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El. knyga: Literary Urban Studies and How to Practice It

(Åbo Akademi University, Finland)
  • Formatas: 272 pages
  • Išleidimo metai: 22-Nov-2021
  • Leidėjas: Routledge
  • Kalba: eng
  • ISBN-13: 9781000467529
  • Formatas: 272 pages
  • Išleidimo metai: 22-Nov-2021
  • Leidėjas: Routledge
  • Kalba: eng
  • ISBN-13: 9781000467529

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"Literary Urban Studies and How to Practice It is the first textbook in literary urban studies (LUS). It illuminates and investigates this exciting field, which has grown since the humanities' 'spatial turn' of the 1990s and 2000s. The book introduces city literature, urban methods of reading, classics in LUS, and new directions in the field. It outlines the located qualities of literary narratives, texts and events through three units. First, the concept of the city and the main methods and terms neededas tools for investigating city literatures are introduced. A second section, ordered historically, shows how notions like pre-modern, realist, modernist, postcolonial and planetary actually work in nuanced explorations of actual writers, texts and places. Thirdly, the volume covers literary urban modes: fictional and non-fictional prose in multiple genres; poetry and the idea of the city; dramatic city representation and the theatre as urban place. Key categories of place explored are multiple: the sacred spaces of religion; entry points such as railway stations and junctions; residential areas such as the 'slum', suburb and mass housing district; hubs of publishing and performance; categories of city such as the port and resort. Each chapter aids reference and learning via structured highlighting, reflection questions and tasks labelled 'Research It'. Some 'Research It' tasks enable readers to enter new areas of LUS including by engaging with neighbouring disciplines like human geography, cultural history, sociology, and urban studies. Others equip readers by sharpening particular skills of writing or documentation. A thorough glossary of key terms and concepts aids the reader. Literary Urban Studies and How to Practice It is designed for applicationto literatures and cities in any period and part of the world. Armed with it, humanities researchers at any career stage can develop their interdisciplinary skills and ability to participate in activism and public debates while becoming specialised in LUS. The book is a gateway to practicing LUS and spatial literary research"--

Literary Urban Studies and How to Practice It is the first textbook in literary urban studies (LUS). The book introduces city literature, urban methods of reading, classics in LUS, and new directions in the field.



Literary Urban Studies and How to Practice It is the first textbook in literary urban studies (LUS). It illuminates and investigates this exciting field, which has grown since the humanities’ ‘spatial turn’ of the 1990s and 2000s. The book introduces city literature, urban methods of reading, classics in LUS, and new directions in the field.

It outlines the located qualities of literary narratives, texts and events through three units. First, the concept of the city and the main methods and terms needed as tools for investigating city literatures are introduced. A second section, ordered historically, shows how notions like pre-modern, realist, modernist, postcolonial and planetary actually work in nuanced explorations of actual writers, texts and places. Thirdly, the volume covers literary urban modes: fictional and non-fictional prose in multiple genres; poetry and the idea of the city; dramatic city representation and the theatre as urban place. Key categories of place explored are multiple: the sacred spaces of religion; entry points such as railway stations and junctions; residential areas such as the ‘slum’, suburb and mass housing district; hubs of publishing and performance; categories of city such as the port and resort.

Each chapter aids reference and learning via structured highlighting, reflection questions and tasks labelled ‘Research It’. Some ‘Research It’ tasks enable readers to enter new areas of LUS including by engaging with neighbouring disciplines like human geography, cultural history, sociology, and urban studies. Others equip readers by sharpening particular skills of writing or documentation. A thorough glossary of key terms and concepts aids the reader. Literary Urban Studies and How to Practice It is designed for application to literatures and cities in any period and part of the world. Armed with it, humanities researchers at any career stage can develop their interdisciplinary skills and ability to participate in activism and public debates while becoming specialised in LUS. The book is a gateway to practicing LUS and spatial literary research.

