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El. knyga: Routledge Companion to Shakespeare and Philosophy

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Iagos I am not what I am epitomises how Shakespeares work is rich in philosophy, from issues of deception and moral deviance to those concerning the complex nature of the self, the notions of being and identity, and the possibility or impossibility of self-knowledge and knowledge of others. Shakespeares plays and poems address subjects including ethics, epistemology, metaphysics, philosophy of mind, and social and political philosophy. They also raise major philosophical questions about the nature of theatre, literature, tragedy, representation and fiction.

The Routledge Companion to Shakespeare and Philosophy is the first major guide and reference source to Shakespeare and philosophy. It examines the following important topics:











What roles can be played in an approach to Shakespeare by drawing on philosophical frameworks and the work of philosophers?





What can philosophical theories of meaning and communication show about the dynamics of Shakespearean interactions and vice versa?





How are notions such as political and social obligation, justice, equality, love, agency and the ethics of interpersonal relationships demonstrated in Shakespeares works?





What do the plays and poems invite us to say about the nature of knowledge, belief, doubt, deception and epistemic responsibility?





How can the ways in which Shakespeares characters behave illuminate existential issues concerning meaning, absurdity, death and nothingness?





What might Shakespeares characters and their actions show about the nature of the self, the mind and the identity of individuals?





How can Shakespeares works inform philosophical approaches to notions such as beauty, humour, horror and tragedy?





How do Shakespeares works illuminate philosophical questions about the nature of fiction, the attitudes and expectations involved in engagement with theatre, and the role of acting and actors in creating representations?

The Routledge Companion to Shakespeare and Philosophy is essential reading for students and researchers in aesthetics, philosophy of literature and philosophy of theatre, as well as those exploring Shakespeare in disciplines such as literature and theatre and drama studies. It is also relevant reading for those in areas of philosophy such as ethics, epistemology and philosophy of language.

Recenzijos

'Shakespeares poetry and drama provide an inexhaustible commentary on the world and our place in it. Yet Shakespeare never articulated a philosophy. The essays in this companion volume are a fine place to start for anyone who wants to think carefully about what a Shakespeare-inspired philosophy might be.'

Greg Currie, University of York, UK

List of contributors
xi
Preface xvi
Acknowledgements xvii
Introduction and prolegomenon to some future research programme for Shakespeare and philosophy 1(74)
Craig Bourne
Emily Caddick Bourne
PART I Situating Shakespeare
75(44)
1 Shakespeare, Montaigne, and philosophical anti-philosophy
77(11)
Philip Smallwood
2 The (new and old) metaphysical reading of Shakespeare
88(14)
Geza Kallay
3 On the kinship of Shakespeare and Plato
102(17)
Daryl Kaytor
PART II Philosophy of language
119(86)
4 Lear as a tragedy of errors: `He hath ever but slenderly known himself
121(12)
Garry L. Hagberg
5 Figures unethical: circumlocution and evasion in Act 1 of Macbeth
133(13)
Scott F. Crider
6 Conversational perversions, implicature and sham cancelling in Othello
146(15)
Craig Bourne
Emily Caddick Bourne
7 `Seize it, if thou dar'st': three types of imperative conditional in Richard II
161(13)
Borut Trpin
8 The Sonnets and attunement
174(13)
Maximilian de Gaynesford
9 `To thine own self be true': Shakespeare, Eco, and the open work
187(10)
Michael Troy Shell
10 Wittgenstein's enigmatic remarks on Shakespeare
197(8)
Wolfgang Huemer
PART III The ethical and the political
205(104)
11 Shakespeare, intention, and the ethical force of the involuntary
207(13)
Christopher Crosbie
12 `Thou weep'st to make them drink': hospitality and mourning in Timon of Athens
220(14)
Sophie Emma Battell
13 Shakespeare, moral judgements, and moral realism
234(12)
Matthew H. Kramer
14 Blindness and double vision in Richard III: Zamir on Shakespeare on moral philosophy
246(10)
Rafe McGregor
15 Horatio's Stoic philosophy
256(11)
Jan H. Blits
16 Sovereignty, social contract, and the state of nature in King Lear
267(12)
Stella Achilleos
17 Justice: some reflections on Measure for Measure
279(9)
Tzachi Zamir
18 Kiss me, K ...: engendering judgement in Kant's first Critique and Shakespeare's The Taming of the Shrew
288(21)
Jennifer Ann Bates
PART IV Epistemology and scepticism
309(52)
19 The duty of inquiry, or why Othello was a fool
311(12)
Veli Mitova
20 The evil deceiver and the evil truth-teller: Descartes, Iago, and scepticism
323(13)
Dianne Rothleder
21 Climates of trust in Macbeth
336(14)
Julia Reinhard Lupton
22 The sceptic's surrender: believing partly
350(11)
Anita Gilman Sherman
PART V The existential
361(62)
23 `Nothing will come out of nothing': the existential dimension of interpersonal relationships in King Lear
363(11)
Katarzyna Burzynska
24 `And nothing brings me all things': Shakespeare's philosophy of nothing
374(9)
Jessica Chiba
25 Shakespeare and The Absurd
383(15)
Raymond Angelo Belliotti
26 Nietzsche's Hamlet puzzle: life affirmation in The Birth of Tragedy
398(10)
Katie Brennan
27 Time and the other in Cymbeline
408(15)
James A. Knapp
PART VI Self, mind and identity
423(60)
28 Shakespeare and selfhood
425(12)
Kevin Curran
29 Shakespeare and the mind
437(17)
Miranda Anderson
30 Macbeth and the self
454(6)
Colin McGinn
31 `Hit it, hit it, hit it': rigid designation in Love's Labour's Lost
460(13)
Andrew Cutrofello
32 Love, identity and the way of ideas in Twelfth Night
473(10)
Robin Le Poidevin
PART VII Art and the aesthetic
483(58)
33 A taste for slaughter: Stephen Gosson, Titus Andronicus, and the appeal of evil
485(14)
Joel Elliot Slotkin
34 Grotesque laughter as a coping mechanism in Titus Andronicus
499(11)
Adele-France Jourdan
35 Seduced by Romanticism: re-imagining Shakespearean catharsis
510(15)
Patrick Gray
36 Beauty and time in the sonnets
525(16)
Peter Lamarque
PART VIII Performance and engagement
541(62)
37 Role-playing on stage
543(12)
D.H. Mellor
38 Building character: Shakespearean characters and their instantiations in the worlds of performances
555(10)
E.M. Dadlez
39 Shakespeare's theatrical openings
565(15)
James R. Hamilton
40 Shakespeare's embodied Stoicism
580(11)
Donovan Sherman
41 The history plays: fiction or non-fiction?
591(12)
Derek Matravers
Index 603
Craig Bourne is Reader in Philosophy at the University of Hertfordshire, UK. He works mainly on metaphysics, philosophy of language and aesthetics. His books include A Future for Presentism (2006) and Time in Fiction (co-authored with Emily Caddick Bourne, 2016).

Emily Caddick Bourne is Visiting Research Fellow at the University of Hertfordshire, UK. She works mainly on the intersection between metaphysics, philosophy of language and aesthetics. Her publications include Time in Fiction (co-authored with Craig Bourne, 2016). She is a Trustee of the British Society of Aesthetics.