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Who Is This Schiller Now?: Essays on His Reception and Significance [Kietas viršelis]

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New essays by top international Schiller scholars on the reception of the great German writer and dramatist, emphasizing his realist aspects.

The works of Friedrich Schiller (1759-1805) -- an innovative and resonant tragedian and an important poet, essayist, historian, and aesthetic theorist -- are among the best known of German and world literature. Schiller's explosive original artistry and feel for timely and enduring personal tragedy embedded in timeless sociohistorical conflicts remain the topic of lively academic debate. The essays in this volume address the many flashpoints and canonicalshifts in the cyclically polarized reception of Schiller and his works, in pursuit of historical and contemporary answers to Samuel Taylor Coleridge's expression of frightened admiration in 1794: "Who is this Schiller?" The responses demonstrate pronounced shifts from widespread twentieth-century understandings of Schiller: the overwhelming emphasis here is on Schiller the cosmopolitan realist, and little or no trace is left of the ultimately untenable view of Schiller as an abstract idealist who turned his back on politics.

Contributors: Ehrhard Bahr, Matthew Bell, Frederick Burwick, Jennifer Driscoll Colosimo, Bernd Fischer, Gail K. Hart, Fritz Heuer, Hans H. Hiebel, Jeffrey L. High, Walter Hinderer, Paul E. Kerry, Erik B. Knoedler, Elisabeth Krimmer, Maria del Rosario Acosta López, Laura Anna Macor, Dennis F. Mahoney, Nicholas Martin, John A. McCarthy, Yvonne Nilges, Norbert Oellers, Peter Pabisch, David Pugh, T. J. Reed, Wolfgang Riedel, Jörg Robert, Ritchie Robertson, Jeffrey L. Sammons, Henrik Sponsel.

Jeffrey L. High is Associate Professor of German Studies at California State University Long Beach, Nicholas Martin is Reader in European Intellectual History at the University of Birmingham, and Norbert Oellers is Professor Emeritus of German Literature at the University of Bonn.

Recenzijos

[ D]emands attention not least for the great variety of approaches chosen by its well-qualified contributors, all of whom share the common aim of liberating Schiller from his traditional role as the junior member of the Weimar partnership. . . . [ T]he bulk of the constituent material gives us a Schiller still vibrantly alive -- now, and in the foreseeable future. --Osman Durrani, * MODERN LANGUAGE REVIEW * [ A]n indispensable introduction to Schiller scholarship: it presents historicized research covering a broad range of Schiller's legacy, is extensively resourced, and demonstrates considerable self-reflexivity regarding international Germanistik. * GOETHE YEARBOOK * [ A] rich, varied, and rewarding volume of scholarship. . . . [ B]oth specialists and more casual readers of Schiller's works, and indeed those readers with an interest in the history of ideas, stand to benefit from a sustained reading of the learned meditations contained within it. * FOCUS ON GERMAN STUDIES * [ T]he premise of the book's conception [ is] fully to be accepted, and finds realization in a number of important contributions that broaden and deepen our knowledge about Schiller's illusionless realism, his understanding of politics, his philosophical position, his critique of religion, and his skeptical treatment of historical experience in his poetic and theoretical works. * GERMANISTIK * Divided into five parts covering drama and poetry, aesthetics and philosophy, history and politics, reception and 'Schiller Now', the essays reveal Schiller as a dramatist of melancholy, a 'poet of Mourning', and an Enlightenment historian, to mention just three of the wide variety of perspectives offered . . . [ a] useful contemporary collection. Recommended. * CHOICE * [ P]ositions itself - rightly - over and against the mid-century creation of a politically naļve, if not dangerous, Schiller, who cartoonishly embodied the backlash within Anglo-American circles against German politics and German idealism. . . . [ T]his collection is a conscious effort not only to avoid reducing Schiller to any of his readily identifiable personae, but also to interrogate the twentieth-century scholarly trends that have made this reduction something that must be avoided. * GERMAN QUARTERLY *