Acknowledgements xi
Preface xiii
PART I An Orientation
1(46)
1 Introduction
3(1)
1 1 Aims of the Book
3(20)
1.2 What Does LUS Do?
6(2)
1.3 Approaching LUS
8(2)
1.3.1 LUS and You: `I'm Crossing Boundaries
8(1)
1.3.2 What Could LUS Become? Two Alternatives
9(1)
1.4 Literature Review: Classics and Trends in LUS
10(4)
1.5 Outline of the Book
14(2)
1.6 Conclusion: Radical Openness
16(7)
2 Concept, Method and Material
23(18)
2.1 Introduction
23(1)
2.2 Background and Contexts
24(3)
2.2.1 Why Study Cities?
24(1)
2.2.2 Place, Space, Canon
25(2)
2.3 The City Concept
27(5)
2.3.1 What Successful Concepts Share
27(2)
2.3.2 Three Alternative Definitions of `The City': Spatial, Municipal, Historical
29(2)
2.3.3 What Cartography and Genre Do to the City Concept
31(1)
2.4 Close and Distant: William Empson and Franco Moretti
32(1)
2.5 Methods and Materials
33(3)
2.5.1 A Note on Method
33(1)
2.5.2 Cities as Materials, Texts as Materials
34(2)
2.6 Case Study: Three Classic Metropolitan Literary Texts
36(5)
2 7 Conclusion: Against the Social Sciences? No
41(6)
PART II History and Presentness
47(102)
3 Literary Urban Studies of a Pre-Modern World
49(22)
3.1 A Long-Range Approach to LUS
49(2)
3.2 Contexts and Traditions: Matthew Arnold and Raymond Williams
51(2)
3.3 Chronologies of the (Literary) City in Existing LUS
53(1)
3.4 Four Concepts: Authenticity, Anthropocene, Stratigraphy, Sacred Space
54(2)
3.5 Methods, Materials, Practices
56(4)
3.5.1 Decentring European Tradition
56(2)
3.5.2 Pre-city, Other City: Moving Through the Anthropocene
58(1)
3.5.3 Questions of Access to Materials
59(1)
3.6 A New LUS for Old Europe
60(2)
3.7 Case Studies: Aristophanes and Margery Kempe
62(4)
3.7.1 Old Texts and Their References to Place
62(1)
3.7.2 Case Study: Materialities of and in The Birds and The Book of Margery Kempe
63(3)
3.8 Conclusion: Networking Across Borders and Time
66(5)
4 When People Move to Cities: Urbanisation and Realism
71(27)
4.1 Introduction
11(3)
4.1.1 Realism, Disciplines and the Right to Be Heard
71(2)
4.1.2 Outline of the
Chapter
73(1)
4.2 Judith R. Walkowitz and Henry James' Arrivals
74(2)
4.3 The Work So Far on Urban Realism
76(5)
4.3.1 Detailing It and Evaluating It
77(2)
4.3.2 Beyond Literary Studies: Feminism, Space and Time
79(2)
4.4 Key Concepts
81(3)
4.4.1 Contradictions of Realism: Verisimilitude vs. Plotting via Coincidence
81(1)
4.4.2 Place Categories, Including the `Slum'
82(2)
4.5 Methods and Materials: How to Interpret Acts of Spectating
84(2)
4.6 Findings and Results: A Gap in Urban Representation
86(1)
4.7 Case Studies
87(5)
4.7.1 Hesba Stretton's Gendered Perspectives on the `Slums' of Victorian London
87(3)
4.7.2 Darkness and Light in Nineteenth-Century Cities
90(2)
4.8 Conclusion: Checking and Questioning
92(6)
5 Urban Modernity, Literary Modernism and Beyond
98(27)
5.1 Introduction
98(2)
5.1.1 Can There Be a Non-Hierarchical Urban Poetics of Modernity?
98(2)
5.1.2 Outline of the
Chapter
100(1)
5.2 Context: Luigi Russolo and `The Multiplication of Machines'
100(3)
5.3 Readings of Modernism, Readings of an Iconic District
103(3)
5.3.1 LUS, Modernism and a Broadened Modernist Studies
103(2)
5.3.2 An LUS Reading of Harlem, New York: Sarah Wasserman
105(1)
5.4 Key Concepts
106(3)
5.4.1 How Do Outsider Figures and Literary Settings Relate?
106(1)
5.4.2 Speed, Acceleration, Alienation
107(2)
5.5 Methods and Materials
109(4)
5.5.1 Handling an Opening
109(2)
5.5.2 City Literature or New York Literature?
111(2)
5.6 Five Hypotheses about LUS and Modernism
113(2)
5.7 Case Study
115(3)
5.7.1 Distance Matters: Dual Literary Urbanities of Setting and Publishing
115(1)
5.7.2 Verbal Pairings to Drive Literary Urban Research
116(2)
5.8 Conclusion: Many Pasts, Many Provinces
118(7)
6 Informal Planet: LUS and Contemporary Urbanity
125(24)
6.1 Introduction
125(3)
6.1.1 Informality and Identity in the Twenty-First Century
125(2)
6.1.2 Provincialising Every Urban Region
127(1)
