Acknowledgements |
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xi | |
Preface |
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xiii | |
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1 | (46) |
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3 | (1) |
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3 | (20) |
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6 | (2) |
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8 | (2) |
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1.3.1 LUS and You: `I'm Crossing Boundaries |
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8 | (1) |
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1.3.2 What Could LUS Become? Two Alternatives |
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9 | (1) |
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1.4 Literature Review: Classics and Trends in LUS |
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10 | (4) |
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14 | (2) |
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1.6 Conclusion: Radical Openness |
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16 | (7) |
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2 Concept, Method and Material |
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23 | (18) |
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23 | (1) |
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2.2 Background and Contexts |
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24 | (3) |
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24 | (1) |
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2.2.2 Place, Space, Canon |
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25 | (2) |
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27 | (5) |
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2.3.1 What Successful Concepts Share |
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27 | (2) |
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2.3.2 Three Alternative Definitions of `The City': Spatial, Municipal, Historical |
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29 | (2) |
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2.3.3 What Cartography and Genre Do to the City Concept |
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31 | (1) |
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2.4 Close and Distant: William Empson and Franco Moretti |
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32 | (1) |
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2.5 Methods and Materials |
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33 | (3) |
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33 | (1) |
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2.5.2 Cities as Materials, Texts as Materials |
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34 | (2) |
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2.6 Case Study: Three Classic Metropolitan Literary Texts |
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36 | (5) |
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2 7 Conclusion: Against the Social Sciences? No |
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41 | (6) |
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PART II History and Presentness |
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47 | (102) |
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3 Literary Urban Studies of a Pre-Modern World |
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49 | (22) |
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3.1 A Long-Range Approach to LUS |
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49 | (2) |
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3.2 Contexts and Traditions: Matthew Arnold and Raymond Williams |
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51 | (2) |
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3.3 Chronologies of the (Literary) City in Existing LUS |
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53 | (1) |
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3.4 Four Concepts: Authenticity, Anthropocene, Stratigraphy, Sacred Space |
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54 | (2) |
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3.5 Methods, Materials, Practices |
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56 | (4) |
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3.5.1 Decentring European Tradition |
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56 | (2) |
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3.5.2 Pre-city, Other City: Moving Through the Anthropocene |
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58 | (1) |
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3.5.3 Questions of Access to Materials |
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59 | (1) |
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3.6 A New LUS for Old Europe |
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60 | (2) |
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3.7 Case Studies: Aristophanes and Margery Kempe |
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62 | (4) |
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3.7.1 Old Texts and Their References to Place |
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62 | (1) |
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3.7.2 Case Study: Materialities of and in The Birds and The Book of Margery Kempe |
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63 | (3) |
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3.8 Conclusion: Networking Across Borders and Time |
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66 | (5) |
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4 When People Move to Cities: Urbanisation and Realism |
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71 | (27) |
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11 | (3) |
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4.1.1 Realism, Disciplines and the Right to Be Heard |
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71 | (2) |
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4.1.2 Outline of the Chapter |
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73 | (1) |
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4.2 Judith R. Walkowitz and Henry James' Arrivals |
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74 | (2) |
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4.3 The Work So Far on Urban Realism |
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76 | (5) |
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4.3.1 Detailing It and Evaluating It |
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77 | (2) |
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4.3.2 Beyond Literary Studies: Feminism, Space and Time |
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79 | (2) |
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81 | (3) |
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4.4.1 Contradictions of Realism: Verisimilitude vs. Plotting via Coincidence |
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81 | (1) |
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4.4.2 Place Categories, Including the `Slum' |
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82 | (2) |
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4.5 Methods and Materials: How to Interpret Acts of Spectating |
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84 | (2) |
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4.6 Findings and Results: A Gap in Urban Representation |
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86 | (1) |
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87 | (5) |
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4.7.1 Hesba Stretton's Gendered Perspectives on the `Slums' of Victorian London |
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87 | (3) |
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4.7.2 Darkness and Light in Nineteenth-Century Cities |
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90 | (2) |
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4.8 Conclusion: Checking and Questioning |
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92 | (6) |
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5 Urban Modernity, Literary Modernism and Beyond |
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98 | (27) |
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98 | (2) |
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5.1.1 Can There Be a Non-Hierarchical Urban Poetics of Modernity? |
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98 | (2) |
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5.1.2 Outline of the Chapter |
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100 | (1) |
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5.2 Context: Luigi Russolo and `The Multiplication of Machines' |
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100 | (3) |
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5.3 Readings of Modernism, Readings of an Iconic District |
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103 | (3) |
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5.3.1 LUS, Modernism and a Broadened Modernist Studies |
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103 | (2) |
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5.3.2 An LUS Reading of Harlem, New York: Sarah Wasserman |
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105 | (1) |
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106 | (3) |
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5.4.1 How Do Outsider Figures and Literary Settings Relate? |
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106 | (1) |
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5.4.2 Speed, Acceleration, Alienation |
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107 | (2) |
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5.5 Methods and Materials |
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109 | (4) |
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5.5.1 Handling an Opening |
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109 | (2) |
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5.5.2 City Literature or New York Literature? |
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111 | (2) |
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5.6 Five Hypotheses about LUS and Modernism |
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113 | (2) |
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115 | (3) |
