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Real Traviata: The Song of Marie Duplessis [Kietas viršelis]

3.62/5 (35 ratings by Goodreads)
(Professor of English, UCL)
  • Formatas: Hardback, 434 pages, aukštis x plotis x storis: 241x162x28 mm, weight: 748 g, 38 b& w halftones; 2 maps
  • Išleidimo metai: 24-Sep-2015
  • Leidėjas: Oxford University Press
  • ISBN-10: 0198708548
  • ISBN-13: 9780198708544
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 434 pages, aukštis x plotis x storis: 241x162x28 mm, weight: 748 g, 38 b& w halftones; 2 maps
  • Išleidimo metai: 24-Sep-2015
  • Leidėjas: Oxford University Press
  • ISBN-10: 0198708548
  • ISBN-13: 9780198708544
Kitos knygos pagal šią temą:
The Real Traviata is the rags-to-riches story of a tragic young woman whose life inspired one of the most famous operas of all time, Verdi's masterpieceLa traviata, as well as one of the most scandalous and successful French novels of the nineteenth century,La Dame aux Camelias, by Alexandre Dumas fils.

The woman at the centre of the story, Marie Duplessis, escaped from her life as an abused teenage girl in provincial Normandy, rising in an amazingly short space of time to the apex of fashionable life in nineteenth century Paris, where she was considered the queen of the Parisian courtesans. Her life was painfully short, but by sheer willpower, intelligence, talent, and stunning looks she attained such prominence in the French capital that ministers of the government and even members of the French royal family fell under her spell.

In the 1840s she commanded the kind of 'paparazzi' attention that today we associate only with major royalty or the biggest Hollywood stars. Aside from the younger Dumas, her conquests included a host of writers and artists, including the greatest pianist of the century, Franz Liszt, with whom she once hoped to elope. When she died Theophile Gautier, one of the most important Parisian writers of the day, penned an obituary fit for a princess. Indeed, he boldly claimed that she hadbeen a princess, notwithstanding her peasant origin and her distinctly demi-monde existence.

And although now largely forgotten, in the years immediately after her death, Marie's legend if anything grew in stature, with her immortalization in Verdi'sLa traviata, an opera in which the great Romantic composer tried to capture her essence in some of the most heart-wrenching and lyrical music ever composed.

Recenzijos

Weis traces his protagonist's short but event-filled life - she died at the age of 23 - in painstaking detail. He also offers new insights into the genesis of Alexandre Dumas's fictionalised accounts of her life and of Verdi's opera. This book will intrigue fans of La traviata, but its broader account of the treatment of women in early 19th-century France deserves a wider readership. * Alexandra Wilson, BBC Music Magazine * Weis's ability in making this work not only a masterpiece of research, but also a captivating book, is truly admirable. The author operates detailed reconstructions and descriptions of the locations and contexts where the events took place and frequently uses the accounts of eyewitnesses, the abundance of sources always paired up with an expressive and deeply empathic, yet clear and objective tone ... Finally, the author operates a continuous, deep contextualization of the story he tells within the wider historical, social and cultural context, tirelessly linking events and details to coeval society, artists and debates, making--in a word--Marie Duplessis a catalyst for many other stories. This book thus appeals with equal strength not only to theatre, opera, society and literature historians, but also to all those who wish to uncover a story that is able like few others to connect facts, personalities and great works of art. * H-France * The Real Traviata offers the fullest account we have of Marie Duplessis, her cultural universe, and her successive mythologization... In the range of exciting documentation he has uncovered, Weis highlights the limits of her first nineteenth-century biographer, Romain Vienne. * Tom Stammers (Durham University), European History Quarterly, Vol. 47 * [ Weis's] delineation of [ Duplessis's] apotheosis as Verdi's Violetta is masterly and moving. Weis is an opera oficionado, and the discussions of the evolution of Piave's libretto, the autobiographical echoes of Verdi's own life and sublimity of the score of La Traviata itself bring an extraordinary and revelatory breadth of understanding to the work. * Lisa Hilton, Times Literary Supplement * [ A] scrupulous biography ... Weis has meticulously combed public records, private letters, libraries, archives and historic sites throughout France, fusing fact, myth, lore and hypothesis to breathe life into the woman who would inspire the novel and play La Dame aux Camélias, by Alexander Dumas fils, Verdis Traviata, and screen portrayals ranging from Garbo to Julia Roberts ... [ His] description of Maries Cinderella rise from waif to café society is heartbreaking ... * Opera News * [ A] superbly readable and meticulously researched biography... It is hard to think of a more dramatic life, from a horrific childhood to the glamour of high society, and Weis tells it with operatic pathos. * Sunday Times, Bee Wilson * [ A] scrupulously researched biography ... Weis powerfully delineates the social forces that victimized Duplessis, while still managing to convey the independence of spirit that made her so captivating. * The New Yorker * Weis's accomplished depiction shows an intelligent, worldly and wise young woman who managed to keep her lovers (and her husband) as friends. * New Statesman * An instructive account og an extraordinary world. * John Robert Brown, Classical Music magazine * René Weis retraces, with meticulous attention to detail, tact, and sensitivity, the thousand hidden and not so hidden facets of a woman who was celebrated, courted, and adored by the 'Tout-Paris', and who died rejected and ignored by all ... an excellent and accomplished book that holds the reader in its spell throughout, because it engages with, and reveals, a woman who was honest, lovable, and 'of good company' * Hervé Le Mansec, Res Musica * ... well-researched, meticulously sifting the claims and counter-claims of previous biographers ... this book will provide an intriguing glimpse of the poignant and often bitter realities' of Violetta * VerdiPerspektiven *

