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vii | |
Preface |
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ix | |
Introduction |
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1 | (30) |
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One Thomas Chatterton: Writing the Life, Editing the Poetry |
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31 | (48) |
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"A Boy of Learning and a Bard of Tropes": The Life of Thomas Chatterton, 1752--1770 |
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34 | (21) |
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The Rowley Controversy: Authenticating Chatterton |
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55 | (10) |
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Chatterton's Oeuvre: Editing the "Marvellous Boy" |
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65 | (14) |
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Two The Chatterton Legend: Tributes, Adaptations, Memorials |
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79 | (30) |
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Romanticizing Chatterton: Myth and Muse |
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79 | (6) |
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Popularizing Chatterton: Image and Stage |
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85 | (10) |
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Memorializing Chatterton: Wilde, Chatterton, and the Century Guild |
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95 | (14) |
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Three Wilde's Discovery of Chatterton: The "Father of the Romantic Movement" |
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109 | (51) |
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Wilde, Chatterton, and "the Spirit of Modern Romance" |
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111 | (18) |
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Wilde and the "Great Romantic Movement": From Keats to Rossetti |
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129 | (20) |
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Watts, Rossetti, and Chatterton: "The New Romantic School" |
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149 | (11) |
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Four Wilde's "Chatterton" Notebook: The Art of Forgery and the Charge of Plagiarism |
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160 | (54) |
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"Bring Your Books---and Some Notebooks for Me": Wilde's Note Taking |
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162 | (4) |
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The "Chatterton" Notebook as Wilde's Archive |
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166 | (5) |
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The Composition of the "Chatterton" Notebook: Clippings and Sources |
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171 | (10) |
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Wilde as Editor: Refining Others' Words in the "Chatterton" Notebook |
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181 | (7) |
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Wilde, the "Chatterton" Notebook, and Plagiarism |
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188 | (26) |
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Five Wilde, Forgery, and Crime: "Pen, Pencil and Poison," "The Decay of Lying," and the Short Fiction |
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214 | (31) |
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"Expression by Pen or Poison": Thomas Griffiths Wainewright's Art of Forgery |
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215 | (15) |
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"The Very Basis of Civilized Society": Wilde's "Decay of Lying" |
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230 | (5) |
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"All Others Are Counterfeite": Wilde's Short Fiction |
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235 | (10) |
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Six Forging Literary History: "The Portrait of Mr. W.H." |
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245 | (48) |
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Literary Forgery contra Archaeological History |
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247 | (4) |
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Tyrwhitt, Malone, and "Willie Hughes": The History of a Theory |
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251 | (6) |
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Wilde's "Portrait," Shakespeare, and Forgery after Chatterton: William-Henry Ireland |
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257 | (10) |
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John Payne Collier, the Second Folio, and Editorial Forgery |
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267 | (15) |
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The Ultimate Shakespearean Forgery: "Mr. W.H." |
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282 | (11) |
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CONCLUSION. Wilde's Writings and Chatterton's Reputation: The Fin de Siecle and Beyond |
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293 | (24) |
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Advanced Bunburyists: Wilde's Forged Identities after "Mr. W.H." |
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297 | (6) |
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Chatterton, the 1890s, and His Twentieth-Century Afterlife |
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303 | (14) |
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EDITORIAL INTRODUCTION TO APPENDIXES A AND B |
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317 | (16) |
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Appendix A Wilde's "Chatterton" Notebook |
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317 | (13) |
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Appendix B Wilde's Notes on Dante Gabriel Rossetti's Ballads and Sonnets (1881) |
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330 | (3) |
Appendix A The "Chatterton" Notebook |
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333 | (78) |
Appendix B Notes on Dante Gabriel Rossetti's Ballads and Sonnets (1881) |
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411 | (6) |
Bibliography |
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417 | (34) |
Index |
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451 | |