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El. knyga: Woke Cinderella: Twenty-First-Century Adaptations

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Glass slippers, a fairy godmother, a ball, a prince, an evil stepfamily, and a poor girl known for sitting amongst the ashes: incarnations of the "Cinderella" fairy tale have resonated throughout the ages. Hidden between the lines of this fairy tale exists a history of fantasy about agency, power, and empowerment. This book examines twenty-first-century Cinderella adaptations that envision the classic tale in the twenty-first century through the lens of wokenesss by shifting rhetorical implications and self-reflexively granting different possibilities for protagonists. The contributors argue that the "Cinderella" archetype expands past traditional takes on the passive princess. From Sex and the City to Game of Thrones, from cyborg "Cinderellas" to Inglorious Basterds, contributors explore gender-bending and feminist adaptations, explorations of race and the body, and post-human and post-truth rewritings. The collection posits that contemporary Cinderella adaptations create a substantive cultural product that both inform and reflect a contemporary social zeitgeist.
Introduction: Cinderella and Wokeness 1(14)
Suzy Woltmann
I Girl Power: Feminist and Queer Readings
1 Gen Z Cinder(f)ellas: Girl Powered Gender Adaptations in the A Cinderella Story Films
15(26)
Sarah E. Maier
Jessica Raven
2 "With This Shoe I Thee Wed": Cinderella as Agent of the Backlash in The Devil Wears Prada and Sex and the City
41(22)
Aoileann Ni Eigeartaigh
3 "Have Courage and Be Kind": The Emancipatory Potential of Twenty-First-Century Fairy-Tale Adaptations of "Cinderella"
63(16)
Svea Hundertmark
4 Two Centuries of Queer Horizon: Rodgers and Hammerstein's Cinderella
79(18)
Christine Case
II (Re)Production: A Classic Tale Told Anew
5 Queen of the Ashes: Daenerys Targaryen, Cinderella of the Apocalypse, and Her Mirror Prince in Game of Thrones
97(20)
Loraine Haywood
6 Forgive Me Mother for I Have Sinned: Cinderella's Stepmother Meets Derrida's Forgiveness
117(18)
Brittany Eldridge
7 Tiana Can't Stay Woke: Reassessing the "Cinderella" Narrative in Disney's The Princess and the Frog
135(14)
Camille S. Alexander
8 Predestination or the Rediscovery of Agency
149(16)
Christian Jiminez
9 Deaf Cinderella: The Construction of a Woke Cultural Identity
165(16)
Carolina Alves Magaldi
Lucas Alves Mendes
III Post-human and Post-truth Cinderellas
10 Dragons, Magical Objects, and Social Criticism: Reimaging the Cinderella Trope in Tui T. Sutherland's The Lost Heir
181(24)
Rachel L. Carazo
11 Cyborg-erella: Marissa Meyer's Cinder as a New Type of Other
205(12)
Alexandra Lykissas
12 Once Upon a Time in Nazi-Occupied France: Inglourious Basterds, Cinderellas, and Post-truth Politics
217(16)
Ryan Habermeyer
Conclusion: A Postmodern Princess: Rhetorical Strategies of Contemporary "Cinderella" Adaptations 233(10)
Suzy Woltmann
Index 243(10)
About the Contributors 253
Suzy Woltmann received her PhD in Literature from the University of California, San Diego, where she teaches literature and writing courses.