List of Illustrations
xiii
1 Prologue: A weekend in the country
1(12)
2 A mother and daughter: 1824--1837
13(23)
3 L'affaire Plantier: Exmes 1837
36(9)
4 Working girls in Paris: 1839--1841
45(13)
5 A fair lady meets Pygmalion: 1840--1841
58(6)
6 The baby of a traviata: Versailles, May 1841
64(11)
7 Stallions and flaneurs on the boulevard des Italiens: 1841--1842
75(16)
8 An old count in Baden-Baden: July 1842
91(14)
9 Partying in Paris and London with Antinous: 1842--1843
105(16)
10 A summer idyll on a bend in the river: 1843
121(27)
11 Sin and luxury at 11 boulevard de la Madeleine: 1844--1847
148(16)
12 Alexandre Dumas fils, Lola Montez, and Olympe Aguado: 1844--1845
164(19)
13 The pianist, the baroness, and the actress: October 1845--February 1846
183(17)
14 A registry wedding in London: 21 February 1846
200(8)
15 A summer sunset in the spas of Europe: 1846
208(7)
16 Agony and death of a maiden: October 1846--3 February 1847
215(17)
17 Two winter funerals in Montmartre: February 1847
232(10)
18 Auction at 11 boulevard de la Madeleine: February 1847
242(7)
19 La Dame aux Camelias, by Alexandre Dumas fils: 1848
249(18)
20 La Dame aux Camelias at the Vaudeville: February 1852
267(17)
21 Verdi and the Barezzis---The genesis of La traviata: 1823--1852
284(20)
22 La traviata 1853--4: The apotheosis of Marie Duplessis
304(34)
23 Epilogue: Memory and myth
338(9)
Main Characters 347(2)
Marie Duplessis's life at a glance 349(3)
Notes 352(25)
A bibliographical note 377(3)
References 380(7)
Picture credits 387(3)
Index 390
René Weis is a freelance author and a professor of English at UCL. He has a written on a wide variety of subjects, including Edith Thompson (of the infamous 'Thompson and Bywaters' murder case in the 1920s), the last Cathar insurgency in the Pyrenees in the Middle Ages, and a biography of Shakespeare. As a professional Shakespearian, he has published extensively on Shakespeare and Renaissance drama, his publications including editions of Romeo and Juliet, King Lear, Henry IV Part 2, and an Oxford World Classics edition of the works of John Webster. A lifelong lover of opera, he also contributes regular pieces to the programmes for Royal Opera House productions.