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El. knyga: Fashion Promotion in Practice

(University for the Creative Arts, UK), (University for the Creative Arts, UK)
  • Formatas: 216 pages
  • Serija: Required Reading Range
  • Išleidimo metai: 28-Jan-2016
  • Leidėjas: Bloomsbury Visual Arts
  • Kalba: eng
  • ISBN-13: 9781474213073
Kitos knygos pagal šią temą:
  • Formatas: 216 pages
  • Serija: Required Reading Range
  • Išleidimo metai: 28-Jan-2016
  • Leidėjas: Bloomsbury Visual Arts
  • Kalba: eng
  • ISBN-13: 9781474213073
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Fashion lives and dies by stories. Aiming to 'tell the stories of fashion', Fashion Promotion in Practice both instructs and inspires through an entertaining look at contemporary promotional practice within the fashion industry, showing you how you can apply this to your own future brands and campaigns.

Offering crucial insights into the how and why of promotional practice, Fashion Promotion in Practice explores the key issues and main areas of fashion promotion, including fashion film, the democratization of the catwalk, strategic brand collaborations, fashion magazines, celebrity endorsement, curating the fashion space, advertising, public relations, and campaign planning and evaluation. Each chapter also explores the key technologies, events and activities, which have shaped each practice.

Beautifully illustrated, this go-to guide for fashion promotion contains exercises, case studies and interviews with major industry professionals, including Oliviero Toscani, Adam Drawas, Rebecca Grant, Kathryn Ferguson, Georgia Hardinge and Josie Roscopp, Diane Pernet, Andrea Leonardi and Katie Baron, making it a must-read for all those involved in the fashion industry.

Recenzijos

The content of this book stays true to its title as it vividly explains current fashion promotion with many real-life examples, supported by interviews with industry experts, case studies and wonderful photographs. The structure of the book is suitable for students, as each chapter has learning outcomes, tables, reviews and exercises which can help readers memorise the vibrant material. * Olga Mitterfellner, Mediadesign Hochschule, Germany * Contemporary, relevant, and tuned into what is happening in fashion promotion now. The interviews are vital to the telling of these stories. Dynamic and lively, the book offers an engaging, exciting range of material and a useful resource to students -- Nilgin Yusuf, former Programme Director for the Media & Communications Programme, London College of Fashion, UK A fabulous new publication and a much-needed addition to the fashion library. Comprehensive, interesting to read, and informative: it is great to see such a lively and inspiring book about contemporary practice in fashion promotion. -- Gill Stark, Head of School, School of Fashion & Design, Regents University, London, UK

Daugiau informacijos

A comprehensive, fully illustrated guide to contemporary fashion promotion practice, with insights from the world's leading practitioners
Introduction 6(2)
01 Campaign Planning: Making It Happen
8(20)
Introduction
10(3)
Putting the P's into Practice
13(6)
Planning for Promotion
19(2)
Case study: The Power of Not Planning -- Non-Celebrities go Viral
21(1)
Interview: Rebecca Grant -- Planning Fashion Promotion for Non-Fashion Brands
22(2)
Interview: Flic Hendee -- Planning to Promote Cotton
24(2)
Chapter Review
26(2)
02 Advertising And Public Relations: From Verbal To Viral
28(22)
Introduction
31(4)
The Development of Integrated Fashion Advertising and PR
35(1)
Interview: Oliviero Toscani -- Fashion Advertising's Original Bad Boy
36(2)
Case Study -- Calvin Klein: "Show Yours. #My Calvins" Campaign
38(2)
Types of Fashion PR Activity
40(1)
Advertising and Media Types
41(1)
Paid, Owned, Earned, and Social Media
42(2)
How to Write a Press Release
44(1)
Going Native: The Future of Advertising and PR
45(1)
Interview: Adam Drawas -- On the New Face of Fashion PR
46(2)
Chapter Review
48(2)
03 The Celebrity Role: From Royalty To The Rap Game
50(22)
Introduction
52(2)
The Origins of Celebrity in Fashion
54(7)
Why Use Celebrities?
61(1)
Does Celebrity Promotion Work?
62(2)
Choosing and Using Your Celebrity
64(3)
Celebrities Behaving Badly
67(1)
Industry Perspective: The Future of Celebrity in Fashion Promotion
68(1)
Industry Perspective: Working With Celebrities
69(1)
Chapter Review
70(2)
04 Collaborations: "X" Marks The Spot
72(22)
Introduction
74(5)
Why Collaborate?
79(5)
Categorizing Fashion Collaborations
84(4)
Promoting Collaborations
88(1)
Industry Perspective: Collaborating with Bloggers
89(1)
Industry Perspective: Charities Collaborating with Fashion
90(2)
Chapter Review
92(2)
05 The Fashion Show: From Couturier To Catwalk
94(22)
Introduction
96(2)
The Fashion Week
98(3)
The Changing Shape of the Catwalk
101(3)
The Production
104(2)
On and Off the Catwalk
106(3)
Catwalk as a Promotional Vehicle: The Communication
109(1)
The End of the Clique?
110(2)
The Future of the Catwalk
112(1)
Interview: Fiona Farnsworth -- The Catwalk PR
113(1)
Chapter Review
114(2)
06 Fashion Film: From Hollywood To Hoxton
116(22)
Introduction
118(2)
The Contemporary Fashion Film
120(2)
Types of Fashion Film
122(2)
Creative Film and Narrative
124(2)
Industry Perspective: A Fashion Filmmaker's Perspective
126(1)
Fashion Film as a Promotional Vehicle
127(3)
Industry Perspective: The Future of Fashion Film
130(2)
Interview: Georgia Hardinge and Josie Roscop -- Using Fashion Film: Brand and Designer Perspective
132(2)
Interview: Diane Pernet -- International Film Festivals
134(2)
Chapter Review
136(2)
07 Events: From Private Parties To Public Performance
138(20)
Introduction
140(2)
Events and their Audiences
142(4)
Public Events
146(2)
Interview: Andrea Leonardi -- Event Producer, Without Production
148(6)
nterview: Katie Baron -- The Importance of Events
154(2)
Chapter Review
156(2)
08 Visual Merchandising: From Store To Screen
158(22)
Introduction
160(2)
Visual Merchandising in History
162(4)
Department Stores
166(2)
Window Displays: Attracting Attention
168(3)
The Boutique and the Edit
171(1)
Does Visual Merchandising Work?
171(3)
The Future of Visual Merchandising
174(2)
Interview: JoAnn Tan -- On Curating the Fashion Space
176(2)
Chapter Review
178(2)
09 The Fashion Magazine: From Print To Pixel
180(24)
Introduction
183(1)
Magazines as Promotional Tools
184(3)
Going Online
187(1)
Types of Online Sources
188(8)
A Question of Trust
196(3)
Going Digital
199(1)
The Future of the Magazine
200(1)
Interview: Sebastien Rouchon -- On Digital Publishing
200(2)
Chapter Review
202(2)
Resources 204(6)
Index 210(5)
Acknowledgements 215(1)
Picture Credits 216
Jon Cope is a Senior Lecturer in Public Relations at Westminster University, London, UK

Dennis Maloney is Course Leader in Fashion Journalism at University for the Creative Arts, UK