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Zombie Film: From White Zombie to World War Z [Minkštas viršelis]

2.76/5 (34 ratings by Goodreads)
  • Formatas: Paperback / softback, 384 pages, aukštis x plotis x storis: 254x203x25 mm, weight: 1089 g
  • Išleidimo metai: 01-Feb-2014
  • Leidėjas: Limelight Editions
  • ISBN-10: 0879108878
  • ISBN-13: 9780879108878
Kitos knygos pagal šią temą:
  • Formatas: Paperback / softback, 384 pages, aukštis x plotis x storis: 254x203x25 mm, weight: 1089 g
  • Išleidimo metai: 01-Feb-2014
  • Leidėjas: Limelight Editions
  • ISBN-10: 0879108878
  • ISBN-13: 9780879108878
Kitos knygos pagal šią temą:
Discusses the history of the zombie film genre and includes a comprehensive zombie filmography.

(Book). The Zombie Film is the most comprehensive examination of the zombie film genre to date. With a detailed filmography of over 400 movies stretching back to the genre's earliest days, it begins with such classics as White Zombie (1932), starring Bela Lugosi, but also examines lesser-known films, such as The Ghoul (1933), with Boris Karloff, and the exploitation film Ouanga (1936). The book then moves through the hybrid science fiction zombie films of the 1950s, including Invasion of the Body Snatchers (1956), and then slashes through bloody Euro classics by filmmakers like Lucio Fulci and Amando de Ossorio. The book details the revisionist work of director-writer George Romero, who revamped the genre beginning with Night of the Living Dead (1968), and the zombie film's blossoming in the new millennium with mainstream works like Danny Boyle's 28 Days Later (2002), the comic Shaun of the Dead (2004), the popular TV series The Walking Dead (2010-), and the summer blockbuster World War Z (2013). Also given their due are thoughtful low-budget zombie movies, like Zombies Anonymous (2006) and The Dead Outside (2008). The Zombie Film features over 500 illustrations and entertaining sidebars on such subjects as zombie literature, zombie myth and history, zombie comics, and literary sources, such as H. P. Lovecraft and Richard Matheson.
Acknowledgements 7(2)
Preface 9(2)
Chapter One Zombies in Myth, History, Literature, and Popular Culture
11(16)
Sidebar: Lafcadio Hearn and Caribbean Folklore
16(11)
Chapter Two Zombie Rim Prototypes
27(36)
Sidebar: The Many Faces of Karloff
46(6)
Sidebar: Early Visual Style at Lewton's RKO
52(11)
Chapter Three The Second Coming: The Postwar Zombie
63(26)
Sidebar: Of Beginnings and Bloodlines, Richard Matheson's Stake in Zombie History
84(5)
John Edgar Browning
Chapter Four Romero Reinvents the Zombie Film
89(50)
I Slouching towards Pittsburgh
90(33)
II Hinzman's Children
123(9)
Sidebar: I Am Legend: George Romero's Transformations
132(7)
Tony Williams
Chapter Five Zombies on a Shoestring: The 1970s and 1980s
139(32)
Sidebar: Making Kiss Daddy Goodbye
164(7)
Alain Silver
Chapter Six Zombies with an Old-World Flavor
171(40)
Sidebar: The Top Ten Reasons Why I Hate Zombies (and the Movies About Them)
204(7)
Linda Brookover
Chapter Seven The Post-Feminist Zombie: Undeadly Is the Female
211(46)
Sidebar: Resident Evil, Alice's Weapons
222(30)
Sidebar: Making Night of the Dead: Leben Tod
252(5)
Eric Forsberg
Chapter Eight The Post-Modern Zombie
257(54)
Sidebar: The Walking Dead
294(14)
Todd K. Platts
Sidebar: Whitewalkers
308(3)
Filmography 311(62)
Contributors 373(2)
Index Of The Titles 375
ALAIN SILVER is the author of The Samurai Film and The Noir Style. With James Ursini he co-edited Film Noir: The Encyclopaedia and seven readers on film noir and the horror and gangster genres. JAMES URSINI co-wrote The Vampire Film and Film Noir Graphics with Alain Silver. Together Silver and Ursini have done audio-video commentaries for over two dozen noir DVD releases.