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You Call That Music?!: Korean Popular Music Through the Generations [Kietas viršelis]

Translated by , Translated by (Rutgers University, USA), Translated by ,
  • Formatas: Hardback, 124 pages, aukštis x plotis: 234x156 mm, weight: 331 g
  • Išleidimo metai: 27-Jun-2022
  • Leidėjas: Routledge
  • ISBN-10: 1032149019
  • ISBN-13: 9781032149011
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 124 pages, aukštis x plotis: 234x156 mm, weight: 331 g
  • Išleidimo metai: 27-Jun-2022
  • Leidėjas: Routledge
  • ISBN-10: 1032149019
  • ISBN-13: 9781032149011
Kitos knygos pagal šią temą:
"You Call That Music !: Korean Popular Music Through the Generations provides a critical overview of the history of Korean popular music from 1920 to the 2000s from the perspective of cultural history. First published in Korean in 2017 by one of the best-known critics, Lee Young-Mee, this book is a timely and much-needed source of information on Korean popular music of the past hundred years. Through this English translation, readers are able to make meaningful connections between specific forms of Korean popular music of various periods and the contemporaneous Korean social and political circumstances. Structured around the central theme of generational conflict, the book provides readers with an accessible way to engage with Korea's social history and a greater understanding of how specific musical works, genres and styles fit into that history. Its strong narrative force helps illuminate the connections between modern Korean social history and the particular trends of musical production and their reception through the decades. You Call That Music ! is an invaluable resource for those researching and studying Korean popular music specifically as well as Korea's cultural and social history"--

You Call That Music ! provides a critical overview of the history of Korean popular music from 1920 to the 2000s from the perspective of cultural history. This translation is an invaluable resource for those researching and studying Korean popular music specifically as well as Korea’s cultural and social history.
Foreword ix
Introduction xii
Authors Preface xvi
1 Generational Unity: Cause for Celebration?
1(4)
Songs the Whole Family Can Enjoy
1(1)
Generational Conflicts Promote Creativity!
2(1)
The Ebb and Flow of Generational Conflict
3(1)
Notes
4(1)
Reference
4(1)
2 Grownups in the 1930s: Shocked by the New Pop Music
5(10)
What's Your Groupchat Profile Pic?
5(1)
When Did Koreans Start Making Pop Music?
6(1)
The New Trends Appall the Adults
7(2)
How Old Was the Generation that Disliked Trot?
9(1)
Super Junior on Gayo Stage?
10(1)
Notes
11(3)
References
14(1)
3 Was Trot Really for Teens?
15(10)
Grownups Disliked Trot
15(2)
Trot and Enka
17(1)
It's Greek to Me: Grownups and the New Music
18(1)
The Generation Educated in Japanese
19(2)
Twenty-somethings: A Subversive Force in the Popular Arts
21(1)
New and Refined Trot to Share with Young People in Tokyo
22(1)
Notes
23(1)
References
24(1)
4 Mambo Dancing in Mambo Pants: In the Aftermath of the Korean War
25(9)
The Trot Generation Grows Old
25(1)
Trot Eases Generational Conflicts
26(2)
The Infiltration of "Vulgar" Music
28(1)
Mambo Fever Brings Mambo Pants
29(2)
"Apres-Girls" and "Madame Freedom"
31(1)
Middle-Aged People Swept Up in Postwar Fashions
32(1)
Notes
32(1)
References
33(1)
5 American Standard Pop Patches Up Generational Differences: The Early 1960s
34(7)
Is "Odong-dong Ballad" Really Less Vulgar Than "Yellow Shirt"?
34(2)
The Scales Tip Toward Standard Pop
36(1)
Could "Yellow Shirt" Be an International Hit?
37(2)
Standard Pop: Modern, but not Decadent
39(1)
Note
40(1)
References
40(1)
6 The Late 1960s: The Period of Easing Generational Conflict
41(4)
The Age of Standard Pop
41(1)
Youthful, but Still Familiar
42(1)
Standard Pop: Wholesome and Modern
43(1)
Notes
44(1)
Reference
44(1)
7 Trot Lifts the Spirits But Wait, Is It Japanese?!
45(6)
Singing Japanese Songs on Independence Day?
45(2)
The Remnants of Japanese Imperialism, Trot, and the 1965 Korea-Japan Treaty
47(1)
Why Did the Middle-Aged Trot Generation Accept Standard Pop?
