | (4) |
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266 | (2) |
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From Spring Games in Summer Gardens |
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268 | (11) |
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268 | (5) |
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The Pilgrim's Dance, Part One |
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273 | (6) |
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279 | (9) |
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288 | (8) |
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296 | (12) |
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298 | (4) |
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The Lunch of a Man of Letters |
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302 | (2) |
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304 | (4) |
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308 | (12) |
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An Out-of-tune-Piano, an Accordion |
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310 | (10) |
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320 | (24) |
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322 | (10) |
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322 | (2) |
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The Slag Piles of Breasts |
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324 | (2) |
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326 | (2) |
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My Grandmother's Fairy Tale |
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328 | (2) |
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330 | (2) |
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332 | (12) |
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333 | (2) |
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335 | (1) |
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336 | (2) |
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False friends and beloved |
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338 | (2) |
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Such people are called naked |
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340 | (3) |
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343 | (1) |
About The Editor |
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344 | (2) |
Translators |
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346 | (2) |
Index |
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348 | (3) |
Praise for The White Chalk of Days |
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351 | |