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El. knyga: Writing from the Margins of Europe: The Application of Postcolonial Theories to Selected Works by William Butler Yeats, John Millington Synge and James Joyce

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The application of postcolonial theories to Irish literature remains a contentious issue. Unlike other colonised nations, Ireland shared a long history of political, economic and artistic ties with its empire-building neighbour, Britain. Yet the Irish response to the project of British imperialism bears comparison with postcolonial models of the relationship between colonisers and the colonised. Writing from the Margins of Europe assesses the potential for postcolonial analysis of works by W. B. Yeats, J. M. Synge and James Joyce. In this exploration of postcolonial parallels between these writers, the author focuses on four core issues: historiography, nationalism, language and displacement.

Writing from the Margins of Europe assesses the potential for postcolonial analysis of works by W. B. Yeats, J. M. Synge and James Joyce. In this exploration of postcolonial parallels between these writers, the author focuses on four core issues: Historiography, Nationalism, Language and Displacement.

This study of Irish writers in London and Europe looks for manifestations of imperialism and evidence of British/English identities in the writing of William Butler Yeats, John Millington Synge, and James Joyce. The book begins with a history, chronology, and discussion of the postcolonial status of these three writers. Later chapters review key issues in postcolonial theory, then employ ideas from postcolonial theory to examine language, literary style, and Irish nationalism in the three writers’ narration of Ireland’s history. Annotation ©2014 Ringgold, Inc., Portland, OR (protoview.com)
Acknowledgements 9(2)
Introduction 11(22)
Background and Aims
11(5)
Why Yeats, Synge and Joyce?
16(2)
History, chronology and the postcolonial status of Yeats, Synge and Joyce
18(2)
Terminology
20(1)
Ideology
21(2)
Imperialism and British/English identities
23(2)
Subalternity
25(1)
Discourse
25(1)
Differentiation between literatures of resistance and postcolonial literatures
26(1)
Criteria and Methodology
27(6)
Chapter One Key Issues in Postcolonial Theory 33(46)
Imperial narratives of history
33(4)
Historiography and Discourse Theory
37(5)
The Break with Postmodernism
42(2)
The Adequacy of the Term 'Postcolonial'
44(2)
The "Other"
46(3)
Nationalism
49(2)
Nationalism as Discourse
51(2)
Tradition versus Modernity
53(3)
Re-evaluations of Nationalism
56(1)
Language and the Problematic of Writing in English
57(6)
Literary Form
63(2)
Hybridity
65(2)
Writers and Displacement
67(3)
Displacement and "Collective Trauma"
70(1)
Displacement and Mass Migration
71(2)
The Role of Postcolonial Studies
73(6)
Chapter Two Waking from the Nightmare - Narration of Ireland's Histories in Yeats, Synge and Joyce 79(46)
Ireland as "Other"
79(7)
Yeats, Synge and Joyce: Critiques
of Western Epistemology
86(8)
The Cultural Archive and Anthropological Fallacies
94(6)
Joyce: The Paralysis of the Colonised
100(6)
Alternative Models of Historical Discourse
106(11)
Yeats, Synge and Joyce: The Role of the Artist
117(8)
Chapter Three "Combat Literature, Revolutionary Literature, National Literature" - Irish Nationalism, Postcolonial Theory and the "Drama" of Yeats, Synge and Joyce 125(40)
The Cultural Dynamics of Irish Nationalism
125(3)
Tradition versus Modernity in Ireland
128(3)
The Narrative of Cultural Decline
131(1)
The Gendering of Irish Nationalism
132(2)
Nationalism and Drama
134(2)
On Yeats and National Culture
136(14)
Synge and the Gendering of Irish Nationalism
150(7)
Joyce: Towards a Postcolonial Modernity
157(8)
Chapter Four "I'll give them back their language. I'm not destroying it for good." - Language and Literary Style 165(44)
The Decline of Irish Gaelic and the Rise of English
165(4)
The Decision to Write in English
169(8)
Folktales, Myths and Legends
177(3)
Yeats and the Irish Oral Tradition
180(5)
The Challenge to Authenticity
185(3)
Towards Hybridity: A Marriage of Traditions
188(4)
Synge and the Inscription of Culture
192(3)
Metonymy
195(4)
Finnegan Wake - The Transformative Text
199(4)
Joyce and Glissant - Towards a National Literature
203(6)
Chapter Five "I had no nation now but the imagination" - Emigration, Diaspora and Displacement 209(32)
Imperial Economics and Irish Emigration
209(4)
Irish writers in London and Europe
213(6)
Physical Displacement
219(5)
Psychological Displacement
224(7)
Healing a Fractured Psyche
231(10)
Conclusions 241(12)
The application of postcolonial literary theory to the works of Yeats, Synge and Joyce
241(4)
Comparative and contrastive analysis of Yeats, Synge and Joyce within the given theoretical context
245(2)
Areas for further consideration/study
247(6)
Notes 253(26)
References 279(20)
Index 299
Rachael Sumner studied English and European Literatures at the University of Essex (UK) and Twentieth Century British and American Literature at the University of York (UK). She received her doctorate from the University of Opole (Poland) and lectures on British and American culture. She has published several articles on postcolonial theory and Irish literature.