Foreword xi
Jeffrey L. High
Nicholas Martin
Norbert Oellers
Acknowledgments xv
List of Abbreviations
xvii
Introduction: Why Is This Schiller [ Still] in the United States? 1(24)
Jeffrey L. High
Part I Schiller, Drama, and Poetry
1 Lenz und Schiller. Die erlebnissymptomatische Dramensprache
25(12)
Hans H. Hiebel
2 Melancholy in Schiller's Dramas
37(18)
Matthew Bell
3 Schillers Asthetik der Trauer. Der Dichter als "elegischer" Lyriker und Dramatiker
55(14)
Ehrhard Bahr
4 Gluhendes Wort zum Ideal uber der versagenden Realitat --- zu Schillers Balladen
69(12)
Peter Pabisch
5 Zwischen Max Piccolomini und Buttler. Wallensteins Orts- und Zeitverluste
81(18)
Norbert Oellers
Part II Schiller, Aesthetics, and Philosophy
6 Die Moralphilosophie des jungen Schiller. Ein, Kantianer ante litteram'
99(17)
Laura Anna Macor
7 Aesthetic Humanism and Its Foes: The Perspective from Halle
116(17)
David Pugh
8 Zur kulturpolitischen Dynamik des asthetischen Spiels in Schillers Briefen Ueber die asthetische Erziehung des Menschen
133(14)
Bernd Fischer
9 Die Empfanglichkeit fur den asthetischen Schein ist das a priori des Schonen in Kants Kritik der Urteilskraft. Das Orientierende in Schillers Forderung der asthetischen Erziehung des Menschen
147(18)
Fritz Heuer
10 Energy and Schiller's Aesthetics from the "Philosophical" to the Aesthetic Letters
165(22)
John A. McCarthy
11 "Making Other People's Feelings Our Own": From the Aesthetic to the Political in Schiller's Aesthetic Letters
187(18)
Maria del Rosario Acosta Lopez
Part III Schiller, History, and Politics
12 Schiller und die Demokratie
205(12)
Yvonne Nilges
13 God's Warriors, Mercenaries, or Freedom Fighters? Politics, Warfare, and Religion in Schiller's Geschichte des Dreyβigjahrigen Kriegs
217(19)
Elisabeth Krimmer
14 Who Is This Black Knight? Schiller's Maid of Orleans and (Mythological) History
236(11)
Erik B. Knoedler
15 Religion and Violence in Schiller's Late Tragedies
247(24)
Wolfgang Riedel
16 So Who Was Naive? Schiller as Enlightenment Historian and His Successors
271(16)
T. J. Reed
Part IV Schiller Reception --- Reception and Schiller
17 Schiller and the Gothic --- Reception and Reality
287(15)
Jennifer Driscoll Colosimo
18 Schiller's Plays on the British Stage, 1797-1825
302(19)
Frederick Burwick
19 From Martyr to Vampire: The Figure of Mary Stuart in Drama from Vondel to Swinburne
321(19)
Ritchie Robertson
20 A
Chapter of Schiller in America: The First World War and Volume 3 of Kuno Francke's Edition of The German Classics
340(11)
Jeffrey L. Sammons
21 The Reluctant Recruit? Schiller in the Trenches, 1914-1918
351(16)
Nicholas Martin
22 Schiller --- Kommerell --- George. Eine Konstellation der Moderne
367(16)
Jorg Robert
23 Was sagte dieser Schiller (damals)? Schillers Antworten auf seine Kritiker nach 1945
383(20)
Henrik Sponsel
Part V Schiller Now
24 Maria Stuart Adaptations in the Twentieth and Twenty-First Centuries: From "Classical" Parodies to Contemporary Politics
403(22)
Dennis F. Mahoney
25 Whose Schiller Is This? Das Fremde und das Eigene in US Auslandsgermanistik
425(13)
Gail K. Hart
26 Schiller's Political Ideas: Who Cares?
438(13)
Paul E. Kerry
27 Where is This Schiller Now?
451(16)
Walter Hinderer
Notes on the Contributors 467(6)
Index 473
JEFFREY L. HIGH is Professor in German Studies, Comparative Literature, and Honors at California State University, Long Beach, CA. BERND FISCHER is Emeritus Academy Professor at the Ohio State University. ELISABETH KRIMMER is Professor of German at the University of California, Davis. GAIL K. HART is Professor Emerita of German at the University of California, Irvine. JEFFREY L. SAMMONS is Professor Emeritus, Yale University JEFFREY L. HIGH is Professor in German Studies, Comparative Literature, and Honors at California State University, Long Beach, CA. JOHN A. MCCARTHY is Professor of German and Comparative Literature Emeritus at Vanderbilt University. LAURA ANNA MACOR is Associate Professor of History of Philosophy at the University of Verona.