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Modern British Playwriting: 2000-2009: Voices, Documents, New Interpretations [Kietas viršelis]

(Royal Holloway, University of London, UK), Contributions by , Series edited by , Series edited by (Emeritus Professor of Drama and Theatre Studies in the University of Leeds, UK), Contributions by (University of Warwick, Coventry), Contributions by (Royal Holloway, University of London, UK), Contributions by (University of Lincoln, UK)
  • Formatas: Hardback, 352 pages, aukštis x plotis: 216x138 mm, weight: 553 g
  • Serija: Decades of Modern British Playwriting
  • Išleidimo metai: 10-Oct-2013
  • Leidėjas: Methuen Drama
  • ISBN-10: 1408181991
  • ISBN-13: 9781408181997
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 352 pages, aukštis x plotis: 216x138 mm, weight: 553 g
  • Serija: Decades of Modern British Playwriting
  • Išleidimo metai: 10-Oct-2013
  • Leidėjas: Methuen Drama
  • ISBN-10: 1408181991
  • ISBN-13: 9781408181997
Kitos knygos pagal šią temą:
"A critical study of the theatre produced in the first decade of the twenty-first century with an in-depth analysis of the work of five playwrights"--

"Essential for students of theatre studies, Methuen Drama's Decades of Modern British Playwriting series provides a comprehensive survey and study of the theatre produced in each decade from the 1950s to 2009 in six volumes. Each volume features a critical analysis and reevaluation of the work of four/five key playwrights from that decade authored by a team of experts, together with an extensive commentary on the period.Edited by Dan Rebellato, Modern British Playwriting: 2000-2009 provides an authoritative and stimulating reassessment of the theatre of the decade, together with a detailed study of the work of David Greig (Nadine Holdsworth), Simon Stephens (Jacqueline Bolton), Tim Crouch (Dan Rebellato), Roy Williams (Michael Pearce) and Debbie Tucker Green (Lynette Goddard). The volume sets the context by providing a chronological survey of the decade, one marked by the War on Terror, the excesses of economic globalization and the digital revolution. In surveying the theatrical activity and climate, Andrew Haydon explores the response to the political events, the rise of verbatim theatre, the increasing experimentation and the effect of both the Boyden Report and changes in the Arts Council's priorities. Five scholars provide detailed examinations of the playwrights' work during the decade, combining an analysis of their plays with a study of other material such as early play drafts and the critical receptions of the time. Interviews with each playwright further illuminate this stimulating final volume in the Decades of Modern British Playwriting series"--



A critical study of the theatre produced in the first decade of the twenty-first century with an in-depth analysis of the work of five playwrights.


Essential for students of theatre studies, Methuen Drama's Decades of Modern British Playwriting series provides a comprehensive survey and study of the theatre produced in each decade from the 1950s to 2009 in six volumes. Each volume features a critical analysis and reevaluation of the work of four/five key playwrights from that decade authored by a team of experts, together with an extensive commentary on the period .
Edited by Dan Rebellato, Modern British Playwriting: 2000-2009 provides an authoritative and stimulating reassessment of the theatre of the decade, together with a detailed study of the work of David Greig (Nadine Holdsworth), Simon Stephens (Jacqueline Bolton), Tim Crouch (Dan Rebellato), Roy Williams (Michael Pearce) and Debbie Tucker Green (Lynette Goddard). The volume sets the context by providing a chronological survey of the decade, one marked by the War on Terror, the excesses of economic globalization and the digital revolution. In surveying the theatrical activity and climate, Andrew Haydon explores the response to the political events, the rise of verbatim theatre, the increasing experimentation and the effect of both the Boyden Report and changes in the Arts Council's priorities.
Five scholars provide detailed examinations of the playwrights' work during the decade, combining an analysis of their plays with a study of other material such as early play drafts and the critical receptions of the time. Interviews with each playwright further illuminate this stimulating final volume in the Decades of Modern British Playwriting series.

Daugiau informacijos

A critical study of the theatre produced in the first decade of the twenty-first century with an in-depth analysis of the work of five playwrights.
General Preface vii
Richard Boon
Philip Roberts
Acknowledgements ix
Introduction: Living in the 2000's 1(39)
Domestic life
1(2)
Society
3(9)
Culture
12(7)
Media
19(6)
Science and technology
25(3)
Political events
28(12)
1 Theatre in the 2000's 40(59)
Andrew Haydon
Verbatim
41(7)
Headphones
48(5)
Sites
53(6)
Ecosystems
59(7)
The Royal Court, the money and the new writing industry
66(11)
Authors
77(9)
National Theatre
86(7)
Criticism
93(3)
Autumn 2009: Postcards from the end of the decade
96(3)
2 Playwrights and Plays 99(114)
Introducing the playwrights
99(2)
Simon Stephens
101(24)
Jacqueline Bolton
Introduction
101(5)
One Minute
106(5)
Motortown
111(6)
Pornography
117(8)
Tim Crouch
125(20)
Dan Rebellato
Introduction
125(2)
My Arm
127(5)
An Oak Tree
132(6)
The Author
138(6)
Conclusion
144(1)
Roy Williams
145(24)
Michael Pearce
Introduction
145(2)
Sing Yer Heart Out for the Lads
147(8)
Fallout
155(6)
Days of Significance
161(6)
Conclusion
167(2)
David Greig
169(21)
Nadine Holdsworth
San Diego
172(5)
The American Pilot
177(6)
Damascus
183(5)
Conclusion
188(2)
debbie tucker green
190(23)
Lynette Goddard
Introduction
190(4)
dirty butterfly
194(6)
stoning wary
200(6)
random
206(5)
Conclusion
211(2)
3 Documents 213(75)
Simon Stephens
213(17)
Tim Crouch
230(15)
Roy Williams
245(15)
David Greig
260(25)
debbie tucker green
285(3)
Notes 288(21)
Select Bibliography 309(10)
Notes on Contributors 319(2)
Index 321
Dan Rebellato is Professor of Contemporary Theatre at Royal Holloway, University of London, UK.

Series editors: Richard Boon, Emeritus Professor of Drama, the University of Hull, UK, and Philip Roberts, Emeritus Professor in the School of English, University of Leeds, UK.