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El. knyga: Writing Performance, Identity, and Everyday Life: The Selected Works of Ronald J. Pelias

(Southern Illinois University, USA)
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Writing Performance, Identity, and Everyday Life invites the reader into Ronald J. Pelias’ world of artistic and everyday performance. Calling upon a broad range of qualitative methods, these selected writings from Pelias submerge themselves in the evocative and embodied, in the material and consequential, often creating moving accounts of their topics.

The book is divided into four sections: Foundational Logics, Performance, Identity, and Everyday Life. Part I addresses the methodological underpinnings of the book, focusing on the ‘touchstones’ that inform Pelias’ work: performative, autoethnographic, poetic, and narrative methods. These directions push the researcher toward empathic engagement, a leaning toward others; using the literary to evoke the cognitive and affective aspects of experience; and an ethical sensibility located in social justice. Parts II–IV focus on artistic and everyday life performances, including discussions of the disciplinary shift from the oral interpretation of literature to the field of performance studies; empathy and the actor’s process; conceptions of performance; the performance of race, gender, and sexuality; and performances in interpersonal relations and academic circles.

By the end, readers will see Pelias demonstrate the power of qualitative methods to engage and to present alternative ways of being. Pelias’ work shows us how to understand and feel the evocative strength of thinking performatively.

Recenzijos

If youre new to Ron Pelias work, youll find treasure here: riches you will not tire of, that will reward you for what you give - time, attention, openness. If youre already familiar with Pelias' work, or think you are, you might need to reconsider: the range, depth and sheer beauty of Pelias' writing will take you somewhere new. Theres treasure here for you too. This is a vibrant collection of texts from a giant of qualitative inquiry.

Jonathan Wyatt, Senior Lecturer, Director of the Centre for Creative-Relational Inquiry, The University of Edinburgh

Acknowledgments vii
Introduction: A way in 1(18)
PART I Foundational logics
19(78)
1 Performative inquiry: Embodiment and its challenges
21(10)
2 Writing autoethnography: The personal, poetic, and performative as compositional strategies
31(22)
3 Performative writing as scholarship: An argument, an anecdote
53(8)
4 Performative writing: The ethics of representation in form and body
61(12)
5 Writing into position: Strategies for composition and evaluation
73(19)
6 Pledging personal allegiance to qualitative inquiry
92(5)
PART II Performance
97(70)
7 A paradigm for performance studies Coauthored With James Vanoosting
99(16)
8 Empathy: Some implications of social cognition research for interpretation study
115(16)
9 Performance studies: Meditations and mediations
131(10)
10 Performance is...
141(3)
11 Confessions of an apprehensive performer
144(8)
12 Toward a poetic phenomenology of performance Coauthored With Lesa Lockford
152(11)
13 Seductions
163(4)
PART III Identity
167(58)
14 The DEF Comedy Jam, bell hooks, and me
169(12)
15 My body's placement: An autoethnographic account of communicative practice
181(12)
16 Making my masculine body behave
193(9)
17 Jarheads, girly men, and the pleasures of violence
202(13)
18 A personal history of lust on Bourbon Street
215(10)
PART IV Everyday life
225(66)
19 Remembering Vietnam
227(12)
20 The critical life
239(11)
21 The academic tourist: A critical ethnography
250(5)
22 Always dying: Living between da and fort
255(9)
23 For father and son: An ethnodrama with no catharsis
264(8)
24 Remains
272(9)
25 The end of an academic career: The desperate attempt to hang on and let go
281(10)
Index 291
Ronald J. Pelias is currently teaching part-time in the theatre program at the University of Louisiana at Lafayette. His most recent books exploring qualitative methods are Leaning: A Poetics of Personal Relations (2011), Performance: An Alphabet of Performative Writing (2014), and If the Truth Be Told: Accounts in Literary Forms (2016).