Atnaujinkite slapukų nuostatas

Year's Work in the Oddball Archive [Minkštas viršelis]

2.67/5 (12 ratings by Goodreads)
Edited by , Contributions by , Edited by , Contributions by , Contributions by , Contributions by , Contributions by , Contributions by , , Contributions by
Kitos knygos pagal šią temą:
Year's Work in the Oddball ArchiveDidesnis paveikslėlis
Kitos knygos pagal šią temą:
Pastovi nuoroda: https://www.kriso.lt/db/9780253018472.html
Raktažodžiai:

The modern age is no stranger to the cabinet of curiosities, the freak show, or a drawer full of odds and ends. These collections of oddities engagingly work against the rationality and order of the conventional archive found in a university, a corporation, or a governmental holding. In form, methodology, and content, The Year’s Work in the Oddball Archive offers a counterargument to a more reasoned form of storing and recording the avant-garde (or the post-avant-garde), the perverse, the off, the bent, the absurd, the quirky, the weird, and the queer. To do so, it positions itself within the history of mirabilia launched by curiosity cabinets starting in the mid-fifteenth century and continuing to the present day. These archives (or are they counter-archives?) are located in unexpected places—the doorways of Katrina homes, the cavity of a cow, the remnants of extinct animals, an Internet site—and they offer up "alternate modes of knowing" to the traditional archive.

Recenzijos

"It was a pleasure to read through this collection, and I suspect some of the essays, if not the entire book, will find itself on the syllabus for my Archive and Ephemera graduate course."Museum Anthropology Review "An unrulyand much-neededmodel for how to do the archive differently."Scott Herring, author of The Hoarders: Material Deviance in Modern American Culture "A finely wrought collection of curiosities, The Year's Work in the Oddball Archive presents a surprising and original contribution that stretches our understanding of what constitutes an archive and how to best make use of it. By playing with notions of collecting and cataloging, this anthology offers a range of investigations into detritus and forgotten ephemera, each of which resolutely resists straight-forward methodologies, remaining all the while serious and deeply engaged. A vital intervention into how we talk about the stuff that surrounds us."Colin Dickey, co-editor of The Morbid Anatomy Anthology

BOX I SAVING AMERICA: ARCHIVAL PROLIFERATIONS
1(114)
1 Joseph Campana and Theodore Bale · "Pawning, Picking, Storing, Hoarding: Archiving America on Reality Television"
8(38)
An examination of the massive reality television fixation on picking, storing, pawning, and hoarding
2 Atia Sattar · "Germ Wars: Dirty Hands, Drinking Lips, and Dixie Cups"
46(36)
A discussion of germs, gender, and the Dixie cup archive
3 Beth A. McCoy · "The Archive of the Archive of the Archive: The FEMA Signs of Post-Katrina New Orleans and the Veves of Vodoun"
82(33)
A comparison of veves and FEMA signs in post-Katrina New Orleans
BOX II COLLECTIVE FIGURES
115(98)
4 Robin Blyn · "Marcuse's Unreason: The Biology of Revolution"
123(27)
Rereading Marcuse's odd positioning in the world of political philosophy
5 Dennis Allen · "The Madness of Slavoj Zizek"
150(28)
Ponders the ubiquity of Zizek
6 Jonathan P. Eburne · "Fish Kit"
178(35)
A look at David Lynch's extracinematic art of assemblage and dissection
BOX III UNTIMELY ARCHIVES
213(94)
7 Timothy Sweet · "The Eighteenth-Century Archives du monde: The Question of Agency in Extinction Stories"
219(27)
Considers Native American and Colonial theories for the extinction of dinosaurs
8 Charles M. Tung · "Modernist Heterochrony, Evolutionary Biology, and the Chimera of Time"
246(33)
How bodies, genes, and H. G. Wells play with heterochronies
9 Aaron Jaffe · "THERE IS AS YET INSUFFICIENT DATA FOR A MEANINGFUL ANSWER: INHUMANISM AT THE LITERARY LIMIT"
279(28)
What happens when the archive has too much and not enough
BOX IV ARCHIVES ACTING OUT
307(84)
10 Judith Roof · "Personifying La Con, or Post Hoax, Ergo Proper Hoax"
313(23)
Anatomizes hoaxes and their dependence on an archive
11 Grant Farred · "The Eleventh Commandment"
336(28)
Being revolutionary with Thomas Paine and Saint Paul
12 Seth Morton · "The Archive That Knew Too Little: The International Necronautical Society and the Avant-Garde"
364(27)
What happens when the INS plays with itself
Afterword · David L. Martin · "`To Prophesy post hoc': The Curious Afterlives of Oddball Archives" 391(18)
Index 409
Jonathan P. Eburne is Associate Professor of Comparative Literature and English at Penn State. He is the author of Surrealism and the Art of Crime. Judith Roof is William Shakespeare Chair of English at Rice University and author of many books on feminism and contemporary culture.