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5.7.1 Distance Matters: Dual Literary Urbanities of Setting and Publishing |
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115 | (1) |
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5.7.2 Verbal Pairings to Drive Literary Urban Research |
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116 | (2) |
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5.8 Conclusion: Many Pasts, Many Provinces |
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118 | (7) |
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6 Informal Planet: LUS and Contemporary Urbanity |
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125 | (24) |
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125 | (3) |
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6.1.1 Informality and Identity in the Twenty-First Century |
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125 | (2) |
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6.1.2 Provincialising Every Urban Region |
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127 | (1) |
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6.2 Twentieth- and Twenty-First-Century Urbanisms |
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128 | (4) |
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6.2.1 Lewis Mumford's Anti-Urban Urbanism |
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128 | (2) |
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6.2.2 Ananya Roy and Work to Decolonise City Writing |
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130 | (2) |
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6.3 Existing LUS on Multiple Continents |
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132 | (1) |
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6.4 The Urban Network Concept and Postcolonial Readings |
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133 | (2) |
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6.5 Rereadings and Biographies: Method in Postcolonial Readings |
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135 | (2) |
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6.6 Mumbai and Unevenness |
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137 | (2) |
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139 | (3) |
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6.7.1 Reading Step by Step |
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139 | (1) |
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6.7.2 Land and City: Port-au-Prince/Montreal/Port-au-Prince/Montreal |
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140 | (2) |
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6.8 Conclusion: Taking Arms |
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142 | (7) |
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PART III Literary Form, Urban Form |
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149 | (78) |
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7 The Prose of the Urban World |
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151 | (25) |
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151 | (3) |
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7.1.1 The Job of a User's Manual |
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151 | (2) |
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7.1.2 What Is Urban Prose? |
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153 | (1) |
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7.2 Background and Contexts: Going Underground in Paris from the Cathedral to the Metro |
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154 | (3) |
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7.3 Urban Prose Anatomised in LUS and Other Fields |
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157 | (2) |
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7.4 Key Concepts: Focalisation, Panorama, City Personality |
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159 | (1) |
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7.5 Psychogeography: A Controversial Method and a Category of Materials |
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160 | (2) |
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7.6 Paris for the Parisian and Houston for the Houstonian? |
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162 | (1) |
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163 | (9) |
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7.7.1 Diversities of Time and Perspective in Victor Hugo's Paris and Virginia Woolf's London |
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163 | (3) |
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7.7.2 Two Views of the `Buckle of the Sunbelt': Alan Hollinghurst and a Houston Plan |
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166 | (3) |
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7.7.3 Narrating the UK Council Estate Through Memoir and Polemic Forms |
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169 | (3) |
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7.8 Conclusion: Diversity but Navigability |
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172 | (4) |
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8 City Poetry and Poets' Views of Urban Scenes |
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176 | (24) |
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176 | (1) |
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8.2 Projecting Origins and Essences |
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177 | (1) |
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8.3 Literary Scholars, Geographers, City Rhythms and Responses to Planning |
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178 | (2) |
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180 | (2) |
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8.4.1 The Image and Impressionism |
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180 | (1) |
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8.4.2 Apocalypse Then? Creation, Discussion and Long-Range Views of Time in LUS |
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181 | (1) |
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8.5 Attentiveness and Communion in Poetry Reading |
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182 | (1) |
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8.6 Urban Poems from London, St Petersburg and Boston, 1596-1960 |
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183 | (3) |
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186 | (9) |
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8.7.1 How Are Poems and Statues Related? |
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186 | (3) |
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8.7.2 From Contexts to Research Traditions to Activism |
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189 | (2) |
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8.7.3 Where Are the Grounds for Comparison? Two Modernist Poets on a Pre-City World |
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191 | (4) |
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8.8 Conclusion: Let's Leave the Metropolis |
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195 | (5) |
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9 Theatre in the City and Cities in Drama |
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200 | (25) |
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9.1 Introduction: An Urban Institution |
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200 | (2) |
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9.2 On-Stage Contexts Versus Off-Stage Contexts |
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202 | (1) |
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9.3 Epitomising Urban Drama or Seeking it in a Distinctive Example? |
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203 | (4) |
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9.3.1 Classical LUS: Richard Lehan |
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203 | (1) |
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9.3.2 Andrea Dunbar and the UK Council Estate Play: Dramatising One Urban Imaginative Place |
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204 | (3) |
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9.4 Key Concepts: The Debate over Setting |
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207 | (1) |
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9.5 Methods and Foci in Analysis |
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208 | (4) |
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9.5.1 August Strindberg's Urban Connections |
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208 | (2) |
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9.5.2 Who is Presenting it to Us? |
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210 | (1) |
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9.5.3 On Broadway and at Drury Lane: Theatre, Metonym and Urban Space |
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211 | (1) |
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9.6 Findings and Discussion |
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212 | (3) |
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9.6.1 Handling Urbanisation On Stage via Indexicality |
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212 | (2) |
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9.6.2 The Dangerous Urban Playhouse: Romantic-Era Stage Regulation |
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214 | (1) |
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9.7 Case Study: Working with August Strindberg and Lorraine Hansberry |
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215 | (4) |
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215 | (1) |
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9.7.2 Next Form a Hypothesis |
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216 | (3) |
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9.8 Conclusions: Theatrical Diversity, Meet Urban Diversity |
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219 | (6) |
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10 Conclusion: Finding Your Way Through Urban Form and Literary Form |
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225 | (2) |
Further Reading |
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227 | (4) |
Glossary of Concepts and Fields |
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231 | (18) |
Index |
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249 | |