Acknowledgements |
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9 | (2) |
Introduction |
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11 | (22) |
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11 | (5) |
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Why Yeats, Synge and Joyce? |
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16 | (2) |
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History, chronology and the postcolonial status of Yeats, Synge and Joyce |
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18 | (2) |
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20 | (1) |
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21 | (2) |
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Imperialism and British/English identities |
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23 | (2) |
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25 | (1) |
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25 | (1) |
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Differentiation between literatures of resistance and postcolonial literatures |
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26 | (1) |
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27 | (6) |
Chapter One Key Issues in Postcolonial Theory |
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33 | (46) |
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Imperial narratives of history |
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33 | (4) |
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Historiography and Discourse Theory |
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37 | (5) |
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The Break with Postmodernism |
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42 | (2) |
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The Adequacy of the Term 'Postcolonial' |
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44 | (2) |
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46 | (3) |
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49 | (2) |
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51 | (2) |
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Tradition versus Modernity |
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53 | (3) |
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Re-evaluations of Nationalism |
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56 | (1) |
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Language and the Problematic of Writing in English |
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57 | (6) |
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63 | (2) |
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65 | (2) |
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67 | (3) |
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Displacement and "Collective Trauma" |
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70 | (1) |
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Displacement and Mass Migration |
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71 | (2) |
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The Role of Postcolonial Studies |
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73 | (6) |
Chapter Two Waking from the Nightmare - Narration of Ireland's Histories in Yeats, Synge and Joyce |
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79 | (46) |
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79 | (7) |
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Yeats, Synge and Joyce: Critiques |
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86 | (8) |
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The Cultural Archive and Anthropological Fallacies |
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94 | (6) |
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Joyce: The Paralysis of the Colonised |
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100 | (6) |
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Alternative Models of Historical Discourse |
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106 | (11) |
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Yeats, Synge and Joyce: The Role of the Artist |
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117 | (8) |
Chapter Three "Combat Literature, Revolutionary Literature, National Literature" - Irish Nationalism, Postcolonial Theory and the "Drama" of Yeats, Synge and Joyce |
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125 | (40) |
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The Cultural Dynamics of Irish Nationalism |
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125 | (3) |
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Tradition versus Modernity in Ireland |
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128 | (3) |
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The Narrative of Cultural Decline |
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131 | (1) |
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The Gendering of Irish Nationalism |
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132 | (2) |
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134 | (2) |
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On Yeats and National Culture |
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136 | (14) |
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Synge and the Gendering of Irish Nationalism |
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150 | (7) |
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Joyce: Towards a Postcolonial Modernity |
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157 | (8) |
Chapter Four "I'll give them back their language. I'm not destroying it for good." - Language and Literary Style |
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165 | (44) |
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The Decline of Irish Gaelic and the Rise of English |
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165 | (4) |
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The Decision to Write in English |
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169 | (8) |
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Folktales, Myths and Legends |
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177 | (3) |
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Yeats and the Irish Oral Tradition |
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180 | (5) |
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The Challenge to Authenticity |
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185 | (3) |
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Towards Hybridity: A Marriage of Traditions |
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188 | (4) |
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Synge and the Inscription of Culture |
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192 | (3) |
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195 | (4) |
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Finnegan Wake - The Transformative Text |
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199 | (4) |
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Joyce and Glissant - Towards a National Literature |
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203 | (6) |
Chapter Five "I had no nation now but the imagination" - Emigration, Diaspora and Displacement |
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209 | (32) |
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Imperial Economics and Irish Emigration |
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209 | (4) |
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Irish writers in London and Europe |
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213 | (6) |
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219 | (5) |
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Psychological Displacement |
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224 | (7) |
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Healing a Fractured Psyche |
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231 | (10) |
Conclusions |
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241 | (12) |
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The application of postcolonial literary theory to the works of Yeats, Synge and Joyce |
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241 | (4) |
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Comparative and contrastive analysis of Yeats, Synge and Joyce within the given theoretical context |
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245 | (2) |
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Areas for further consideration/study |
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247 | (6) |
Notes |
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253 | (26) |
References |
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279 | (20) |
Index |
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299 | |