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Modern British Playwriting: 2000-2009: Voices, Documents, New Interpretations [Minkštas viršelis]

Contributions by , (Royal Holloway, University of London, UK), Contributions by (Royal Holloway, University of London, UK), Contributions by (University of Lincoln, UK), Series edited by , Contributions by (University of Warwick, Coventry), Series edited by (Emeritus Professor of Drama and Theatre Studies in the University of Leeds, UK)
  • Formatas: Paperback / softback, 352 pages, aukštis x plotis x storis: 216x140x22 mm, weight: 520 g
  • Serija: Decades of Modern British Playwriting
  • Išleidimo metai: 10-Oct-2013
  • Leidėjas: Methuen Drama
  • ISBN-10: 1408129566
  • ISBN-13: 9781408129562
Kitos knygos pagal šią temą:
  • Formatas: Paperback / softback, 352 pages, aukštis x plotis x storis: 216x140x22 mm, weight: 520 g
  • Serija: Decades of Modern British Playwriting
  • Išleidimo metai: 10-Oct-2013
  • Leidėjas: Methuen Drama
  • ISBN-10: 1408129566
  • ISBN-13: 9781408129562
Kitos knygos pagal šią temą:
Essential for students of theatre studies, Methuen Drama's Decades of Modern British Playwriting series provides a comprehensive survey and study of the theatre produced in each decade from the 1950s to 2009 in six volumes. Each volume features a critical analysis and reevaluation of the work of four/five key playwrights from that decade authored by a team of experts, together with an extensive commentary on the period .
Edited by Dan Rebellato, Modern British Playwriting: 2000-2009 provides an authoritative and stimulating reassessment of the theatre of the decade, together with a detailed study of the work of David Greig (Nadine Holdsworth), Simon Stephens (Jacqueline Bolton), Tim Crouch (Dan Rebellato), Roy Williams (Michael Pearce) and Debbie Tucker Green (Lynette Goddard). The volume sets the context by providing a chronological survey of the decade, one marked by the War on Terror, the excesses of economic globalization and the digital revolution. In surveying the theatrical activity and climate, Andrew Haydon explores the response to the political events, the rise of verbatim theatre, the increasing experimentation and the effect of both the Boyden Report and changes in the Arts Council's priorities.
Five scholars provide detailed examinations of the playwrights' work during the decade, combining an analysis of their plays with a study of other material such as early play drafts and the critical receptions of the time. Interviews with each playwright further illuminate this stimulating final volume in the Decades of Modern British Playwriting series.


Essential for students of theatre studies, this series of 6 decadal volumes provides a critical survey and study of the theatre produced in each decade from the 1950s to the present. Each volume features a critical analysis of the work of four key playwrights from that decade together with an extensive commentary on the period.

Daugiau informacijos

A critical study of the theatre produced in the first decade of the twenty-first century with an in-depth analysis of the work of five playwrights.
General Preface vii
Richard Boon
Philip Roberts
Acknowledgements ix
Introduction: Living in the 2000s 1(39)
Domestic life
1(2)
Society
3(9)
Culture
12(7)
Media
19(6)
Science and technology
25(3)
Political events
28(12)
1 Theatre in the 2000s Andrew Haydon
40(59)
Verbatim
41(7)
Headphones
48(5)
Sites
53(6)
Ecosystems
59(7)
The Royal Court, the money and the new writing industry
66(11)
Authors
77(9)
National Theatre
86(7)
Criticism
93(3)
Autumn 2009: Postcards from the end of the decade
96(3)
2 Playwrights and Plays
99(114)
Introducing the playwrights
99(2)
Simon Stephens Jacqueline Bolton
101(24)
Introduction
101(5)
One Minute
106(5)
Motortown
111(6)
Pornography
117(8)
Tim Crouch Dan Rebellato
125(20)
Introduction
125(2)
My Arm
127(5)
An Oak Tree
132(6)
The Author
138(6)
Conclusion
144(1)
Roy Williams Michael Pearce
145(24)
Introduction
145(2)
Sing Yer Heart Out for the Lads
147(8)
Fallout
155(6)
Days of Significance
161(6)
Conclusion
167(2)
David Greig Nadine Holdsworth
169(21)
San Diego
172(5)
The American Pilot
177(6)
Damascus
183(5)
Conclusion
188(2)
Debbie tucker green Lynette Goddard
190(23)
Introduction
190(4)
Dirty butterfly
194(6)
Stoning Mary
200(6)
Random
206(5)
Conclusion
211(2)
3 Documents
213(75)
Simon Stephens
213(17)
Tim Crouch
230(15)
Roy Williams
245(15)
David Greig
260(25)
Debbie Tucker Green
285(3)
Notes 288(21)
Select Bibliography 309(10)
Notes on Contributors 319(2)
Index 321
Dan Rebellato is Professor of Contemporary Theatre at Royal Holloway, University of London, UK.

Series editors: Richard Boon, Emeritus Professor of Drama, the University of Hull, UK, and Philip Roberts, Emeritus Professor in the School of English, University of Leeds, UK.