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El. knyga: Writing of Aletheia: Martin Heidegger: In Language

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Martin Heidegger was engaged in a continual struggle to find words – new words, both descriptive and analytical – for his radical form of philosophy. This tendency can be traced from Being and Time, where he elaborated an entirely new vocabulary for his ontological enquiry; to Contributions to Philosophy, which saw him committed to a transformation of language; to later essays on poets such as Rilke and Trakl in On the Way to Language.

The Writing of Aletheia is the first study to appear in either English or German that provides a full account of Heidegger’s language and writing style. Focusing not only on his major philsophical works but also on his lectures, public talks and poetry, this book explores the complex textuality of Heidegger’s writing: the elaborate chains of wordplay and neologistic formations; the often oblique, circuitous and regressive exposition of his ideas; the infamous tautologies; the startling modification of grammatical rules and syntax; the idiosyncratic typography of his texts; the rhetorical devices, imagery and symbolism; and the tone and voice of his writing. All of these aspects betray not only his will to structure and his assertiveness but also his ongoing self-questioning and reflectiveness about the ultimate goal of his philosophical quest.



Martin Heidegger was engaged in a continual struggle to find new words for his radical form of philosophy. This book is the first study that provides a full account of Heidegger’s language and writing style, revealing his ongoing self-questioning and reflectiveness about his philosophical quest.



"Martin Heidegger was engaged in a continual struggle to find words - new words, both descriptive and analytical - for his radical form of philosophy. This tendency can be traced from Being and Time, where he elaborated an entirely new vocabulary for hisontological enquiry; to Contributions to Philosophy, which saw him committed to a transformation of language; to later essays on poets such as Rilke and Trakl in On the Way to Language. The Writing of Aletheia is the first study to appear in either English or German that provides a full account of Heidegger's language and writing style. Focusing not only on his major philosophical works but also on his lectures, public talks and poetry, this book explores the complex textuality of Heidegger's writing: the elaborate chains of wordplay and neologistic formations; the often oblique, circuitous and regressive exposition of his ideas; the infamous tautologies; the startling modification of grammatical rules and syntax; the idiosyncratic typography of his texts; the rhetorical devices, imagery and symbolism; and the tone and voice of his writing. All of these aspects betray not only his will to structure and his assertiveness but also his ongoing self-questioning and reflectiveness about the ultimate goal of his philosophical quest"--
Acknowledgements vii
Introduction 1(10)
Language: Housing Being
Chapter 1 The Language of Ontology: Being and Time
11(50)
Chapter 2 The Performative Text: Contributions to Philosophy (from Ereignis)
61(44)
Chapter 3 Re-calling the Originary: Parmenides
105(36)
Chapter 4 What Thinking Is Given to Think: On the Way to Language
141(42)
Chapter 5 The Triumph of Ratio: "The Question Concerning Technology"
183(38)
Bibliography 221(12)
Index 233
Martin Travers is a Senior Research Fellow in the School of Humanities, Griffith University, Brisbane. He was educated at the universities of East Anglia, Tübingen and Cambridge and has published widely in the areas of German and comparative literature. He is the author of books on Thomas Mann, the literature of the Conservative Revolution and Gottfried Benn.