Acknowledgements
Preface
Introduction: For Whom the Bell Tolls?: Dangerization of Islam in the 21st Century Britain and the Birth of British Islamic Theatre
Chapter
1. Islamic Playwriting: Theories and Techniques of Production
Chapter
2. Performances of Muslimness: Theatre Venues of Islamic Representations
Chapter
3. Representing Self-Image: Islamic Subjectivities, Homogeneities and Heterogeneities
Chapter
4. Theatricalizing Femininities: Islamic Womanliness, Veiling and Demonization of Muslim Women
Chapter
5. Acts of Masculinities: Muslim Manhood, Youth Culture and Dissent
Chapter
6. Rising Voices Against Marginalization: Racialization, Muslim Anger and Radicalization
Conclusion: Muslims are coming!
References
Index