After inventing his own demise in Last Poems, Peter Reading unwinds with thoughts of death, dying, gluttony and community care. Work in Regress, Readings rst new collection since his two-volume Collected Poems, shows the controversial Laureate of Grot in true, contrary style, turning against the idea of poetry being worth anything in the modern world at the same time as he creates angry, heartbreaking, grimly ironic poetry out of blackness and despair. Work in Regress was shortlisted for the T.S. Eliot Prize 1997.
Alan Brownjohn said of Last Poems: On the evidence of this collection, nothing Reading is likely to do with this or any other project in his later years will prove mellow, or comforting, or boring (Sunday Times). Prophetic words. Yet in the end, despite Readings denials, could the fact of these new poems written against the grain, against the odds offer some hope against hopelessness?
Recenzijos
For a poet to be collected like this, and at the age of 50 in mid-career, is quite unheard of. But if anyone deserves the accolade it is ReadingWhat sets Reading apart is that he uses metreThe effect is extraordinary and particular to Reading: he has customised the language more radically than any other poet of the moment Deliberately squalid, violent and apocalyptic contemporary contents are yoked to forms that for the best part of three millennia have been used for the beautiful and the heroic. -- Michael Hofmann * The Times *
Daugiau informacijos
Short-listed for T S Eliot Prize 1997.
Peter Reading (1946-2011) was born in Liverpool. After studying painting at Liverpool College of Art, he worked as a schoolteacher in Liverpool (1967-68) and at Liverpool College of Art, where he taught Art History (1968-70). He then worked for 22 years as a weighbridge operator at an animal feedmill in Shropshire, a job which left him free to think, until he was sacked for refusing to wear a uniform introduced by new owners of the business. His only break was a two-year residency at Sunderland Polytechnic (1981-83). After leaving Liverpool, he lived for 40 years in various parts of Shropshire, in recent years in Ludlow. The benevolence of Americas Lannan Foundation rescued him from poverty. He was the first writer to hold the one-year Lannan writing residency in Marfa, Texas (in 1999), and is the only British poet to have won the Lannan Award for Poetry twice, in 1990 and 2004, as well as the only poet to read an entire lifes work for the Lannan Foundations DVD archive his filmed readings for Lannan (made in 2001 and 2010) of 26 poetry collections make up the only archive of its kind. His other honours included the Cholmondeley Award, the Dylan Thomas Award for Diplopic (1983), and the Whitbread Prize for Poetry for Stet (1986). Work in Regress was shortlisted for the T.S. Eliot Prize in 1997. All his poetry is published by Bloodaxe Books, along with Isabel Martins critical study Reading Peter Reading (2000). His first collection was Water and Waste (1970), published when he was 24, and his last, 26th collection, was Vendange Tardive, published forty years later in 2010. Each of his collections is self-contained, as carefully constructed and plotted as a novel, interweaving voices and narrative strands which can be seen to link the 24 books which make up his Collected Poems, published in three volumes: 1: Poems 1970-1984 (1995), 2: Poems 1985-1996 (1996) and 3: Poems 1997-2003 (2003). His later collections from Bloodaxe are -273-15 (2005) and Vendange Tardive (2010).