6.2 Twentieth- and Twenty-First-Century Urbanisms
128(4)
6.2.1 Lewis Mumford's Anti-Urban Urbanism
128(2)
6.2.2 Ananya Roy and Work to Decolonise City Writing
130(2)
6.3 Existing LUS on Multiple Continents
132(1)
6.4 The Urban Network Concept and Postcolonial Readings
133(2)
6.5 Rereadings and Biographies: Method in Postcolonial Readings
135(2)
6.6 Mumbai and Unevenness
137(2)
6.7 Case Study
139(3)
6.7.1 Reading Step by Step
139(1)
6.7.2 Land and City: Port-au-Prince/Montreal/Port-au-Prince/Montreal
140(2)
6.8 Conclusion: Taking Arms
142(7)
PART III Literary Form, Urban Form
149(78)
7 The Prose of the Urban World
151(25)
7.1 Introduction
151(3)
7.1.1 The Job of a User's Manual
151(2)
7.1.2 What Is Urban Prose?
153(1)
7.2 Background and Contexts: Going Underground in Paris from the Cathedral to the Metro
154(3)
7.3 Urban Prose Anatomised in LUS and Other Fields
157(2)
7.4 Key Concepts: Focalisation, Panorama, City Personality
159(1)
7.5 Psychogeography: A Controversial Method and a Category of Materials
160(2)
7.6 Paris for the Parisian and Houston for the Houstonian?
162(1)
7.7 Case Studies
163(9)
7.7.1 Diversities of Time and Perspective in Victor Hugo's Paris and Virginia Woolf's London
163(3)
7.7.2 Two Views of the `Buckle of the Sunbelt': Alan Hollinghurst and a Houston Plan
166(3)
7.7.3 Narrating the UK Council Estate Through Memoir and Polemic Forms
169(3)
7.8 Conclusion: Diversity but Navigability
172(4)
8 City Poetry and Poets' Views of Urban Scenes
176(24)
8.1 Introduction
176(1)
8.2 Projecting Origins and Essences
177(1)
8.3 Literary Scholars, Geographers, City Rhythms and Responses to Planning
178(2)
8.4 Key Concepts
180(2)
8.4.1 The Image and Impressionism
180(1)
8.4.2 Apocalypse Then? Creation, Discussion and Long-Range Views of Time in LUS
181(1)
8.5 Attentiveness and Communion in Poetry Reading
182(1)
8.6 Urban Poems from London, St Petersburg and Boston, 1596-1960
183(3)
8.7 Case Studies
186(9)
8.7.1 How Are Poems and Statues Related?
186(3)
8.7.2 From Contexts to Research Traditions to Activism
189(2)
8.7.3 Where Are the Grounds for Comparison? Two Modernist Poets on a Pre-City World
191(4)
8.8 Conclusion: Let's Leave the Metropolis
195(5)
9 Theatre in the City and Cities in Drama
200(25)
9.1 Introduction: An Urban Institution
200(2)
9.2 On-Stage Contexts Versus Off-Stage Contexts
202(1)
9.3 Epitomising Urban Drama or Seeking it in a Distinctive Example?
203(4)
9.3.1 Classical LUS: Richard Lehan
203(1)
9.3.2 Andrea Dunbar and the UK Council Estate Play: Dramatising One Urban Imaginative Place
204(3)
9.4 Key Concepts: The Debate over Setting
207(1)
9.5 Methods and Foci in Analysis
208(4)
9.5.1 August Strindberg's Urban Connections
208(2)
9.5.2 Who is Presenting it to Us?
210(1)
9.5.3 On Broadway and at Drury Lane: Theatre, Metonym and Urban Space
211(1)
9.6 Findings and Discussion
212(3)
9.6.1 Handling Urbanisation On Stage via Indexicality
212(2)
9.6.2 The Dangerous Urban Playhouse: Romantic-Era Stage Regulation
214(1)
9.7 Case Study: Working with August Strindberg and Lorraine Hansberry
215(4)
9.7.1 So Read the Plays
215(1)
9.7.2 Next Form a Hypothesis
216(3)
9.8 Conclusions: Theatrical Diversity, Meet Urban Diversity
219(6)
10 Conclusion: Finding Your Way Through Urban Form and Literary Form
225(2)
Further Reading 227(4)
Glossary of Concepts and Fields 231(18)
Index 249
Jason Finch is Associate Professor, English Language and Literature, at Åbo Akademi University. Previous books include E. M. Forster and English Place (2011), Deep Locational Criticism (2016) and, as co-editor, Literary Second Cities (2017). A founder member of the Association for Literary Urban Studies (ALUS), from 201922 he is Principal Investigator for Finland on the project Public Transport as Public Space in European Cities (PUTSPACE), funded by the ERCs HERA programme. Jasons literary urban research interests include London, housing representations and public transport.