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xi | |
Preface |
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xvi | |
Acknowledgements |
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xvii | |
Introduction and prolegomenon to some future research programme for Shakespeare and philosophy |
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1 | (74) |
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PART I Situating Shakespeare |
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75 | (44) |
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1 Shakespeare, Montaigne, and philosophical anti-philosophy |
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77 | (11) |
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2 The (new and old) metaphysical reading of Shakespeare |
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88 | (14) |
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3 On the kinship of Shakespeare and Plato |
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102 | (17) |
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PART II Philosophy of language |
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119 | (86) |
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4 Lear as a tragedy of errors: `He hath ever but slenderly known himself |
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121 | (12) |
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5 Figures unethical: circumlocution and evasion in Act 1 of Macbeth |
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133 | (13) |
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6 Conversational perversions, implicature and sham cancelling in Othello |
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146 | (15) |
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7 `Seize it, if thou dar'st': three types of imperative conditional in Richard II |
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161 | (13) |
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8 The Sonnets and attunement |
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174 | (13) |
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9 `To thine own self be true': Shakespeare, Eco, and the open work |
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187 | (10) |
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10 Wittgenstein's enigmatic remarks on Shakespeare |
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197 | (8) |
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PART III The ethical and the political |
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205 | (104) |
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11 Shakespeare, intention, and the ethical force of the involuntary |
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207 | (13) |
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12 `Thou weep'st to make them drink': hospitality and mourning in Timon of Athens |
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220 | (14) |
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13 Shakespeare, moral judgements, and moral realism |
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234 | (12) |
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14 Blindness and double vision in Richard III: Zamir on Shakespeare on moral philosophy |
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246 | (10) |
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15 Horatio's Stoic philosophy |
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256 | (11) |
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16 Sovereignty, social contract, and the state of nature in King Lear |
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267 | (12) |
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17 Justice: some reflections on Measure for Measure |
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279 | (9) |
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18 Kiss me, K ...: engendering judgement in Kant's first Critique and Shakespeare's The Taming of the Shrew |
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288 | (21) |
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PART IV Epistemology and scepticism |
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309 | (52) |
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19 The duty of inquiry, or why Othello was a fool |
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311 | (12) |
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20 The evil deceiver and the evil truth-teller: Descartes, Iago, and scepticism |
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323 | (13) |
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21 Climates of trust in Macbeth |
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336 | (14) |
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22 The sceptic's surrender: believing partly |
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350 | (11) |
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361 | (62) |
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23 `Nothing will come out of nothing': the existential dimension of interpersonal relationships in King Lear |
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363 | (11) |
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24 `And nothing brings me all things': Shakespeare's philosophy of nothing |
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374 | (9) |
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25 Shakespeare and The Absurd |
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383 | (15) |
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26 Nietzsche's Hamlet puzzle: life affirmation in The Birth of Tragedy |
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398 | (10) |
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27 Time and the other in Cymbeline |
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408 | (15) |
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PART VI Self, mind and identity |
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423 | (60) |
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28 Shakespeare and selfhood |
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425 | (12) |
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29 Shakespeare and the mind |
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437 | (17) |
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454 | (6) |
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31 `Hit it, hit it, hit it': rigid designation in Love's Labour's Lost |
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460 | (13) |
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32 Love, identity and the way of ideas in Twelfth Night |
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473 | (10) |
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PART VII Art and the aesthetic |
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483 | (58) |
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33 A taste for slaughter: Stephen Gosson, Titus Andronicus, and the appeal of evil |
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485 | (14) |
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34 Grotesque laughter as a coping mechanism in Titus Andronicus |
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499 | (11) |
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35 Seduced by Romanticism: re-imagining Shakespearean catharsis |
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510 | (15) |
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36 Beauty and time in the sonnets |
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525 | (16) |
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PART VIII Performance and engagement |
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541 | (62) |
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543 | (12) |
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38 Building character: Shakespearean characters and their instantiations in the worlds of performances |
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555 | (10) |
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39 Shakespeare's theatrical openings |
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565 | (15) |
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40 Shakespeare's embodied Stoicism |
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580 | (11) |
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41 The history plays: fiction or non-fiction? |
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591 | (12) |
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Index |
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603 | |