47(2)
Does the Younger Generation Have "Superior" Taste?
49(1)
References
50(1)
8 The Explosion of Generational Conflict: Youth Culture
51(1)
A New Kind of Youth: Cheongchun vs. Cheongnyeon
51(3)
The "Strong" Generation Becomes Middle-Aged
54(3)
An Even "Stronger" Generation Comes of Age
57(2)
Being a Student: A New Youth Identity
59(1)
Notes
60(1)
References
61(1)
9 Decadent Acoustic Guitars and "Backwards" Ppongjjak Collide
62(14)
1971 A Pivotal Moment for Folk
62(1)
"Wearing a Flower Ring" Corrupts Young Girls?
63(3)
Unfounded Fears about Folk
66(1)
"Backwards" Ppongjjak: Why Pponjjak Was Considered "Backwards"
67(4)
Anti-Folk: The Fear of Corrupting Students
71(2)
Notes
73(2)
References
75(1)
10 Cho Yong-pil Brings Generations Together
76(10)
A Fusion of Trot and Rock?
76(1)
Cho Yong-pil, a Superstar for All Ages
77(2)
The Fusion of New Rock and Good Old Standard Pop
79(1)
Raise That Familiar Melody an Octave and Shout It!
80(2)
Notes
82(3)
Reference
85(1)
11 The Seoul Olympics, Globalization, and "Underground" Music
86(10)
Would "Morning Dew" Have Been as Popular in 1981?
86(1)
"Underground" and Minjung Songs Go into Hiding
87(2)
Korean Popular Music Catches Up to Sophisticated Western Pop
89(2)
Skilled Artistry and a Sense of Stability
91(1)
Notes
92(3)
Reference
95(1)
12 The 1990s: The Era of Seo Taiji and Generational Conflict
96(9)
Everyone's Talking About "the Generation" Again
96(1)
The "Apgujeong Orange Youth" Emerges as the New Generation
97(1)
What on Earth Is a Rock Cafe?
98(3)
Hard to Dance Hip-Hop if You're Over Thirty
101(2)
Notes
103(1)
References
104(1)
13 Reversal, Resistance, and?
105(11)
History Doesn't Always Repeat Itself Exactly
105(1)
Satanism in a Seo Taiji Song?
106(2)
The Youth Refuse to Conform
108(2)
The New Generation: Resistance and Subversion
110(3)
Still, History Continues
113(1)
Notes
113(1)
References
114(2)
14 Epilogue: When Will an Age of Conflict Come Again?
116(5)
The Importance of Knowing History
116(1)
Toward Generational Harmony Again
116(2)
When Will the Time of Generational Conflict Return?
118(1)
Notes
119(2)
Index 121
Lee Young-Mee was born in Seoul in 1961. She received a B.A. and an M.A. (specializing in contemporary literary criticism) in Korean Language and Literature at Korea University. She worked as a chief researcher at the Research Center for the Arts at Korea National University of Arts and taught at Sungkonghoe University and Munhwa Graduate School. In the 1980s she participated in the progressive drama and music movement, a sector of the democratization movement in South Korea. Her work, Stories of Songs (1993) deals with the history of minjung music and momentous songs that contributed to socio-political changes. Characteristics of the Madang Theater Form (2002) chronicles the aesthetics of the madang ('open air') theater, a unique genre active in the 1980s minjung movement. From the 1990s to the present, Lee has been considered THE pioneer in the field of Korean popular art. History of Korean Popular Music (1998) is the first comprehensive academic treatment of the subject. She has one English publication, "The Beginning of Korean Pop: Popular Music During the Japanese Occupation Era (191045)" in K. Howard ed. Korean Pop Music: Riding the Wave (2006). Her numerous publications include Understanding Korean Popular Art Through the Lens of Melodramatic Sentimentality (2016) that covers the eight decades of twentieth-century popular arts, novels, plays, songs, films, comics, and TV and radio dramas. The book received two prestigious awards, "Chihoon Academic Achievement Award," and "Nojeong Prize." In addition to her scholarly achievements, she is also known for her media presence through her popular radio shows on Korea Broadcasting Station (KBS), Munhwa Broadcasting Station (MBC), Christian Broadcasting Station (CBS), Buddhist Broadcasting Station (BBS), and Gugak Broadcasting.