Foreword |
|
ix | |
Introduction |
|
xii | |
Authors Preface |
|
xvi | |
|
1 Generational Unity: Cause for Celebration? |
|
|
1 | (4) |
|
Songs the Whole Family Can Enjoy |
|
|
1 | (1) |
|
Generational Conflicts Promote Creativity! |
|
|
2 | (1) |
|
The Ebb and Flow of Generational Conflict |
|
|
3 | (1) |
|
|
4 | (1) |
|
|
4 | (1) |
|
2 Grownups in the 1930s: Shocked by the New Pop Music |
|
|
5 | (10) |
|
What's Your Groupchat Profile Pic? |
|
|
5 | (1) |
|
When Did Koreans Start Making Pop Music? |
|
|
6 | (1) |
|
The New Trends Appall the Adults |
|
|
7 | (2) |
|
How Old Was the Generation that Disliked Trot? |
|
|
9 | (1) |
|
Super Junior on Gayo Stage? |
|
|
10 | (1) |
|
|
11 | (3) |
|
|
14 | (1) |
|
3 Was Trot Really for Teens? |
|
|
15 | (10) |
|
|
15 | (2) |
|
|
17 | (1) |
|
It's Greek to Me: Grownups and the New Music |
|
|
18 | (1) |
|
The Generation Educated in Japanese |
|
|
19 | (2) |
|
Twenty-somethings: A Subversive Force in the Popular Arts |
|
|
21 | (1) |
|
New and Refined Trot to Share with Young People in Tokyo |
|
|
22 | (1) |
|
|
23 | (1) |
|
|
24 | (1) |
|
4 Mambo Dancing in Mambo Pants: In the Aftermath of the Korean War |
|
|
25 | (9) |
|
The Trot Generation Grows Old |
|
|
25 | (1) |
|
Trot Eases Generational Conflicts |
|
|
26 | (2) |
|
The Infiltration of "Vulgar" Music |
|
|
28 | (1) |
|
Mambo Fever Brings Mambo Pants |
|
|
29 | (2) |
|
"Apres-Girls" and "Madame Freedom" |
|
|
31 | (1) |
|
Middle-Aged People Swept Up in Postwar Fashions |
|
|
32 | (1) |
|
|
32 | (1) |
|
|
33 | (1) |
|
5 American Standard Pop Patches Up Generational Differences: The Early 1960s |
|
|
34 | (7) |
|
Is "Odong-dong Ballad" Really Less Vulgar Than "Yellow Shirt"? |
|
|
34 | (2) |
|
The Scales Tip Toward Standard Pop |
|
|
36 | (1) |
|
Could "Yellow Shirt" Be an International Hit? |
|
|
37 | (2) |
|
Standard Pop: Modern, but not Decadent |
|
|
39 | (1) |
|
|
40 | (1) |
|
|
40 | (1) |
|
6 The Late 1960s: The Period of Easing Generational Conflict |
|
|
41 | (4) |
|
|
41 | (1) |
|
Youthful, but Still Familiar |
|
|
42 | (1) |
|
Standard Pop: Wholesome and Modern |
|
|
43 | (1) |
|
|
44 | (1) |
|
|
44 | (1) |
|
7 Trot Lifts the Spirits But Wait, Is It Japanese?! |
|
|
45 | (6) |
|
Singing Japanese Songs on Independence Day? |
|
|
45 | (2) |
|
The Remnants of Japanese Imperialism, Trot, and the 1965 Korea-Japan Treaty |
|
|
47 | (1) |
|
Why Did the Middle-Aged Trot Generation Accept Standard Pop? |
|
|
47 | (2) |
|
Does the Younger Generation Have "Superior" Taste? |
|
|
49 | (1) |
|
|
50 | (1) |
|
8 The Explosion of Generational Conflict: Youth Culture |
|
|
51 | (1) |
|
A New Kind of Youth: Cheongchun vs. Cheongnyeon |
|
|
51 | (3) |
|
The "Strong" Generation Becomes Middle-Aged |
|
|
54 | (3) |
|
An Even "Stronger" Generation Comes of Age |
|
|
57 | (2) |
|
Being a Student: A New Youth Identity |
|
|
59 | (1) |
|
|
60 | (1) |
|
|
61 | (1) |
|
9 Decadent Acoustic Guitars and "Backwards" Ppongjjak Collide |
|
|
62 | (14) |
|
1971 A Pivotal Moment for Folk |
|
|
62 | (1) |
|
"Wearing a Flower Ring" Corrupts Young Girls? |
|
|
63 | (3) |
|
Unfounded Fears about Folk |
|
|
66 | (1) |
|
"Backwards" Ppongjjak: Why Pponjjak Was Considered "Backwards" |
|
|
67 | (4) |
|
Anti-Folk: The Fear of Corrupting Students |
|
|
71 | (2) |
|
|
73 | (2) |
|
|
75 | (1) |
|
10 Cho Yong-pil Brings Generations Together |
|
|
76 | (10) |
|
A Fusion of Trot and Rock? |
|
|
76 | (1) |
|
Cho Yong-pil, a Superstar for All Ages |
|
|
77 | (2) |
|
The Fusion of New Rock and Good Old Standard Pop |
|
|
79 | (1) |
|
Raise That Familiar Melody an Octave and Shout It! |
|
|
80 | (2) |
|
|
82 | (3) |
|
|
85 | (1) |
|
11 The Seoul Olympics, Globalization, and "Underground" Music |
|
|
86 | (10) |
|
Would "Morning Dew" Have Been as Popular in 1981? |
|
|
86 | (1) |
|
"Underground" and Minjung Songs Go into Hiding |
|
|
87 | (2) |
|
Korean Popular Music Catches Up to Sophisticated Western Pop |
|
|
89 | (2) |
|
Skilled Artistry and a Sense of Stability |
|
|
91 | (1) |
|
|
92 | (3) |
|
|
95 | (1) |
|
12 The 1990s: The Era of Seo Taiji and Generational Conflict |
|
|
96 | (9) |
|
Everyone's Talking About "the Generation" Again |
|
|
96 | (1) |
|
The "Apgujeong Orange Youth" Emerges as the New Generation |
|
|
97 | (1) |
|
What on Earth Is a Rock Cafe? |
|
|
98 | (3) |
|
Hard to Dance Hip-Hop if You're Over Thirty |
|
|
101 | (2) |
|
|
103 | (1) |
|
|
104 | (1) |
|
13 Reversal, Resistance, and? |
|
|
105 | (11) |
|
History Doesn't Always Repeat Itself Exactly |
|
|
105 | (1) |
|
Satanism in a Seo Taiji Song? |
|
|
106 | (2) |
|
The Youth Refuse to Conform |
|
|
108 | (2) |
|
The New Generation: Resistance and Subversion |
|
|
110 | (3) |
|
|
113 | (1) |
|
|
113 | (1) |
|
|
114 | (2) |
|
14 Epilogue: When Will an Age of Conflict Come Again? |
|
|
116 | (5) |
|
The Importance of Knowing History |
|
|
116 | (1) |
|
Toward Generational Harmony Again |
|
|
116 | (2) |
|
When Will the Time of Generational Conflict Return? |
|
|
118 | (1) |
|
|
119 | (2) |
Index |
|
121 | |