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El. knyga: Oscar Wilde's Chatterton: Literary History, Romanticism, and the Art of Forgery

4.60/5 (10 ratings by Goodreads)
  • Formatas: 488 pages
  • Išleidimo metai: 31-Mar-2015
  • Leidėjas: Yale University Press
  • Kalba: eng
  • ISBN-13: 9780300213263
  • Formatas: 488 pages
  • Išleidimo metai: 31-Mar-2015
  • Leidėjas: Yale University Press
  • Kalba: eng
  • ISBN-13: 9780300213263

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In Oscar Wildes Chatterton, Joseph Bristow and Rebecca N. Mitchell explore Wildes fascination with the eighteenth-century forger Thomas Chatterton, who tragically took his life at the age of seventeen. This innovative study combines a scholarly monograph with a textual edition of the extensive notes that Wilde took on the brilliant forger who inspired not only Coleridge, Wordsworth, and Keats but also Victorian artists and authors. Bristow and Mitchell argue that Wildes substantial Chatterton notebook, which previous scholars have deemed a work of plagiarism, is central to his development as a gifted writer of criticism, drama, fiction, and poetry. This volume, which covers the whole span of Wildes career, reveals that his research on Chatterton informs his deepest engagements with Romanticism, plagiarism, and forgery, especially in later works such as The Portrait of Mr. W. H., The Picture of Dorian Gray, and The Importance of Being Earnest. Grounded in painstaking archival research that draws on previously undiscovered sources, Oscar Wildes Chatterton explains why, in Wildes personal canon of great writers (which included such figures as Charles Baudelaire, Gustave Flaubert, Théophile Gautier, and Dante Gabriel Rossetti), Chatterton stood as an equal in this most distinguished company.

Recenzijos

This tour de force of Wilde scholarship makes his Chatterton notebook pivotal in redefining Wilde's career. Its major revisionary thinking extends to Pre-Raphaelitism and to the whole fin de sičcle.Isobel Armstrong, Birkbeck, University of London -- Isobel Armstrong This book has the potential to transform our understanding not only of Wilde and his oeuvre, but also the notions of authenticity and originality that still exert a pervasive influence on literary history.Nicholas Frankel, author of Oscar Wildes Decorated Books -- Nicholas Frankel By establishing the significance of Chatterton for Wilde and for the nineteenth century as a whole, the authors invite us to reconsider what we mean when we complain of plagiarism. A revelationand not just for Wildeans.John Stokes, Kings College London -- John Stokes This is a major, unrivalled accomplishment, of consequence both in Wilde studies and in the literary-cultural history of forgery and creative imagination.Susan J. Wolfson, Princeton University -- Susan J. Wolfson An impressive work of scholarship, this book, using previously unpublished archival material, not only thoroughly explores the Chatterton-Wilde connection but also presents credible evidence that Wilde's Chatterton notebook was not an act of forgery.?Library Journal * Library Journal * This remarkable book is a breath of fresh air in understanding [ Oscar Wilde].Steve Donoghue, Open Letters Monthly -- Steve Donoghue * Open Letters Monthly * Thoroughly researched and written with clarity and intelligence, this volume includes detailed footnotes and references to outside resources.Choice * Choice * Bristow and Mitchell argue persuasively that Chattertons life and works permeate Wildes career Chatterton may be dead, but as this book amply demonstrates, he remains for literary critics uncommonly restlessNick Groom, TLS -- Nick Groom * TLS *

List of Illustrations
vii
Preface ix
Introduction 1(30)
One Thomas Chatterton: Writing the Life, Editing the Poetry
31(48)
"A Boy of Learning and a Bard of Tropes": The Life of Thomas Chatterton, 1752--1770
34(21)
The Rowley Controversy: Authenticating Chatterton
55(10)
Chatterton's Oeuvre: Editing the "Marvellous Boy"
65(14)
Two The Chatterton Legend: Tributes, Adaptations, Memorials
79(30)
Romanticizing Chatterton: Myth and Muse
79(6)
Popularizing Chatterton: Image and Stage
85(10)
Memorializing Chatterton: Wilde, Chatterton, and the Century Guild
95(14)
Three Wilde's Discovery of Chatterton: The "Father of the Romantic Movement"
109(51)
Wilde, Chatterton, and "the Spirit of Modern Romance"
111(18)
Wilde and the "Great Romantic Movement": From Keats to Rossetti
129(20)
Watts, Rossetti, and Chatterton: "The New Romantic School"
149(11)
Four Wilde's "Chatterton" Notebook: The Art of Forgery and the Charge of Plagiarism
160(54)
"Bring Your Books---and Some Notebooks for Me": Wilde's Note Taking
162(4)
The "Chatterton" Notebook as Wilde's Archive
166(5)
The Composition of the "Chatterton" Notebook: Clippings and Sources
171(10)
Wilde as Editor: Refining Others' Words in the "Chatterton" Notebook
181(7)
Wilde, the "Chatterton" Notebook, and Plagiarism
188(26)
Five Wilde, Forgery, and Crime: "Pen, Pencil and Poison," "The Decay of Lying," and the Short Fiction
214(31)
"Expression by Pen or Poison": Thomas Griffiths Wainewright's Art of Forgery
215(15)
"The Very Basis of Civilized Society": Wilde's "Decay of Lying"
230(5)
"All Others Are Counterfeite": Wilde's Short Fiction
235(10)
Six Forging Literary History: "The Portrait of Mr. W.H."
245(48)
Literary Forgery contra Archaeological History
247(4)
Tyrwhitt, Malone, and "Willie Hughes": The History of a Theory
251(6)
Wilde's "Portrait," Shakespeare, and Forgery after Chatterton: William-Henry Ireland
257(10)
John Payne Collier, the Second Folio, and Editorial Forgery
267(15)
The Ultimate Shakespearean Forgery: "Mr. W.H."
282(11)
CONCLUSION. Wilde's Writings and Chatterton's Reputation: The Fin de Siecle and Beyond
293(24)
Advanced Bunburyists: Wilde's Forged Identities after "Mr. W.H."
297(6)
Chatterton, the 1890s, and His Twentieth-Century Afterlife
303(14)
EDITORIAL INTRODUCTION TO APPENDIXES A AND B
317(16)
Appendix A Wilde's "Chatterton" Notebook
317(13)
Appendix B Wilde's Notes on Dante Gabriel Rossetti's Ballads and Sonnets (1881)
330(3)
Appendix A The "Chatterton" Notebook 333(78)
Appendix B Notes on Dante Gabriel Rossetti's Ballads and Sonnets (1881) 411(6)
Bibliography 417(34)
Index 451
Joseph Bristow is professor of English at the University of California, Los Angeles. Rebecca N. Mitchell is lecturer in English Literature at the University of Birmingham, England.